poe
Samuel Kettell was an American writer and editor.
He was an accomplished self-taught linguist and mastered fourteen languages. His humorous publications in the Boston Courier under pseudonyms attracted attention and in 1848 he became the permanent editor-in-chief of this newspaper.
Kettell's major work, however, was Samuel Griswold Goodrich's Samples of American Poetry with Critical and Biographical Notes, which was published in 1829. This comprehensive catalog is the first bibliography of early American poetry, and includes the works of nearly 200 poets before 1829.Kettell provided biographical sketches of each writer, from Cotton Mather to Francis Scott Key, Washington Irving, and Sarah Josepha Hale.
In addition, Kettell published A Personal Narrative of Columbus's First Voyage (1827) and Accounts of the Spanish Inquisition (1828).
Phillis Wheatley or Phillis Wheatley Peters was an American poet born in Africa.
A native of West Africa, Phillis Wheatley was kidnapped as a young child and sold as a slave in 1761 to John and Susanna Wheatley in Boston. They chose the name Phyllis for her in honor of the ship on which the girl traveled the Middle Passage. The Wheatley family quickly recognized her intellectual abilities and encouraged her study of the classics. Phyllis began writing poems and verses, and some were even published when she was only 14 years old.
However, the 18th-century public had great difficulty accepting a black slave girl as a writer. In May 1773, Wheatley traveled to London with her master's son. There her first book, Poems on Miscellaneous Subjects, Religious and Moral, was published. Wheatley's literary talent and personal qualities contributed to her great social success in London. In the fall of 1773, Phyllis returned to the United States and Wheatley was granted her freedom. She married, but lived only 31 years.
Wheatley's most famous poem today, "On Being Brought from Africa to America" (1768), directly addresses the theme of slavery.
![MALLARMÉ, Stéphane (1842-1898), Édouard MANET (1832-1883), [et Edgar Allan POE (1809-1849)]](/assets/image/picture_2932228/bf79b/784c4bc1d6bc30273c33fee59391edc21687420800jpg__fix_374_244.jpeg)
![MALLARMÉ, Stéphane (1842-1898), Édouard MANET (1832-1883), [et Edgar Allan POE (1809-1849)]](https://veryimportantlot.com/assets/image/picture_2932228/bf79b/784c4bc1d6bc30273c33fee59391edc21687420800jpg__fix_374_244.jpeg)
Édouard Manet, a French modernist painter born in 1832, was one of the pioneering artists of the 19th century who ventured into painting modern life, marking a significant transition from Realism to Impressionism. His notable works, such as "The Luncheon on the Grass" and "Olympia," both created in the early 1860s, were radical for their time and sparked controversy for their unconventional subject matter and depiction of modern life. These pieces, among others, have been recognized as milestones in the development of modern art.
Manet's background was one of privilege and connection, coming from an upper-class family with strong political ties. Despite expectations for him to pursue a career in law or the navy, Manet was drawn to painting from a young age, influenced by his uncle and the works of Old Masters like Diego Velázquez and Francisco José de Goya during his visits to the Louvre. His early rejection from the naval academy led him to fully commit to an art education under Thomas Couture, where he developed his unique style characterized by loose brush strokes and a focus on contemporary subjects over traditional historical, religious, or mythological themes.
Throughout his career, Manet's work was often met with criticism for its apparent disregard for traditional painting techniques and its bold choice of subject matter. Despite this, his exhibitions, including a self-organized one across from the Exposition Universelle in 1867, gradually gained the recognition and support of fellow artists and critics. His relationships with contemporaries like Émile Zola, Edgar Degas, and Claude Monet were crucial in his development and in establishing his legacy as a forerunner to the Impressionist movement, despite never formally joining their exhibitions.
Manet's influence on modern art cannot be overstated. His works are housed in prestigious museums worldwide, including the Musée d'Orsay in Paris, which holds "The Luncheon on the Grass," a testament to his enduring impact on the art world. Manet's ability to capture the essence of modern life, combined with his innovative techniques, positioned him as a central figure in the transition towards modern artistic expressions.
For collectors and experts in art and antiques, Manet's work represents not just the innovation of the 19th century but also the enduring appeal of an artist who dared to challenge the status quo. His paintings are not just artifacts of their time but also serve as a bridge between traditional and modern art, offering insight into the evolution of artistic expression.
To stay informed about new product sales, auction events, and updates related to Édouard Manet, signing up for updates can be a valuable resource for enthusiasts looking to deepen their understanding of this pivotal artist's contributions to the world of art.
Stéphane Mallarmé was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Cubism, Futurism, Dadaism, and Surrealism.
Edgar Allan Poe was an American writer and poet, editor and critic who created a form of classical detective fiction in an atmosphere of mystery and horror.
In prose, Allan Poe wrote mostly short stories. His novella The Murders in the Rue Morgue (1841) initiated the modern detective story, and his poem The Raven (1845) is among the most famous in American literature. Romanticism of the first third of the 19th century was shrouded in a fog of Satanism and the occult, which obviously influenced the work of Poe, whose personality was subtle, dualistic, and multifaceted.
Most of Poe's best works are permeated with horror and sorrow, but in life the poet was a pleasant conversationalist with a great sense of humor and a talented orator. All this, coupled with the genius of the writer-narrator provided him with a prominent place among the world-famous writers. Edgar Allan Poe revolutionized the horror genre. He was one of the first to bring deep, visceral, psychological horror into literature. In his stories, the true monster often turned out to be the capacity for evil that lurks within every human being.
Edgar Allan Poe was an American writer and poet, editor and critic who created a form of classical detective fiction in an atmosphere of mystery and horror.
In prose, Allan Poe wrote mostly short stories. His novella The Murders in the Rue Morgue (1841) initiated the modern detective story, and his poem The Raven (1845) is among the most famous in American literature. Romanticism of the first third of the 19th century was shrouded in a fog of Satanism and the occult, which obviously influenced the work of Poe, whose personality was subtle, dualistic, and multifaceted.
Most of Poe's best works are permeated with horror and sorrow, but in life the poet was a pleasant conversationalist with a great sense of humor and a talented orator. All this, coupled with the genius of the writer-narrator provided him with a prominent place among the world-famous writers. Edgar Allan Poe revolutionized the horror genre. He was one of the first to bring deep, visceral, psychological horror into literature. In his stories, the true monster often turned out to be the capacity for evil that lurks within every human being.
Emily Elizabeth Dickinson was a 19th-century American lyric poet.
Emily led a secluded and rather unusual lifestyle, preferring active correspondence instead of personal communication. In addition to many brilliant and witty letters to her family and friends, she wrote about two thousand poems during her lifetime, but only about ten were published during her lifetime.
Dickinson possessed an extraordinary brilliance of style and integrity of vision and, along with Walt Whitman, is today considered one of the two leading American poets of the nineteenth century. She easily ignored the usual rules of versification and even grammar, and in the intellectual content of her works showed exceptional courage and originality. It is known that the poetess was particularly impressed by the poetry of Ralph Waldo Emerson, and with Charles Wadsworth she corresponded.
Today, the work of Emily Dickinson is evaluated as a bright forerunner of modernism, it is widely studied in educational institutions in the United States and Europe.
Edgar Allan Poe was an American writer and poet, editor and critic who created a form of classical detective fiction in an atmosphere of mystery and horror.
In prose, Allan Poe wrote mostly short stories. His novella The Murders in the Rue Morgue (1841) initiated the modern detective story, and his poem The Raven (1845) is among the most famous in American literature. Romanticism of the first third of the 19th century was shrouded in a fog of Satanism and the occult, which obviously influenced the work of Poe, whose personality was subtle, dualistic, and multifaceted.
Most of Poe's best works are permeated with horror and sorrow, but in life the poet was a pleasant conversationalist with a great sense of humor and a talented orator. All this, coupled with the genius of the writer-narrator provided him with a prominent place among the world-famous writers. Edgar Allan Poe revolutionized the horror genre. He was one of the first to bring deep, visceral, psychological horror into literature. In his stories, the true monster often turned out to be the capacity for evil that lurks within every human being.
William Munford was an American legislator and court reporter, writer, poet, and translator.
After receiving a law degree, Munford entered politics, represented Mecklenburg County in the Virginia House of Delegates, and was elected to the state Senate. Munford was also a legal reporter for decisions of the Virginia Supreme Court of Appeals, for which he prepared six annual issues a year.
He also published collections of poetry and engaged in translations of classical works, including Homer's Iliad.
McDonald Clarke was an American outsider poet of the first half of the 19th century.
McDonald Clarke led an eccentric lifestyle and was nicknamed the Mad Poet of Broadway. He suffered periodic bouts of insanity, but was a regular on the New York poetry scene. Clarke was also known for sleeping in cemeteries and imitating Lord Byron. In his many poems, he covered topics ranging from social satire to sentimental romanticism.
Clarke was always virtually penniless and ended his life in a New York prison, where he was taken in another fit. The mad poet was immortalized by Walt Whitman, whom he greatly influenced as a mystical figure and outsider poet. The young Whitman was fascinated by both Clark's works and his eccentric life. Contemporaries describe Clarke as a mad child with aristocratic manners, meek and always happy, and all his oddities did no harm to those around him.
Édouard Manet, a French modernist painter born in 1832, was one of the pioneering artists of the 19th century who ventured into painting modern life, marking a significant transition from Realism to Impressionism. His notable works, such as "The Luncheon on the Grass" and "Olympia," both created in the early 1860s, were radical for their time and sparked controversy for their unconventional subject matter and depiction of modern life. These pieces, among others, have been recognized as milestones in the development of modern art.
Manet's background was one of privilege and connection, coming from an upper-class family with strong political ties. Despite expectations for him to pursue a career in law or the navy, Manet was drawn to painting from a young age, influenced by his uncle and the works of Old Masters like Diego Velázquez and Francisco José de Goya during his visits to the Louvre. His early rejection from the naval academy led him to fully commit to an art education under Thomas Couture, where he developed his unique style characterized by loose brush strokes and a focus on contemporary subjects over traditional historical, religious, or mythological themes.
Throughout his career, Manet's work was often met with criticism for its apparent disregard for traditional painting techniques and its bold choice of subject matter. Despite this, his exhibitions, including a self-organized one across from the Exposition Universelle in 1867, gradually gained the recognition and support of fellow artists and critics. His relationships with contemporaries like Émile Zola, Edgar Degas, and Claude Monet were crucial in his development and in establishing his legacy as a forerunner to the Impressionist movement, despite never formally joining their exhibitions.
Manet's influence on modern art cannot be overstated. His works are housed in prestigious museums worldwide, including the Musée d'Orsay in Paris, which holds "The Luncheon on the Grass," a testament to his enduring impact on the art world. Manet's ability to capture the essence of modern life, combined with his innovative techniques, positioned him as a central figure in the transition towards modern artistic expressions.
For collectors and experts in art and antiques, Manet's work represents not just the innovation of the 19th century but also the enduring appeal of an artist who dared to challenge the status quo. His paintings are not just artifacts of their time but also serve as a bridge between traditional and modern art, offering insight into the evolution of artistic expression.
To stay informed about new product sales, auction events, and updates related to Édouard Manet, signing up for updates can be a valuable resource for enthusiasts looking to deepen their understanding of this pivotal artist's contributions to the world of art.
Stéphane Mallarmé was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Cubism, Futurism, Dadaism, and Surrealism.
Edgar Allan Poe was an American writer and poet, editor and critic who created a form of classical detective fiction in an atmosphere of mystery and horror.
In prose, Allan Poe wrote mostly short stories. His novella The Murders in the Rue Morgue (1841) initiated the modern detective story, and his poem The Raven (1845) is among the most famous in American literature. Romanticism of the first third of the 19th century was shrouded in a fog of Satanism and the occult, which obviously influenced the work of Poe, whose personality was subtle, dualistic, and multifaceted.
Most of Poe's best works are permeated with horror and sorrow, but in life the poet was a pleasant conversationalist with a great sense of humor and a talented orator. All this, coupled with the genius of the writer-narrator provided him with a prominent place among the world-famous writers. Edgar Allan Poe revolutionized the horror genre. He was one of the first to bring deep, visceral, psychological horror into literature. In his stories, the true monster often turned out to be the capacity for evil that lurks within every human being.
Edgar Allan Poe was an American writer and poet, editor and critic who created a form of classical detective fiction in an atmosphere of mystery and horror.
In prose, Allan Poe wrote mostly short stories. His novella The Murders in the Rue Morgue (1841) initiated the modern detective story, and his poem The Raven (1845) is among the most famous in American literature. Romanticism of the first third of the 19th century was shrouded in a fog of Satanism and the occult, which obviously influenced the work of Poe, whose personality was subtle, dualistic, and multifaceted.
Most of Poe's best works are permeated with horror and sorrow, but in life the poet was a pleasant conversationalist with a great sense of humor and a talented orator. All this, coupled with the genius of the writer-narrator provided him with a prominent place among the world-famous writers. Edgar Allan Poe revolutionized the horror genre. He was one of the first to bring deep, visceral, psychological horror into literature. In his stories, the true monster often turned out to be the capacity for evil that lurks within every human being.
Edgar Allan Poe was an American writer and poet, editor and critic who created a form of classical detective fiction in an atmosphere of mystery and horror.
In prose, Allan Poe wrote mostly short stories. His novella The Murders in the Rue Morgue (1841) initiated the modern detective story, and his poem The Raven (1845) is among the most famous in American literature. Romanticism of the first third of the 19th century was shrouded in a fog of Satanism and the occult, which obviously influenced the work of Poe, whose personality was subtle, dualistic, and multifaceted.
Most of Poe's best works are permeated with horror and sorrow, but in life the poet was a pleasant conversationalist with a great sense of humor and a talented orator. All this, coupled with the genius of the writer-narrator provided him with a prominent place among the world-famous writers. Edgar Allan Poe revolutionized the horror genre. He was one of the first to bring deep, visceral, psychological horror into literature. In his stories, the true monster often turned out to be the capacity for evil that lurks within every human being.
James Russell Lowell was an American poet, educator, and diplomat.
From 1845 to 1850, he wrote about 50 articles against slavery for periodicals. Two of Lowell's other two most important works were also published in 1848: the poem "Sir Launfal's Vision," praising the brotherhood of man, and "A Fable for Critics," a witty appraisal of contemporary American authors. These books, together with the publication in the same year of a second series of his poems, made Lowell the most popular new figure in 19th-century American literature.
Edgar Allan Poe was an American writer and poet, editor and critic who created a form of classical detective fiction in an atmosphere of mystery and horror.
In prose, Allan Poe wrote mostly short stories. His novella The Murders in the Rue Morgue (1841) initiated the modern detective story, and his poem The Raven (1845) is among the most famous in American literature. Romanticism of the first third of the 19th century was shrouded in a fog of Satanism and the occult, which obviously influenced the work of Poe, whose personality was subtle, dualistic, and multifaceted.
Most of Poe's best works are permeated with horror and sorrow, but in life the poet was a pleasant conversationalist with a great sense of humor and a talented orator. All this, coupled with the genius of the writer-narrator provided him with a prominent place among the world-famous writers. Edgar Allan Poe revolutionized the horror genre. He was one of the first to bring deep, visceral, psychological horror into literature. In his stories, the true monster often turned out to be the capacity for evil that lurks within every human being.
Mercy Otis Warren was an American poet, satirist, playwright, historian, and essayist of the American Revolution.
Mercy Otis was born into a prosperous Cape Cod Island family and was immersed early in the tumultuous political events taking place in the country at the time. One of her brothers was political activist James Otis, who was involved in the American Revolution from the beginning. In 1754, Mercy Otis married farmer James Warren, who later served in the Massachusetts legislature (1766-78). Through her husband's political connections, Warren was personally acquainted with most of the leaders of the Revolution and was constantly at the center of events for more than two decades.
Combining her own convictions with her writing talent, Warren became a poet and historian of the revolutionary era. Her first incisive and polemical pieces in verse were published in a Boston newspaper. This was followed by the prophetic novel Defeat and other works. In 1790 she published a collection of her works, Poems, Dramatic and Miscellaneous, which included two new plays, The Sack of Rome and The Ladies of Castille. For a woman of the time, such publications were very daring, as female writers usually hid under pseudonyms.
Warren also corresponded extensively with politicians, including George Washington and Thomas Jefferson. In 1805, she completed a three-volume work entitled A History of the Rise, Progress, and Termination of the American Revolution. This book was the earliest work on historical events in the country. Its proximity to political leaders and major national events makes Mercy Warren's writings on the American Revolutionary period especially valuable.
Nathaniel Evans was an American colonial clergyman and poet.
Evans was born in Philadelphia in the family of a merchant, graduated from the William Smith Academy in that city. In 1765 he received a master's degree from the University of Pennsylvania. In the same year he edited a collection of poems by his friend Thomas Godfrey. He also organized churches in Waterford and Gloucester, New Jersey.
Nathaniel Evans died of tuberculosis after living only 25 years, so his poetic talent remained undiscovered. But from a collection of a few of his poems published in 1772, we can tell that his mind was of a fine and refined stock, and his imagination was vivid.
Elizabeth Graeme Fergusson or Betsy Graeme was an American colonial writer and poet.
Elizabeth Graeme was born and raised in a wealthy and influential Philadelphia family. In 1764-65, she traveled to London, where she met several leading literary and scientific figures. She soon established something of a literary salon at her native Graeme Park Manor.
Elizabeth Fergusson left few literary works other than a translation of The Adventures of Telemac from the French and a long poem on female suffering, The Abandoned Wife. She is remembered more for her letters and actions during the American War of Independence (1775-83), in which her family suffered considerably. Her husband Henry H. Fergusson was arrested and outlawed, and Graeme Park was confiscated at the end of the war.
James Whitcomb Riley was an American children's poet and writer.
In 1874, Riley began working as a reporter and assistant editor for various publications, writing book reviews, humorous articles, and poems for the Indianapolis Journal newspaper. Riley also lectured from universities to theaters across the country, where he read poetry alongside writer Edgar Wilson (Bill) Nye. He attracted audiences with his oratorical skills and his imitation of the dialects of rural Indiana.
Many of Riley's poems, published in the Indianapolis Journal, were later collected in his first book, The Old Swimmin'-Hole and 'Leven Other Poems, published in 1883. By the 1890s, Riley had achieved commercial success through his writing talents and touring. His book 'Poems of Childhood' became a bestseller and he became known in the community as the 'child poet'.
Riley's poems "Little Orphan Annie" and "The Raggedy Man" served as inspiration for the books and puppets of the Broadway musical "Annie and Raggedy Ann," as well as many other entertaining works. A prolific writer, Riley published more than 50 books during his lifetime, his witty poetry is especially appreciated for its sometimes quirky reflection of small-town America.
Phillis Wheatley or Phillis Wheatley Peters was an American poet born in Africa.
A native of West Africa, Phillis Wheatley was kidnapped as a young child and sold as a slave in 1761 to John and Susanna Wheatley in Boston. They chose the name Phyllis for her in honor of the ship on which the girl traveled the Middle Passage. The Wheatley family quickly recognized her intellectual abilities and encouraged her study of the classics. Phyllis began writing poems and verses, and some were even published when she was only 14 years old.
However, the 18th-century public had great difficulty accepting a black slave girl as a writer. In May 1773, Wheatley traveled to London with her master's son. There her first book, Poems on Miscellaneous Subjects, Religious and Moral, was published. Wheatley's literary talent and personal qualities contributed to her great social success in London. In the fall of 1773, Phyllis returned to the United States and Wheatley was granted her freedom. She married, but lived only 31 years.
Wheatley's most famous poem today, "On Being Brought from Africa to America" (1768), directly addresses the theme of slavery.
Paul Allen is an American editor, historian, and poet.
He attended Brown University and later moved to Philadelphia, where he was editor of The Port Folio, The Gazette of the United States, and The Federal Republican. Success came to Allen in Baltimore, where he served as editor until his death at the Baltimore Morning Chronicle newspaper. Paul Allen also joined the Delphic Club, and his epic poem Noah (1821) was a success.
David Humphreys was an American soldier, statesman, diplomat, writer, poet, and biographer.
He received his bachelor's degree from Yale University, where he became a member of the Hartford Witters and taught, and went to serve in the Continental Army in the summer of 1776.
A close friend and aide to George Washington, Humphreys was an eyewitness and active participant in the early years of the United States. During his long career, Col. David Humphreys served as a soldier, secretary, diplomat, and was a writer, poet, orator, biographer, and industrialist. His speeches, poems, literary works, and correspondence with Washington and others of the founding generation serve as a valuable source for historians of the early republic in the late eighteenth and early nineteenth centuries.
Because of his intelligence and diligence, David Humphreys had a long record of service and held many public offices, among others serving as U.S. minister to Spain from 1797 to 1801. He was a member of the Royal Society of London and the American Antiquarian Society.
Phillis Wheatley or Phillis Wheatley Peters was an American poet born in Africa.
A native of West Africa, Phillis Wheatley was kidnapped as a young child and sold as a slave in 1761 to John and Susanna Wheatley in Boston. They chose the name Phyllis for her in honor of the ship on which the girl traveled the Middle Passage. The Wheatley family quickly recognized her intellectual abilities and encouraged her study of the classics. Phyllis began writing poems and verses, and some were even published when she was only 14 years old.
However, the 18th-century public had great difficulty accepting a black slave girl as a writer. In May 1773, Wheatley traveled to London with her master's son. There her first book, Poems on Miscellaneous Subjects, Religious and Moral, was published. Wheatley's literary talent and personal qualities contributed to her great social success in London. In the fall of 1773, Phyllis returned to the United States and Wheatley was granted her freedom. She married, but lived only 31 years.
Wheatley's most famous poem today, "On Being Brought from Africa to America" (1768), directly addresses the theme of slavery.