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Hideaki Kawashima is a Japanese artist who lives and works in Tokyo.
After graduating from the University of Tokyo, he underwent two years of Buddhist temple training before beginning his career as an artist in 2001.
Hideaki Kawashima uses portrait painting and self-portrait masks to show the ambiguity of human life. His characters with expressive eyes express a spectrum of emotions: fear, desire, anxiety, longing. Yet these emotions are ambiguous. Kawashima brings touches of folklore, mythology and surrealism to androgynous faces.
Georg Karl Pfahler was a German painter, printmaker and sculptor, and one of the leading proponents of post-war art in Germany.
Dóra Maurer is a Hungarian visual artist whose work has spanned a 50-year career. She works in almost every medium, from film and photography, to painting, performance, and sculpture. Principally achieving recognition in the 1970s with avant-garde work, Maurer has developed her art career from works with contemporary and modern influences that have been shown worldwide. Her art is based on mathematical and complex system processes. Most of Maurer's work follows the theme of showing options to the viewer and what the viewer can do with those options. Many of her works break down simple actions so the viewer can really view the piece as movement, not a photograph of movement. Dóra Maurer has in addition been a professor at the Faculty of Fine Arts in Budapest and a curator.
Christoph Ruckhäberle is an artist based in Leipzig. Ruckhäberle studied at the California Institute of the Arts from 1991 to 1992, and received his BFA in painting in 1995 and his MFA in 2002 from Hochschule für Grafik und Buchkunst in Leipzig. He is associated with the New Leipzig School.
Thierry Noir is a French artist and muralist based in Berlin. He is considered the first artist to paint the Berlin Wall in the 1980s. He created brightly-colored paintings across large spans of the Berlin Wall and some of these original paintings can still be seen on surviving segments of the Wall in art collections and on the East Side Gallery. Noir's work and style are now considered iconic, and Noir is also regarded as one of the forerunners of the street art movement as a whole. He continues to create murals worldwide in cities including London, Los Angeles, and Sydney.
Kees van Dongen was a Dutch-French painter renowned for his vivid and expressive works that placed him at the forefront of the Fauvist movement. Born in 1877 in Delfshaven, Netherlands, van Dongen's journey into the art world began with his education at the Akademie voor Beeldende Kunsten in Rotterdam. His move to Paris in 1897 marked a pivotal moment in his career, immersing him in the bustling avant-garde scene and connecting him with influential circles, including Pablo Picasso and the Fauves. Van Dongen's art, characterized by its striking use of color and bold brushwork, captured the essence of his subjects with a unique blend of realism and abstraction.
Van Dongen's work evolved significantly over time, initially influenced by the dark tones of his Dutch heritage and the works of Rembrandt. His encounter with Fauvism around 1906 brought a dramatic shift towards brighter, more vibrant colors, marking his most iconic phase. His ability to capture the sensuousness and personality of his subjects made him a sought-after portraitist among the French bourgeoisie and celebrities of his time. Notable works include "Femme aux bas noirs" (Woman with Black Stockings), "Les lutteuses" (Lutteuses du Tabarin), and "The Dancer Anita," showcasing his fascination with the human figure, particularly sensuous depictions of women.
Beyond his remarkable contributions to Fauvism, van Dongen's ventures into illustration and his role as a society portraitist underscore his diverse talents and adaptability to the changing tastes of the art market. His works are celebrated in major collections worldwide, including the Hermitage Museum and the National Gallery of Denmark, affirming his lasting impact on the art world.
Collectors and art experts continue to appreciate van Dongen's work for its bold experimentation with color, form, and the evocative portrayal of his subjects. His legacy lives on as a testament to the vibrancy and dynamism of early 20th-century modern art.
For those keen to explore van Dongen's captivating works further and stay informed about new discoveries, exhibitions, and auction events related to his art, signing up for updates is a must. This ensures direct access to the latest sales and scholarly insights into the painter's rich oeuvre, a valuable resource for collectors and enthusiasts alike.
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Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.
Edgar Degas, a French artist, was a master of painting, sculpture, and drawing, celebrated for his profound influence on the Impressionist movement despite his preference for being called a realist. Degas was born into a well-off family in Paris, France, and demonstrated a keen interest in art from an early age, eventually shaping his path to become one of the most sophisticated draftsmen of his time. His rigorous academic training and close study of classical art initially aimed him towards a career in history painting, but Degas soon pivoted towards contemporary subject matter, thus cementing his role as a classical painter of modern life.
Degas is renowned for his dynamic portrayals of movement, particularly in his depictions of dancers, racehorses, and everyday Parisian life. His works are characterized by their psychological depth and the isolation of his figures, showcasing his unique ability to capture the essence of his subjects with both empathy and critical distance. More than half of his oeuvre focuses on dancers, reflecting not only his fascination with the ballet but also his innovative approach to composition and form. This focus on the human figure, explored in various media including oil, pastel, and sculpture, underscores Degas's commitment to studying the nuances of human movement and expression.
Degas's artistic career is marked by his experimentation with various techniques and materials, as seen in his bronze sculptures and pastel nudes. One of his most famous sculptures, the study of the young ballet student Marie van Goethem, showcases his pioneering use of real objects in sculpture, a practice that prefigured later artistic innovations. Despite the controversies that sometimes surrounded his work, particularly in his depictions of the female nude, Degas's legacy as an artist who bridged the gap between traditional academic art and the modern movements of the early 20th century remains undisputed.
For collectors and experts in art and antiques, Degas's work offers a fascinating study in the evolution of modern art, highlighting the artist's deep engagement with the cultural and social dynamics of his time. His pieces, whether in the form of paintings, sculptures, or prints, continue to captivate audiences with their complexity, beauty, and innovative spirit.
If you are keen to stay updated on sales and auction events related to Edgar Degas, signing up for updates is a prudent choice. This subscription service ensures that you remain informed about new opportunities to acquire works by this pivotal figure in the art world, without overwhelming you with unnecessary information.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Arnaldo Pomodoro is an Italian sculptor. He was born in Morciano, Romagna, and lives and works in Milan. His brother, Giò Pomodoro (1930-2002) was also a sculptor.
Pomodoro designed a controversial fiberglass crucifix for the Cathedral of St. John the Evangelist in Milwaukee, Wisconsin. The piece is topped with a fourteen-foot diameter crown of thorns which hovers over the figure of Christ.
