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John Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He created thousands of works which demonstrate — and, in many cases, combine — the narrative potential of images and the associative power of language within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the U.S. and Europe. His work influenced that of Cindy Sherman, David Salle, Annette Lemieux, and Barbara Kruger among others.
Eugen Felix Prosper Bracht was a German landscape painter.
A late Romanticist painter, Bracht was known for his moody landscapes and coastal scenes in North Germany, and began a sketching trip through Syria, Palestine and Egypt from 1880 to 1881. In 1882, he became a Professor of Landscape Painting at the Prussian Academy of Arts.
Later, Bracht became a representative of German Impressionism.
In 1901, he obtained a teaching position at the Dresden Academy of Fine Arts that he held until 1919.
Giacomo Raibolini, also called Giacomo Francia or Jacopo Francia, was an Italian painter and engraver of the Renaissance period. His father Francesco Francia and brother Giulio Raibolini were also artists.
Lavinia Fontana was a Bolognese Mannerist painter active in Bologna and Rome. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She was trained by her father Prospero Fontana who was a teacher at the School of Bologna. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. Her family relied on her career as a painter, and her husband served as her agent and raised their 11 children. She was perhaps the first woman artist to paint female nudes, but this is a topic of controversy among art historians.
Artemisia Gentileschi was a pioneering Italian painter of the Baroque era, celebrated for her vivid portrayals of dramatic scenes and strong female figures drawn from mythology, allegory, and the Bible. Born in Rome in 1593, Gentileschi broke through the gender barriers of her time to become one of the first women to achieve fame as an artist. Her early exposure to painting came through her father, Orazio Gentileschi, a follower of Caravaggio, whose influence is evident in Artemisia's use of chiaroscuro and realistic, emotional expression.
Gentileschi's artistry is particularly noted for its naturalism and the dynamic use of color, which she employed to convey depth and drama. Among her most renowned works are "Susanna and the Elders" (1610), showcasing her skill in portraying the vulnerability and dignity of its subject, and "Judith Slaying Holofernes" (c. 1614–1620), a vivid depiction of strength and determination, housed in the Uffizi Gallery. These works, along with others like "Judith and Her Maidservant" (1625) in the Detroit Institute of Arts, highlight her unique ability to present female subjects not just as objects of beauty, but as agents of power and action.
The complexity of Gentileschi's life, including her survival of rape by Agostino Tassi and the subsequent trial, has often overshadowed her artistic achievements. However, modern scholarship and exhibitions, such as those at the National Gallery in London, have reevaluated her contributions, positioning her as a significant figure in art history for both her mastery of Baroque painting techniques and her role in challenging the era's gender norms.
For art collectors and experts, Gentileschi's works are emblematic of the Baroque spirit and a testament to the resilience and talent of women artists in a male-dominated field. Her paintings are not only valuable for their aesthetic and historical significance but also for their inspirational narrative of overcoming personal and societal challenges.
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Giovanni Antonio Burrini was an Italian painter and engraver who worked during the Late Baroque period.
Giovanni Antonio Burrini worked mainly as a painter, specialising in religious and historical subjects. His style was influenced by the Bolognese school of painting, which emphasized classical composition, clear forms, and vivid colours.
Burrini's paintings often depicted scenes from biblical narratives and mythological stories. His work was distinguished by his meticulous attention to detail, delicate brushwork and sense of dramatic illumination and atmosphere. He also created intricate and finely detailed engravings.
Gaspar Peeter Verbruggen was a Flemish still life painter who is principally known for his decorative still lifes with flowers and fruit. He collaborated with figure artists on compositions which combined figures with a still life element. He was active in Antwerp and The Hague.
