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Tom Hunter is a London-based British artist working in photography and film. His photographs often reference and reimagine classical paintings. He was the first photographer to have a one-man show at the National Gallery, London.
Hunter has shown work internationally in exhibitions, his work is held in a number of public collections and he has had four books published. He has won various awards including an Honorary Fellowship of the Royal Photographic Society.
Paule Hammer is a visual artist who lives in Leipzig. He belongs to the younger generation of painters of the New Leipzig School.
Paule Hammer is a visual artist who lives in Leipzig. He belongs to the younger generation of painters of the New Leipzig School.
Titus Lucretius Carus was a Roman Epicurean poet and philosopher.
Lucretius is considered one of the most prominent adherents of atomistic materialism, a follower of the teachings of Epicurus. He is the author of a six-book Latin didactic poem on Epicurean physics, De rerum natura ("The Nature of Things" or "On the Nature of the Universe").
This poem is an extended exposition of the Epicurean worldview, a naturalistic explanation of the physical origin, structure, and destiny of the universe. It includes theories of the atomic structure of matter and the origin and evolution of life forms - ideas that eventually became the most important foundation and framework for the development of Western science. In addition to his literary and scientific influence, Lucretius served as an inspiration to a number of modern philosophers, including Gassendi, Bergson, Spencer, Whitehead, and Teilhard de Chardin.
Giovanni Nardi was an Italian physician and natural philosopher.
After studying at the University of Pisa, Nardi worked as a physician in Florence. He corresponded with many of the leading natural philosophers and antiquarians of his time, including members of the Accademia dei Lincei. In 1620 Nardi became court physician to Duke Ferdinando II Medici of Tuscany and accompanied him on his travels. In his Florentine home, Nardi amassed a collection of antiques and curiosities.
Nardi wrote several volumes on natural philosophy, as well as a commentary on Lucretius entitled Titi Lucretii Cari De rerum naturae libri sex (1647). Nardi's commentaries on Lucretius's natural history, medicine, physics, and theory of atomism far exceed the poem itself.
Pietro Andrea Gregorio Mattioli was a 16th-century Italian physician, botanist and pharmacist.
Mattioli studied medicine in Padua and obtained a medical practice first in his hometown. Later, in the 1555-1560s, he served as personal physician to the imperial court of Ferdinand II, Archduke of Austria, and Emperor Maximilian II. This high position allowed him to test the effects of poisonous plants on prisoners for scientific purposes.
Mattioli published several scientific works in which he included many of his own observations on the flora of the Alps, including previously unexplored plants. These works, based on the study of books by predecessor scientists, gave impetus to the development of botany throughout Italy at the time. Mattioli kept up a lively correspondence with other researchers, describing specimens of rare plants received from them. The genus of flowering plants Matthiola is named after Mattioli.
Pietro Andrea Gregorio Mattioli was a 16th-century Italian physician, botanist and pharmacist.
Mattioli studied medicine in Padua and obtained a medical practice first in his hometown. Later, in the 1555-1560s, he served as personal physician to the imperial court of Ferdinand II, Archduke of Austria, and Emperor Maximilian II. This high position allowed him to test the effects of poisonous plants on prisoners for scientific purposes.
Mattioli published several scientific works in which he included many of his own observations on the flora of the Alps, including previously unexplored plants. These works, based on the study of books by predecessor scientists, gave impetus to the development of botany throughout Italy at the time. Mattioli kept up a lively correspondence with other researchers, describing specimens of rare plants received from them. The genus of flowering plants Matthiola is named after Mattioli.
![Illustratio systematis sexualis Linnæi, London, [1770-] 1777, 3 vols in 1, contemporary tree calf](/assets/image/picture_3102455/4b04c/fezhbhjr6htxyhaya3aectpgrzdfb5gykk8-0naf4wlam2br98hwedcxy0sjkv5i1694079619jpg__fix_374_244.jpeg)
![Illustratio systematis sexualis Linnæi, London, [1770-] 1777, 3 vols in 1, contemporary tree calf](https://veryimportantlot.com/assets/image/picture_3102455/4b04c/fezhbhjr6htxyhaya3aectpgrzdfb5gykk8-0naf4wlam2br98hwedcxy0sjkv5i1694079619jpg__fix_374_244.jpeg)
John Miller is an American artist, sculptor, writer, critic, and musician who lives in New York and Berlin.
He studied at the California Institute of the Arts and worked as a gallery manager for the Dia Art Foundation. Miller is currently a professor of professional art history practice at Barnard College.
His work includes photographs, installations, live mannequin exhibitions, and videos in response to current political events and sentiments. Miller has also authored critical works on representation in art.
Tom Otterness is an American sculptor best known as one of America's most prolific public artists. Otterness's works adorn parks, plazas, subway stations, libraries, courthouses and museums around the world, notably in New York City's Rockefeller Park in Battery Park City and Life Underground in the 14th Street – Eighth Avenue New York Subway station. He contributed a balloon (a giant upside-down Humpty Dumpty) to the Macy's Thanksgiving Day Parade. In 1994 he was elected as a member of the National Academy Museum.
His style is often described as cartoonish and cheerful, but also political. His sculptures allude to sex, class, money and race. These sculptures depict, among other things, huge pennies, pudgy characters in business suits with moneybag heads, helmeted workers holding giant tools, and an alligator crawling out from under a sewer cover. His aesthetic can be seen as a riff on capitalist realism.
