film photo
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![](https://veryimportantlot.com/uploads/art_data/Artist/15244/Philipp Messner2.jpg)
Philipp Messner is an Italian-born German artist and sculptor who lives and works in Munich.
He studied at the Academy of Fine Arts in Vienna and the Ecole Nationale Supérieure des Beaux-Arts in Paris. Messner has become known for his installations with colored snow and sculptures, such as those with magnetized powder. The artist uses the phenomenon of magnetism, changing the sculptures and transforming them into something new: a wooden log covered with iron powder goes into the third state and thus opens to a completely different reading of nature and technology. Messner uses various found objects in his work: branches, stones, boxes, lamps, paper, mask, etc., wrapped in magnetized material and coated with iron powder.
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![](https://veryimportantlot.com/uploads/art_data/Artist/2418/László_Moholy-Nagy_by_Hugo_Erfurth,_c._1930_.jpg)
Laszlo Moholy-Nagy, a Hungarian-American artist, was a visionary in the integration of technology and art, profoundly influencing modern art education in the United States. His journey began in post-World War I Europe, where he immersed himself in the avant-garde art scene, eventually joining the Bauhaus school in Germany. There, Moholy-Nagy embraced various mediums, from photography and film to painting and sculpture, pioneering the movement known as the New Vision, which emphasized the unique perspectives that photography and film could offer compared to the human eye.
Laszlo Moholy-Nagy's innovative approach extended to photograms, a camera-less photographic technique that captures the shadows and silhouettes of objects placed on photosensitive paper. His exploration of light and shadow in this medium underscored his belief in the transformative power of art and technology. Beyond his technical achievements, Moholy-Nagy was a dedicated educator, shaping future generations of artists at the Bauhaus and later in Chicago, where he founded the New Bauhaus, which evolved into the Illinois Institute of Technology's Institute of Design.
His work is celebrated in various prestigious collections, including MoMA and the Smithsonian American Art Museum, where his contributions to modernism and design are acknowledged and revered. Moholy-Nagy's legacy is not only in his artistic output but also in his profound impact on art education and the philosophical discourse around art and technology.
For collectors and experts in art and antiques, Laszlo Moholy-Nagy's work offers a deep dive into the intersection of art, technology, and education. To stay informed about exhibitions and auctions related to Moholy-Nagy's works, consider subscribing to updates from art galleries and auction houses, ensuring you remain connected to the evolving appreciation and understanding of this pivotal figure's contributions.
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![](https://veryimportantlot.com/uploads/art_data/Artist/16581/Jack Aeby.jpg)
Jack W. Aeby is an American environmental physicist and photographer.
Aeby attended the University of Nebraska and was one of the first civilian employees of the Manhattan Project beginning in 1942. He worked on the project in many areas, starting with human transportation, then he was assigned as the chemical warehouse superintendent.
On July 16, 1945, while at base camp with all the official photographic equipment, Aeby took the only well-exposed color photograph of the first detonation of a nuclear weapon at the Trinity Nuclear Test Site in New Mexico, for which he became famous. The rest of the film was destroyed by the explosion. At the time of the photograph, Aeby was a civilian working in the health physics group with Emilio Segre.
Jack Aeby continued to work at Los Alamos during the Crossroads tests and eventually witnessed nearly 100 nuclear explosions. He then returned to work at Los Alamos National Laboratory in the Department of Health Physics.
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