copper native
Georg Wolfgang Knorr was a German engraver, naturalist, and one of the first paleontologists of the 18th century.
Knorr was first apprenticed to his father as a lathe operator, and at the age of eighteen became a copper engraver for Leongard Blank, working with Martin Tiroff on the illustrations for Jacob Scheuchzer's Physica Sacra (1731). This work and his acquaintance with J.A. Beurer, a mineralogist and correspondent of the Royal Society, awakened Knorr's interest in natural history.
In the 1750s Knorr began publishing his own sumptuous folios. One of the most beautiful books of the eighteenth century is devoted to sea shells.
Nikolaus von Jacquin, full name Nikolaus Joseph Freiherr von Jacquin, also Baron Nikolaus von Jacquin, was an Austrian and Dutch scientist, professor of chemistry and botany, and director of the Vienna Botanical Garden.
Jacquin is considered a pioneer of scientific botany in Austria. He wrote fundamental works in botany, was the first to describe many plants, fungi, and animals, introduced experimental methods in chemistry, and successfully campaigned for the introduction of Linnaeus' system of plants in Austria. On behalf of Emperor Franz I, von Jacquin was in charge of the imperial gardens (including Schoenbrunn) and also led a scientific expedition to Central America from 1754 to 1759, from which he returned with an extensive collection of plants.
In 1768, Nikolaus von Jacquin was appointed professor of botany and chemistry at the Faculty of Medicine of the University of Vienna and director of the newly founded botanical garden, which he reorganized according to scientific principles. Nikolaus von Jacquin was a member of the Royal Society of London, a foreign honorary member of the St. Petersburg Academy of Sciences, and a correspondent of the Paris Academy of Sciences.
Nikolaus von Jacquin, full name Nikolaus Joseph Freiherr von Jacquin, also Baron Nikolaus von Jacquin, was an Austrian and Dutch scientist, professor of chemistry and botany, and director of the Vienna Botanical Garden.
Jacquin is considered a pioneer of scientific botany in Austria. He wrote fundamental works in botany, was the first to describe many plants, fungi, and animals, introduced experimental methods in chemistry, and successfully campaigned for the introduction of Linnaeus' system of plants in Austria. On behalf of Emperor Franz I, von Jacquin was in charge of the imperial gardens (including Schoenbrunn) and also led a scientific expedition to Central America from 1754 to 1759, from which he returned with an extensive collection of plants.
In 1768, Nikolaus von Jacquin was appointed professor of botany and chemistry at the Faculty of Medicine of the University of Vienna and director of the newly founded botanical garden, which he reorganized according to scientific principles. Nikolaus von Jacquin was a member of the Royal Society of London, a foreign honorary member of the St. Petersburg Academy of Sciences, and a correspondent of the Paris Academy of Sciences.
Pieter Bruegel (also Brueghel or Breughel) the Elder (Dutch: Pieter Bruegel de Oude) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings.
Francis Picabia, born Francis-Marie Martinez de Picabia, was a French avant-garde painter, poet, and typographist, whose work is celebrated for its diversity and innovation. His journey through various art movements, including Impressionism, Cubism, Dadaism, and Surrealism, showcases his refusal to be confined by any one style. Picabia's art is known for its eclectic nature, often blending mechanical elements with organic forms, thereby challenging traditional perceptions of art and beauty.
Picabia's significant contribution to the art world lies not just in his varied artistic output but also in his philosophical approach to creation. He believed in the freedom of expression, often using his art to critique societal norms and the art establishment itself. This rebellious spirit made him a pivotal figure in the Dada movement, where his works were celebrated for their irony and disdain for conventional art values.
Among his notable works, "Amorous Parade" and "I See Again in Memory My Dear Udnie" stand out, housed in prestigious institutions like the Museum of Modern Art in New York. These pieces exemplify Picabia's mastery over blending different elements of art movements, creating works that remain influential to this day. His legacy is not just in the pieces he created but also in his attitude towards art, encouraging future generations to challenge and redefine the boundaries of creativity.
For collectors and experts in art and antiques, Picabia's works represent not only significant artistic achievements but also valuable insights into the evolution of modern art. To stay informed about new product sales and auction events related to Francis Picabia, sign up for updates. This subscription is an essential resource for enthusiasts looking to enrich their collections with pieces from one of the most innovative artists of the 20th century.
