worpswede
Lisel Oppel, actually Anna Amalie Elisabeth Oppel, was a German painter and ceramist who remains to this day one of the most memorable members of the Worpswede artist colony. From 1917 she studied painting at the Academy of Fine Arts in Munich with Richard Riemerschmid and Hermann Gröber.
Liesel Oppel painted simple paintings with great joy and colourfulness; mainly portraits, people at work and on holidays, less often pure landscapes. One of Oppel's special pictorial themes was children's pastimes in the countryside, in which she adopted and extended the motifs of the early Worpswede artists. Most of her work was created in the 1950s. She continued her expressive painting style.
Sophie Wencke-Meinken was a German painter.
Sophie Wencke-Meinken was a German painter.
Sophie Wencke-Meinken was a German painter.
Sophie Wencke-Meinken was a German painter.
Sophie Wencke-Meinken was a German painter.
Sophie Wencke-Meinken was a German painter.
Lisel Oppel, actually Anna Amalie Elisabeth Oppel, was a German painter and ceramist who remains to this day one of the most memorable members of the Worpswede artist colony. From 1917 she studied painting at the Academy of Fine Arts in Munich with Richard Riemerschmid and Hermann Gröber.
Liesel Oppel painted simple paintings with great joy and colourfulness; mainly portraits, people at work and on holidays, less often pure landscapes. One of Oppel's special pictorial themes was children's pastimes in the countryside, in which she adopted and extended the motifs of the early Worpswede artists. Most of her work was created in the 1950s. She continued her expressive painting style.
Sophie Wencke-Meinken was a German painter.
Lisel Oppel, actually Anna Amalie Elisabeth Oppel, was a German painter and ceramist who remains to this day one of the most memorable members of the Worpswede artist colony. From 1917 she studied painting at the Academy of Fine Arts in Munich with Richard Riemerschmid and Hermann Gröber.
Liesel Oppel painted simple paintings with great joy and colourfulness; mainly portraits, people at work and on holidays, less often pure landscapes. One of Oppel's special pictorial themes was children's pastimes in the countryside, in which she adopted and extended the motifs of the early Worpswede artists. Most of her work was created in the 1950s. She continued her expressive painting style.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Lisel Oppel, actually Anna Amalie Elisabeth Oppel, was a German painter and ceramist who remains to this day one of the most memorable members of the Worpswede artist colony. From 1917 she studied painting at the Academy of Fine Arts in Munich with Richard Riemerschmid and Hermann Gröber.
Liesel Oppel painted simple paintings with great joy and colourfulness; mainly portraits, people at work and on holidays, less often pure landscapes. One of Oppel's special pictorial themes was children's pastimes in the countryside, in which she adopted and extended the motifs of the early Worpswede artists. Most of her work was created in the 1950s. She continued her expressive painting style.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
