пьетро консагра (1920 - 2005)
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Armand Pierre Fernandez, widely known by his mononym Arman, was a French-born American artist celebrated for his innovative contributions to the Nouveau Réalisme movement and his radical use of everyday objects in art. Born in Nice, France, on November 17, 1928, Arman's early exposure to art came from his father, an antiques dealer and amateur artist, which deeply influenced his later artistic endeavors.
Arman moved beyond traditional painting techniques early in his career, instead creating his signature "Accumulations" and "Poubelles" (trash) sculptures. These works involved assembling and compacting everyday items like watches, clocks, and even automobiles, embedding these objects in layers of concrete or encasing them in Plexiglas. One of his most notable large-scale works is "Long Term Parking," a 60-foot high sculpture made of concrete-encased cars, situated in Jouy-en-Josas, France.
His work is an essential bridge between European and American trends in Pop art and has been widely exhibited in major institutions like the Metropolitan Museum of Art in New York, the Tate Gallery in London, and the Centre Pompidou in Paris. Arman's innovative techniques and philosophical approach to materials challenged conventional categorizations of art and inspired future generations of artists.
For collectors and enthusiasts interested in staying updated on exhibitions and sales related to Arman's work, signing up for updates can provide essential insights and opportunities related to this influential artist. Join our community to ensure you don't miss out on new discoveries and auction events associated with Arman's legacy.
Joseph Charles Tilson is a British artist and fellow of the Royal Academy. He was involved in the Pop Art movement in the 1960s; he has made paintings, prints and constructions.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Arnaldo Pomodoro is an Italian sculptor. He was born in Morciano, Romagna, and lives and works in Milan. His brother, Giò Pomodoro (1930-2002) was also a sculptor.
Pomodoro designed a controversial fiberglass crucifix for the Cathedral of St. John the Evangelist in Milwaukee, Wisconsin. The piece is topped with a fourteen-foot diameter crown of thorns which hovers over the figure of Christ.
César (born Cesare Baldaccini) was a noted French sculptor.
César was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
