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Arno Breker was a German architect and sculptor who is best known for his public works in Nazi Germany, where they were endorsed by the authorities as the antithesis of degenerate art. He was made official state sculptor, and exempted from military service. One of his better known statues is Die Partei, representing the spirit of the Nazi Party that flanked one side of the carriage entrance to Albert Speer's new Reich Chancellery.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Esko Männnikkö is a Finnish photographer. Lives and works in Oulu.
He was awarded the prestigious Deutsche Börse Photography Prize in 2008. He has participated in numerous international exhibitions.
Arno Breker was a German architect and sculptor who is best known for his public works in Nazi Germany, where they were endorsed by the authorities as the antithesis of degenerate art. He was made official state sculptor, and exempted from military service. One of his better known statues is Die Partei, representing the spirit of the Nazi Party that flanked one side of the carriage entrance to Albert Speer's new Reich Chancellery.
Paul Wunderlich was a German painter, sculptor and graphic artist. He designed Surrealist paintings and erotic sculptures. He often created paintings which referred to mythological legends.
Ralf Winkler, alias A. R. Penck, was a German painter, printmaker, sculptor, and jazz drummer. A neo-expressionist, he became known for his visual style, reminiscent of the influence of primitive art.
Victor Brauner was a Romanian Surrealist painter and sculptor. He was born in Piatra Neamț, Romania, and studied at the School of Fine Arts in Bucharest before moving to Paris in 1930.
Brauner's art was heavily influenced by his interest in the occult, and his work often featured mystical and dreamlike imagery. He was particularly interested in alchemy and mythology, and his paintings often included references to ancient symbols and esoteric traditions.
During World War II, Brauner was forced to flee Paris and spent time in Marseille and Casablanca before returning to the city in 1945. After the war, he became involved in the French Surrealist movement, and his work was featured in several exhibitions, including the Exposition Internationale du Surréalisme in 1947.
In addition to painting, Brauner also worked as a sculptor, and his sculptures often incorporated found objects and unconventional materials.
Today, Brauner is considered one of the most important figures of the Surrealist movement, and his work continues to be exhibited and studied around the world. His legacy has had a significant impact on the development of modern and contemporary art.
Oskar Kokoschka was an Austrian artist, poet, playwright, and teacher, renowned for his significant contributions to the Expressionist movement. Born on March 1, 1886, in Pöchlarn, Austria, Kokoschka's journey into the arts began against the backdrop of early 20th-century Vienna, a city vibrant with cultural ferment and avant-garde experimentation. Without formal training in painting, Kokoschka brought a unique perspective to his work, approaching the medium with a fresh, unencumbered eye that eschewed traditional methods in favor of intuitive, expressive techniques.
Kokoschka's early career was marked by an innovative approach to portraiture and landscape, characterized by intense expressionism and a deep psychological penetration of his subjects. His artistic philosophy was heavily influenced by 17th-century Czech humanist Jan Amos Comenius, from whom Kokoschka adopted the idea that learning and creativity flourish through sensory engagement and reasoning. This philosophy underpinned both his artistic output and his teaching methodology, which favored storytelling and the evocation of dramatic emotion over conventional art instruction.
Among Kokoschka's notable early works were his contributions to the Vienna Kunstschau and his involvement with the Wiener Werkstätte, which provided him opportunities to explore his artistic voice through various commissions, including postcards and illustrations for children's books. His autobiographical poem "Die träumenden Knaben" (The Dreaming Youths) and the related illustrations showcase his journey from Jugendstil to Expressionism, marking a pivotal moment in his career and in the development of modern art.
Kokoschka's tumultuous affair with Alma Mahler is well-documented, influencing some of his most acclaimed works, such as "The Bride of the Wind" (The Tempest), which vividly encapsulates their passionate, stormy relationship. This work, alongside others like "Portrait of a Young Girl" and "Knight Errant (Self-Portrait)", exemplifies Kokoschka's masterful use of color, form, and emotional intensity to convey complex psychological states and narratives.
Oskar Kokoschka's legacy as a pioneering figure in Expressionism is undisputed. His works continue to resonate with collectors and experts in art and antiques, not only for their aesthetic and emotional depth but also for their groundbreaking approach to visual storytelling and the exploration of the human condition. For those interested in the vibrant world of Expressionist art and the profound humanism of Kokoschka's oeuvre, signing up for updates on new product sales and auction events related to Oskar Kokoschka offers a unique opportunity to engage with the enduring impact of his work.
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Serge Poliakoff was a Russian-born French modernist painter belonging to the 'New' Ecole de Paris (Tachisme).
Walter Dexel was a German painter, commercial graphic designer, and transportation planner. He also functioned as an art historian and directed a museum in Braunschweig during the Second World War.
Damien Hirst is a seminal figure in contemporary art, well-known for his provocative and often controversial works that explore themes of death, rebirth, and the boundaries of art itself. As a leading member of the Young British Artists (YBAs) in the 1990s, Hirst catapulted to fame with his innovative approach to art that combines the techniques of installation, sculpture, and painting.
Damien Hirst's early career was marked by his organization of the pivotal "Freeze" exhibition in 1988, showcasing his and his peers' work, which caught the attention of influential art collectors. This period laid the groundwork for his signature works, including the 'Natural History' series, where animals such as sharks, sheep, and cows are preserved in formaldehyde, challenging viewers to confront the nature of existence and the inevitability of death.
Among Damien Hirst's most iconic pieces is "The Physical Impossibility of Death in the Mind of Someone Living," featuring a tiger shark suspended in formaldehyde, and "For the Love of God," a platinum cast of an 18th-century human skull encrusted with 8,601 flawless diamonds. These works exemplify Hirst's exploration of mortality and the commodification of art.
Damien Hirst's 'Spot Paintings' and 'Spin Paintings' further demonstrate his challenge to traditional notions of authorship and the creative process, often involving teams of assistants in their production. These series play with concepts of randomness, control, and the aesthetic joys of color and form, pushing the boundaries of painting as a medium.
In 2017, Hirst embarked on "Treasures from the Wreck of the Unbelievable," an ambitious project that filled Venetian museums with artifacts from a fictional ancient shipwreck. This project, blending reality and fiction, invited audiences to question the authenticity and value of art, showcasing Hirst's ongoing interest in storytelling and myth-making within the context of contemporary culture.
For collectors and experts in art and antiques, Damien Hirst represents a pivotal figure whose works challenge, provoke, and inspire. His ability to blur the lines between art, science, and commerce has left an indelible mark on the art world, making his pieces highly sought after by collectors around the globe.
Stay updated on Damien Hirst's latest projects, exhibitions, and sales by signing up for dedicated art newsletters. This subscription will ensure you're informed about new opportunities to engage with the work of one of the most influential artists of our time.
Melvin John Ramos was an American figurative painter, specializing most often in paintings of female nudes, whose work incorporates elements of realist and abstract art.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Melvin John Ramos was an American figurative painter, specializing most often in paintings of female nudes, whose work incorporates elements of realist and abstract art.
Thomas Schütte is a German contemporary artist. He sculpts, creates architectural designs, and draws. He lives and works in Düsseldorf.
