лео цогмайер (1949)
Leo Zogmayer is an Austrian conceptual artist, graphic artist and sculptor.
Zogmayer studied at the Vienna University of Applied Arts and works in a variety of techniques, including drawing, graphics, photography, computerized drawings, painting, glass painting, and sculpture in a wide variety of materials.
Zogmayer expresses himself primarily through language and text. His sculptures, created in the tradition of concrete modernism, are completely abbreviated, reduced to a minimum in terms of contour, form, color, and volume. The artist is concerned not so much with the creation of reality as with the dismantling of structures; he is interested in the rejection of definitions, conventions or models that limit people's perception and thinking.
Leo Zogmayer is an Austrian conceptual artist, graphic artist and sculptor.
Zogmayer studied at the Vienna University of Applied Arts and works in a variety of techniques, including drawing, graphics, photography, computerized drawings, painting, glass painting, and sculpture in a wide variety of materials.
Zogmayer expresses himself primarily through language and text. His sculptures, created in the tradition of concrete modernism, are completely abbreviated, reduced to a minimum in terms of contour, form, color, and volume. The artist is concerned not so much with the creation of reality as with the dismantling of structures; he is interested in the rejection of definitions, conventions or models that limit people's perception and thinking.
Leo Zogmayer is an Austrian conceptual artist, graphic artist and sculptor.
Zogmayer studied at the Vienna University of Applied Arts and works in a variety of techniques, including drawing, graphics, photography, computerized drawings, painting, glass painting, and sculpture in a wide variety of materials.
Zogmayer expresses himself primarily through language and text. His sculptures, created in the tradition of concrete modernism, are completely abbreviated, reduced to a minimum in terms of contour, form, color, and volume. The artist is concerned not so much with the creation of reality as with the dismantling of structures; he is interested in the rejection of definitions, conventions or models that limit people's perception and thinking.
