belgium
Charles-Frederic Dubois was a Belgian naturalist, artist and author of books on birds and butterflies.
Based on the results of his study of birds and scales of Belgium, Academician Dubois wrote Planches colorées des oiseaux de l'Europe ("Colored Plates of Birds of Europe") and Catalog systématique des Lépidoptères de la Belgique ("Systematic Catalog of Scales of Belgium"), which after his death was completed by his son Alphonse Joseph Charles Dubois (1839-1921).
Alphonse Dubois, full name Alphonse Joseph Charles Dubois, was a Belgian naturalist and physician.
Alphonse Dubois had a doctorate in medicine and in 1869 became curator of vertebrate animals at the Royal Museum of Natural History in Brussels. He worked with his father, the academician Charles-Frédéric Dubois (1804-1867), on the publication Les Oiseaux de l'Europe et leurs œufs (The Birds of Europe and their Eggs), completing it after his father's death. The book consisted of two volumes, the second of which consisted of illustrations by Dubois Sr.
Paul Delvaux, a Belgian painter, stands out in the history of art for his dreamlike scenes that weave together elements of surrealism with classical influences. Born on September 23, 1897, Delvaux's early works were influenced by Flemish Expressionists and the palette of James Ensor, showcasing nudes in landscapes characterized by a somewhat stiff portrayal. His style evolved significantly over time, with a pivotal change around 1933 under the influence of Giorgio de Chirico's metaphysical art, leading to his hallmark style of semi-nude figures in classical ruins or dark forests.
Delvaux's unique approach to art was not confined to the traditional bounds of the Surrealist movement, despite the similarities in thematic content. His work is distinguished by the inclusion of motifs like skeletons and idealized female nudes, set against backgrounds that often feature classical architecture or eerie night scenes. This blend of motifs reflects Delvaux's lifelong fascination with themes of memory, dreams, and the subconscious, a fascination further inspired by the works of René Magritte, though Delvaux maintained a respectful but uneasy relationship with him.
Despite his influences, Delvaux was cautious about aligning too closely with any single art movement or 'ism,' including Surrealism. His visit to an exhibition of Giorgio de Chirico's work in 1926 left a lasting impression, shaping his aesthetic towards creating enigmatic landscapes filled with anachronistic elements. Yet, he kept a distance from the Surrealists, preferring to explore his unique blend of reality and fantasy.
Delvaux's artistry is also deeply personal, drawing heavily from his youth and early experiences. The impact of his childhood, including encounters with medical curiosities at the Midi Fair in Brussels and the poetry of Homer, can be seen in the recurring themes of his work. These personal motifs, alongside his sophisticated use of light and shadow, lend his paintings a poetic dimension that transcends the mere visual to evoke a deeper emotional resonance.
Paul Delvaux's contributions to art are celebrated worldwide, with his works residing in prestigious galleries, including the Tate collection, underscoring his significance in the art world. His ability to blend the surreal with the classical, the personal with the universal, has cemented his legacy as an artist who transcended the boundaries of his time to explore the endless possibilities of imagination and memory.
For collectors and art experts interested in the nuanced realms of culture, art, and the legacy of influential painters like Paul Delvaux, staying informed about new discoveries, sales, and auction events related to his work is essential. Signing up for updates can provide exclusive insights into the evolving appreciation of Delvaux's contributions to modern art.
