academism
Louis Pasteur was a French chemist and the founder of microbiology and vaccination.
Pasteur received a bachelor of arts and sciences from the Royal College of Besançon and a doctorate from the École Normale in Paris, then spent several years as a researcher and teacher at the Lycée de Dijon. In 1848 he became professor of chemistry at the University of Strasbourg, and in the following year began to study the nature of wine fermentation, which began his revolutionary journey of most important scientific discoveries.
He invented a way to kill bacteria by boiling and then cooling the liquid, a process known today as pasteurization. Pasteur discovered the first vaccine in 1879 when he was exposed to a disease called chicken cholera. By accidentally exposing chickens to a weakened form of the culture, he demonstrated that they became resistant to the actual virus. Pasteur subsequently expanded his theory of germs and developed causes and vaccines against anthrax, cholera, tuberculosis, and smallpox, and the success of Pasteur's rabies vaccine in 1885 brought him worldwide fame.
Louis Pasteur's contribution to science, technology and medicine cannot be overemphasized. He pioneered the study of molecular asymmetry; discovered that microorganisms cause fermentation and disease; invented the process of pasteurization; saved the brewing, wine and silk industries in France; developed vaccines against the dreaded diseases anthrax and rabies, which saved millions of lives.
In 1873, Pasteur was elected an associate member of the Academy of Medicine, in 1882 - a member of the French Academy, and in 1888 in Paris was opened the Pasteur Institute. He was also awarded France's highest honor, the Legion of Honor.
Émile Munier was a French academic painter, a pupil of William-Adolphe Bouguereau.
During the 1860s Émile Munier won three medals at the École Nationale Supérieure des Beaux-Arts, and in 1869 he exhibited at the Paris Salon.
Emile Meunier painted peasants and created paintings on mythological and religious themes; he also depicted animals, fishing scenes, landscapes and marinas. In many of his works he used his children as models.
Andre Lhote, a French artist, was a pivotal figure in the Cubist movement, known for his contributions as a painter, theoretician, critic, and art teacher. His journey in the arts began at the École des Beaux-Arts in Bordeaux, focusing on decorative arts before shifting his full attention to painting after moving to Paris in 1906. Lhote's work initially drew influences from Paul Gauguin and Paul Cézanne, but by 1910, he was deeply entrenched in Cubism, aligning with artists like Fernand Léger and Jean Metzinger.
Andre Lhote's impact extended beyond his paintings; he was instrumental in developing Cubist theory through his writings and art criticism, notably contributing to La nouvelle revue française. In 1922, he founded the Académie André Lhote in Paris, shaping the future of many artists, including Henri Cartier-Bresson. His dedication to teaching and theoretical work earned him the Grand Prix National de Peinture in 1955 and a position as president of the UNESCO commission for sculpture's International Association of Painters, Engravers, and Sculptors.
For art collectors and experts, Andre Lhote's work represents a crucial chapter in the history of Cubism, offering insights into the movement's evolution and its theoretical underpinnings. To stay updated on exhibitions or sales featuring Andre Lhote's work, consider signing up for updates from reputable art institutions or galleries.
Émile Munier was a French academic painter, a pupil of William-Adolphe Bouguereau.
During the 1860s Émile Munier won three medals at the École Nationale Supérieure des Beaux-Arts, and in 1869 he exhibited at the Paris Salon.
Emile Meunier painted peasants and created paintings on mythological and religious themes; he also depicted animals, fishing scenes, landscapes and marinas. In many of his works he used his children as models.
Paul Sérusier was a French Post-Impressionist painter and theorist, notable for his significant contributions to the art movement known as the Nabis. Born in Paris on November 9, 1864, Sérusier's work is characterized by its expressive use of color and pattern, inspired by the techniques of Paul Gauguin. He is best known for his exploration of color, sensation, and abstraction, particularly evident in works like "Le Talisman, the Aven River at the Bois d'Amour" (1888). This painting marks a departure from the Impressionists' more faithful representation of observed reality, focusing instead on translating sensations onto the canvas with vibrant brushstrokes and an emphasis on emotional expression over visual accuracy.
Sérusier's paintings often feature the landscapes and people of Brittany, notable for their contemplative mood achieved through firm contours and blocks of unmodulated color. His style evolved under the influence of Synthetism and Cloisonnism, favoring flattened forms and large swathes of color, as seen in "Farmhouse at le Pouldu" (1890). This approach reflects a decorative organization of objects, emphasizing the craft and execution of the scene.
Some of Sérusier's notable works are housed in prestigious museums such as the Musée d'Orsay in Paris, including "Portrait of Paul Ranson in Nabi Costume" (1890) and "Landscape" (1912). His legacy extends beyond his own artworks; he was a key figure in the formation of the Nabis movement, and his theoretical contributions have had a lasting impact on the art world.
For collectors and experts in art and antiques, Sérusier's work represents a unique blend of post-impressionist and symbolist styles, making his pieces highly valued both for their historical significance and their aesthetic appeal. To stay updated on new product sales and auction events related to Paul Sérusier, sign up for our updates. This subscription service is exclusively focused on providing information related to Sérusier's work, ensuring you remain informed about opportunities to acquire pieces by this influential artist.
Friedrich Preller the Elder was a German landscape painter and etcher. From 1832 he was a professor at the Fürstlichen freien Zeichenschule in Weimar. He was the father of the artist Friedrich Preller the Younger.
