kirche
Athanasius Kircher was a German scholar, inventor, professor of mathematics and oriental studies, and a friar of the Jesuit order.
Kircher knew Greek and Hebrew, did scientific and humanities research in Germany, and was ordained in Mainz in 1628. During the Thirty Years' War he was forced to flee to Rome, where he remained for most of his life, serving as a kind of intellectual and information center for cultural and scientific information drawn not only from European sources but also from an extensive network of Jesuit missionaries. He was particularly interested in ancient Egypt and attempted to decipher hieroglyphics and other riddles. Kircher also compiled A Description of the Chinese Empire (1667), which was long one of the most influential books that shaped the European view of China.
A renowned polymath, Kircher conducted scholarly research in a variety of disciplines, including geography, astronomy, mathematics, languages, medicine, and music. He wrote some 44 books, and more than 2,000 of his manuscripts and letters have survived. He also assembled one of the first natural history collections.
Lyonel Charles Adrian Feininger was an American-German artist renowned for his unique integration of Expressionism, Cubism, and Bauhaus principles. His body of work, which spans several critical decades in modernism's development, is celebrated for its distinctive blend of architectural and nautical motifs, articulated through planar shifts and jagged lines of Cubism, with a vibrant Orphist color palette.
Lyonel Feininger's journey as an artist began in earnest when he was 36, becoming a pivotal figure in various German expressionist groups and a founding member of the Bauhaus, where he led the printmaking workshop. His art, which also includes significant contributions to caricature and photography, explores the intricate relationship between humanity and industrialization, evident in his depictions of architectural and mechanized forms.
His work was subject to Nazi criticism, being labeled as "degenerate," which led to his return to the United States, where he continued to evolve his artistic style. Posthumously, Lyonel Feininger's art has been the focus of several retrospectives, and his pieces, like "Jesuits III," continue to fetch high figures at auctions, underscoring his lasting impact on the art world.
Notably, Lyonel Feininger's "Cathedral" woodcut, representing the Bauhaus's utopian vision, remains one of his most iconic works, symbolizing the integration of art and craftsmanship with its avant-garde yet traditional approach. His legacy is further carried by his sons, Andreas and T. Lux Feininger, who also made their marks in the arts.
For collectors and art and antiques experts, Feininger's work represents a fascinating intersection of various art movements and a testament to the enduring nature of expressive and innovative artistry. To stay updated on new product sales and auction events related to Lyonel Feininger, consider signing up for updates, ensuring you're informed about the latest opportunities to engage with his enduring legacy.
Franz Heckendorf was a German painter and graphic artist who was particularly successful during the Weimar Republic. During the National Socialist era, he was sentenced to ten years in prison after helping Berlin Jews threatened with deportation to extermination camps to escape to Switzerland.
Hans Marsilius Purrmann was a German artist.
He completed an apprenticeship as a scene painter and interior decorator, and subsequently studied in Karlsruhe and Munich before going to Paris in 1906. It was here he became a student and later a friend of Henri Matisse whom he set up a painting school with.
Marc Louis Benjamin Vautier, called the Elder, or simply Benjamin Vautier, was a Swiss painter and representative of the anecdotal narrative genre painting of the Düsseldorf School. He settled in Düsseldorf, where he became one of the masters of the local school of genre painting. He is the father of the artist Otto Vautier and great-grandfather of the artist BEN (Benjamin Vautier).
