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Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Paul Nash was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art.
Gustave Moreau was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence". He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters.
Lewis Carroll, real name Charles Lutwidge Dodgson, was a British writer and photographer, philosopher and logician, and professor of mathematics.
In 1851 Lewis entered one of the best colleges in Oxford - Christ Church. Showing an extraordinary aptitude for mathematics, soon he was able to give lectures himself, and for the next quarter of a century he was a professor of mathematics at Oxford. In parallel with his studies, the young man began to compose short stories and poems, publishing them under a pseudonym.
And then he wrote the famous "Alice's Adventures in Wonderland" (Alice's Adventures in Wonderland, 1865) and "Alice in Looking-Glass" (Through the Looking-Glass, and What Alice Found There, 1871). These books quickly became popular, they were translated into numerous languages, and then repeatedly screened. The prototype of the main character was four-year-old Alice Liddell, the daughter of the new dean of the college where Carroll taught. Lewis Carroll also wrote "The Knotty Story", a humorous poem "Hunting the Snark", "Mathematical Curiosities", "Sylvia and Bruno" and other books. Carroll himself considered his main work a slightly absurd novel-tale "Sylvia and Bruno" (1889-1893).
Under his real name, the writer-mathematician published scientific works on mathematics and logic, he also owns a number of popular books on entertaining mathematics. Lewis Carroll left Oxford only once - in 1867, visiting Russia as part of a delegation of the Anglican Church on the route St. Petersburg-Moscow-Nizhny Novgorod. This was Carroll's only overseas trip, and he described it in his Diary of a Trip to Russia 1867. Lewis Carroll was also a talented chess player and amateur inventor. Photography was also a big part of the writer's life.
Léon Spilliaert was a Belgian artist. He is known for his unique style of symbolism, with many of his works featuring dream-like landscapes, eerie still lifes, and enigmatic figures.
Spilliaert grew up in a wealthy family, and he initially studied architecture before turning to art. He was largely self-taught, and his work was heavily influenced by the Belgian symbolist movement, as well as the works of artists such as James Ensor and Edvard Munch.
Spilliaert was particularly interested in exploring the mysteries of the human psyche, and many of his works reflect a sense of unease or uncertainty. He often used strong contrasts of light and shadow to create a sense of drama and tension in his works, and his use of color was often muted and subdued.
Despite his success as an artist, Spilliaert was a deeply private individual, and he rarely exhibited his work during his lifetime. He continued to work throughout his life, however, producing a large body of haunting and enigmatic works that continue to captivate audiences today.
Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War.
Edward John Burra was an English painter, draughtsman, and printmaker, best known for his depictions of the urban underworld, black culture and the Harlem scene of the 1930s.
Raoul Dufy, a renowned French artist, is celebrated for his vibrant and decorative style, which left a significant mark in the realms of Fauvism and Post-Impressionism. Born in 1877 in Le Havre, France, Dufy's artistic journey was profoundly influenced by Henri Matisse's Fauvist work "Luxe, Calme et Volupté," which he encountered at the Salon des Indépendants in 1905. This experience steered him towards Fauvism, a style that emphasized bold contours and bright colors.
Dufy's artistic evolution saw him briefly embrace Cubism around 1920, after which he developed a unique approach. This approach, often referred to as stenographic, was characterized by skeletal structures, foreshortened perspectives, and the use of thin, quickly applied washes of color. His works, known for their cheerful and fashionably decorative nature, often depicted scenes of leisure like yachting, the French Riviera, and chic parties, capturing the essence of the period's optimism.
In addition to his painting, Dufy was also a commercial artist, illustrator, and designer, contributing significantly to textile design and public murals. His large-scale public art commissions combined modern and allegorical subjects with exuberant outlines and intense colors, showcasing a modernist take on traditional mural work. Notable works by Dufy include "The Regatta," "The Harvester," and the monumental "The Electricity Fairy," a large mural commissioned for the 1937 World's Fair in Paris.
His works are housed in prestigious public collections worldwide, including the Art Institute of Chicago, the Musée d'Art Moderne de Paris, and the National Gallery of Art in Washington, D.C. Despite his artistic achievements, Dufy's focus on decorative art and the lack of engagement with wider social concerns has led to a varied critical reception of his work. Nonetheless, his contribution to 20th-century art, particularly in popularizing a vibrant and illustrative style, remains undisputed.
If Raoul Dufy's artistry captivates you and you wish to stay informed about the latest artworks, exhibitions, and auction events related to this remarkable artist, we invite you to sign up for our updates. By subscribing, you'll receive timely notifications about new pieces for sale and upcoming auctions. This is a wonderful opportunity for collectors and art enthusiasts to enhance their appreciation and possibly their collections of Dufy's work. Stay connected with the world of art and don't miss any chance to acquire unique pieces by this celebrated artist.
William Patrick Roberts was a British artist.
In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an «English Cubist».
Désiré Thomassin was an Austrian painter and composer.
Charles Robert Darwin was an English naturalist, geologist, and biologist, widely known for contributing to the understanding of evolutionary biology. His proposition that all species of life have descended from a common ancestor is now generally accepted and considered a fundamental concept in science. In a joint publication with Alfred Russel Wallace, he introduced his scientific theory that this branching pattern of evolution resulted from a process that he called natural selection, in which the struggle for existence has a similar effect to the artificial selection involved in selective breeding. Darwin has been described as one of the most influential figures in human history, and he was honoured by burial in Westminster Abbey.
Frederick Childe Hassam was an American Impressionist painter, celebrated for his urban and coastal scenes. Born on October 17, 1859, in Dorchester, Massachusetts, Hassam was a pivotal figure in introducing French Impressionism to the American art scene. His prolific output includes over 3,000 works ranging from oils and watercolors to etchings and lithographs.
Hassam's technique was characterized by the use of light and vibrant colors, often focusing on bustling cityscapes and tranquil New England coastlines. He spent significant periods in Europe, particularly Paris, where he absorbed elements of the avant-garde styles of the time. Despite this, he often emphasized a connection to English landscape traditions over French ones.
Some of his most acclaimed works capture the essence of places like the Isles of Shoals in Maine and East Hampton in Long Island, where he later made his summer home. These settings often featured in his paintings, reflecting the picturesque and serene landscapes that contrasted with his urban subjects.
Hassam's legacy includes his influence on American collectors and institutions, helping to cultivate a taste for Impressionism in the United States. His works are held in major museums, including the Metropolitan Museum of Art and the Museum of Modern Art, ensuring his continued recognition as a key figure in American art history.
For those interested in exploring more about Hassam's life and works, signing up for updates on exhibitions and sales can provide valuable insights into his contributions to Impressionism. Subscribe for updates on new collections and auction events related to Frederick Childe Hassam's artworks.
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Camille Pissarro, a Danish-French artist, was a linchpin of the Impressionist and Neo-Impressionist movements. Born in 1830 on the island of St. Thomas, Pissarro's Jewish-Portuguese heritage and upbringing in the Danish West Indies infused his work with a unique perspective. He is celebrated for his depictions of rural and urban French life, particularly his landscapes that eschew artifice, highlighting the simple beauty of the natural world and the dignity of common people.
Pissarro's influence on the art world was profound. Not only was he a central figure in the Impressionist movement, helping to organize the collective's exhibitions, but he also mentored future Post-Impressionist masters like Cézanne, Gauguin, and van Gogh. His colleagues revered him for his wisdom, balance, and warmhearted nature. Pissarro's dedication to the Impressionist ethos was unparalleled; he was the only artist to exhibit in all eight Paris Impressionist exhibitions from 1874 to 1886.
Among his notable works, Pissarro's 'Hay Harvest at Eragny' (1887) exemplifies his shift towards Neo-Impressionism. This piece, housed at the Van Gogh Museum in Amsterdam, showcases his exploration of tonal values and pointillism. Another poignant work, 'Jeanne Holding a Fan', captures the fragile beauty of his young daughter during her illness, and is a testament to his ability to convey deep personal emotion through art. This work is displayed at The Ashmolean Museum in Oxford.
For art collectors and enthusiasts, Pissarro's works remain a testament to the transformative power of Impressionism and its impact on modern art. His paintings, characterized by their revolutionary depictions of everyday life and nature, continue to be celebrated in major museums around the world.
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