painting nude
Ernst Liebermann was a German painter who was born in 1869.Ernst Liebermann's work has been offered at auction multiple times, with realized prices ranging from 16 USD to 7,906 USD, depending on the size and medium of the artwork. Since 2002 the record price for this artist at auction is 7,906 USD for The white Rose, sold at Stahl Auction House in 2021.
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Pinchus Krémègne (Hebrew: פנחס קרמין; Russian: Пинхус Кремень), was a Lithuanian Jewish-French artist, primarily known as a sculptor, painter and lithographer.
Grigory Efimovich Glukman (Glikman) was a Russian-American graphic artist.
In the 1930s Grigory Glukman was mainly engaged in easel painting. At that time, his main subjects were scenes from Parisian street life, landscapes, portraits, and nudes. In 1941 he emigrated to the USA.
Alexander Vasilyevich Kuprin (Russian: Алекса́ндр Васи́льевич Купри́н) was a Russian painter and educator, renowned for his contribution to the "Jack of Diamonds" group and his profound influence on Soviet art. Born in Borisoglebsk, Voronezh region, in 1880, Kuprin's early life was steeped in the creative atmosphere provided by his family, moving to Voronezh in 1893. His educational journey through various art schools culminated at the Moscow School of Painting, Sculpture, and Architecture, where he was under the tutelage of Abram Arkhipov and Konstantin Korovin.
Kuprin's art evolved significantly over time. Initially inspired by French painting and Cézanne, his early works were marked by Cubist influences, characterized by a geometric simplification of forms. As one of the founding members of the Knave of Diamonds, he was at the forefront of avant-garde movements in Russia. However, his style underwent a transformation towards realism in the 1920s, influenced by his experiences in Nizhny Novgorod and later travels to Crimea. This period marked a departure from avant-garde to a focus on industrial landscapes and the natural beauty of the Crimean peninsula.
His significant works, often reflecting his fascination with the interplay of light, shadow, and form, are held in high esteem, with notable pieces like "Still Life With Blue Tray" and "The Beasal’skaia Valley" housed in the Tret’iakov Gallery. Kuprin's commitment to education saw him teaching at various institutions, including the Moscow textile Institute and the Moscow Higher Art and Industrial School, influencing generations of artists.
Alexander Vasilyevich Kuprin's legacy is not only in the beauty he captured on canvas but also in the minds he shaped through his teaching. His works, a testament to the evolution of Russian art through turbulent times, continue to inspire and captivate.
Collectors and experts in art and antiques can find a deeper appreciation for Kuprin's work by exploring his contributions to the Russian avant-garde and his influence on Soviet art aesthetics. For those interested in staying updated on sales and auction events related to Alexander Vasilyevich Kuprin, signing up for updates is highly recommended. This subscription will provide exclusive insights into the availability of his works, ensuring enthusiasts don't miss the opportunity to own a piece of Russian art history.
Zinaida Yevgenyevna Serebriakova (Russian: Зинаида Евгеньевна Серебрякова) was a Russian painter known for her lifelike portraits and depictions of rural life, which resonate with warmth and a profound sense of humanity. Born into the distinguished Benois family in 1884, her early life was immersed in art, guided by notable figures like her grandfather, Alexandre Benois, and influenced by her study trips to Italy and under the mentorship of Ilya Repin and Osip Braz. Her marriage to Boris Serebriakov further enriched her artistic environment, enabling her to produce works that captured the simple joys and the intrinsic beauty of her surroundings.
Serebriakova's art gained significant attention with her self-portrait "At the Dressing-Table" (1909) and continued with notable works like "Peasants" (1914–1915) and "Bleaching Cloth" (1917), highlighting her exceptional skill in portraying the Russian countryside and its inhabitants with a blend of grandeur and intimacy. Her ability to imbue her canvases with the spirit of her subjects, whether through the dignified depictions of peasant life or the intimate portrayals of her family, set her apart in the Russian art scene of the early 20th century.
The October Revolution of 1917 marked a turning point in Serebriakova's life, leading to personal tragedies and a shift in her artistic medium due to financial constraints. Despite these challenges, her resilience and dedication to art remained steadfast, evident in her works from this period that include poignant family portraits and explorations of new subjects in the realm of theatre and ballet.
In 1924, Serebriakova moved to Paris, where her art evolved through influences from travels, notably her trips to Morocco, capturing the vibrancy of landscapes and local cultures. Yet, the essence of her work—characterized by a celebration of beauty and life—remained consistent throughout her career. Although separated from her homeland for many years, the recognition of her art in the Soviet Union before her death in 1967 affirmed her lasting impact on Russian and French art.
Zinaida Serebriakova's legacy is a testament to her indomitable spirit and artistic prowess, making her one of the most cherished painters of her time. Her works continue to be celebrated for their technical brilliance, emotional depth, and the unique perspective she offered on the beauty of everyday life.
For collectors and experts in art and antiques, Serebriakova's works offer a window into the soul of early 20th-century Russia and France, embodying the universal themes of family, work, and the natural world with unparalleled sensitivity and grace. To stay updated on sales and auction events featuring Zinaida Yevgenyevna Serebriakova's works, signing up for updates is a step toward owning a piece of this exceptional artistic legacy.
Barthelemy Prieur was a French sculptor.
