graphics 19th-20th century
Paul Klee, a Swiss-born German artist, was renowned for his unique contribution to the art world, blending elements from expressionism, cubism, and surrealism. Born on December 18, 1879, in Münchenbuchsee, Switzerland, Klee was the second child of a German music teacher and a Swiss singer. Despite early musical talent, Klee pursued visual arts, influenced by a dissatisfaction with the state of modern music and a desire for creative freedom.
Klee's artistic journey began in earnest after he decided against a career in music, despite his exceptional skills with the violin. His education at the Academy of Fine Arts in Munich under the guidance of Heinrich Knirr and Franz von Stuck was crucial in shaping his artistic direction. Although he struggled with color initially, Klee later became a master of color theory, a transition marked by his transformative visit to Tunisia in 1914. This trip was a pivotal moment, leading Klee to declare, "Color and I are one. I am a painter".
Throughout his career, Klee's work was characterized by a profound sense of experimentation and innovation. He explored the boundaries of abstract art, drawing inspiration from his vast interests, including literature, music, and his own theories on art and aesthetics. His lectures on form and design theory at the Bauhaus, where he taught alongside luminaries like Wassily Kandinsky, are considered as seminal to modern art as Leonardo da Vinci's treatises were to the Renaissance.
Klee's art is celebrated for its intricacy, humor, and the ability to express complex themes through seemingly simplistic and childlike forms. His notable works, such as "Twittering Machine" (1922) and "Highway and Byways" (1928), showcase his skill in using color, shape, and line to evoke depth and emotion.
For collectors and art and antiques experts, Klee's legacy is a testament to the power of innovation and the search for personal expression within the avant-garde movements of the 20th century. His works, housed in prestigious museums and galleries around the world, continue to inspire and intrigue.
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Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
 Макс Клингер. Никола Першайд. Фотографический портрет Макса Клингера, 1913.jpg)
Max Klinger was a German painter, graphic artist and sculptor and a symbolist.
Max Klinger was a German painter, graphic artist and sculptor and a symbolist.
Werner Berges is a contemporary German artist and graphic artist, a representative of Pop Art.
Typical of him are bright colours and sharp outlines, the use of spot painting and the strips that give his works the character of reproductions. The heroes of his paintings are pop and film stars, advertising types of women and photo-models, whose erotic poses and captivating glances Werner Berges emphasizes with a powerful combination of colours, points, stripes and collage. At the core of his drawing is a "graphic framework" that exists independently of the overlay of colours on the canvas. The artist tries to show himself to be completely independent and impartial about what he has created and only signs his work on the back of the canvas.
Andrzej Cisowski is a Polish multimedia artist and graphic artist.
Cisowski graduated from the Academy of Fine Arts in Warsaw and was initially associated with the Neue Wilde movement (Neo-Fauvism). Over time he developed his own individual style on the border of figurative painting and new expression. The artist also created paintings based on old photographs.
Helmut Sturm was a German painter.
From 1952 to 1958, he studied at the Akademie der Bildenden Künste, Munich. After this he joined Heimrad Prem, Lothar Fischer and Hans-Peter Zimmer in founding Gruppe SPUR, which in 1959 entered the Situationist International.
From 1980 to 1982, he was guest professor at the Hochschule der Künste, Berlin, taking over Hann Trier's class. He continued to exhibit across Germany and from 1985 to 1998 was professor at the Akademie der Bildenden Künste, Munich.
