дитц эдзард (1893 - 1963)
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
Dietz Edzard began his career with melancholic, often gloomy religious scenes before he turned to the colorful world of flowers and dancers, Venetian society and of course women, whom he captured in light colors in a particularly delicate way.
