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Ugo Dossi is a German conceptual artist.
Typical of his work is the use of forms of representation of the infinite, which lead the mind to the perception of the infinite and incomprehensible, which lies behind everything.
His installations have been shown twice at Documenta (Documenta 6 and Documenta 8), the Venice Biennale (1986 and 2011), Paris (1975) and Buenos Aires (2000) as well as numerous solo exhibitions in international museums and institutions.
Ugo Dossi is a German conceptual artist.
Typical of his work is the use of forms of representation of the infinite, which lead the mind to the perception of the infinite and incomprehensible, which lies behind everything.
His installations have been shown twice at Documenta (Documenta 6 and Documenta 8), the Venice Biennale (1986 and 2011), Paris (1975) and Buenos Aires (2000) as well as numerous solo exhibitions in international museums and institutions.
Ugo La Pietra is an Italian contemporary artist, architect, director, teacher and designer.
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Ugo da Carpi was an Italian printmaker active between 1502 and 1532 in the cities of Venice, Rome and Bologna. He is known for his technical and stylistic contributions to the chiaroscuro woodcut, a printmaking technique using blocks of different colours. Ugo claimed to be the first to use this technique, seeking a copyright first from the Venetian senate, and later from Pope Leo X. Although he did not create the chiaroscuro woodcut technique, he was one of the first Italian practitioners. He contributed to its development through his powerful style, focus on tonality and interpretive skills. One of his most famous works is a print of Diogenes. In addition to his numerous prints, he produced a writing book, and is also known to have produced at least one painting, the altarpiece of Saint Veronica in Saint Peter's Basilica in Rome.
Ugo da Carpi was an Italian printmaker active between 1502 and 1532 in the cities of Venice, Rome and Bologna. He is known for his technical and stylistic contributions to the chiaroscuro woodcut, a printmaking technique using blocks of different colours. Ugo claimed to be the first to use this technique, seeking a copyright first from the Venetian senate, and later from Pope Leo X. Although he did not create the chiaroscuro woodcut technique, he was one of the first Italian practitioners. He contributed to its development through his powerful style, focus on tonality and interpretive skills. One of his most famous works is a print of Diogenes. In addition to his numerous prints, he produced a writing book, and is also known to have produced at least one painting, the altarpiece of Saint Veronica in Saint Peter's Basilica in Rome.
Ugo da Carpi was an Italian printmaker active between 1502 and 1532 in the cities of Venice, Rome and Bologna. He is known for his technical and stylistic contributions to the chiaroscuro woodcut, a printmaking technique using blocks of different colours. Ugo claimed to be the first to use this technique, seeking a copyright first from the Venetian senate, and later from Pope Leo X. Although he did not create the chiaroscuro woodcut technique, he was one of the first Italian practitioners. He contributed to its development through his powerful style, focus on tonality and interpretive skills. One of his most famous works is a print of Diogenes. In addition to his numerous prints, he produced a writing book, and is also known to have produced at least one painting, the altarpiece of Saint Veronica in Saint Peter's Basilica in Rome.
Ugo La Pietra is an Italian contemporary artist, architect, director, teacher and designer.
Ugo La Pietra is an Italian contemporary artist, architect, director, teacher and designer.
Ugo La Pietra is an Italian contemporary artist, architect, director, teacher and designer.
Ugo Rondinone is a Swiss-born artist widely recognized for his mastery of several different media — most prominently sculpture, drawing and painting, but also photography, architecture, video and sound installation — in the largely figurative works he has made for exhibitions in galleries, museums and outdoor public spaces around the world. He has never limited himself to a particular material, no more than he has to a single discipline. Lead, wood, wax, bronze, stained glass, ink, paint, soil and stone are all tools in a creative arsenal that the artist has employed to extend the Romantic tradition in works that are as sensitive to the passage of time as to the nuances of body language and the spoken word.
Ugo Rondinone is a Swiss-born artist widely recognized for his mastery of several different media — most prominently sculpture, drawing and painting, but also photography, architecture, video and sound installation — in the largely figurative works he has made for exhibitions in galleries, museums and outdoor public spaces around the world. He has never limited himself to a particular material, no more than he has to a single discipline. Lead, wood, wax, bronze, stained glass, ink, paint, soil and stone are all tools in a creative arsenal that the artist has employed to extend the Romantic tradition in works that are as sensitive to the passage of time as to the nuances of body language and the spoken word.
Ugo Rondinone is a Swiss-born artist widely recognized for his mastery of several different media — most prominently sculpture, drawing and painting, but also photography, architecture, video and sound installation — in the largely figurative works he has made for exhibitions in galleries, museums and outdoor public spaces around the world. He has never limited himself to a particular material, no more than he has to a single discipline. Lead, wood, wax, bronze, stained glass, ink, paint, soil and stone are all tools in a creative arsenal that the artist has employed to extend the Romantic tradition in works that are as sensitive to the passage of time as to the nuances of body language and the spoken word.
Ugo La Pietra is an Italian contemporary artist, architect, director, teacher and designer.
Ugo da Carpi was an Italian printmaker active between 1502 and 1532 in the cities of Venice, Rome and Bologna. He is known for his technical and stylistic contributions to the chiaroscuro woodcut, a printmaking technique using blocks of different colours. Ugo claimed to be the first to use this technique, seeking a copyright first from the Venetian senate, and later from Pope Leo X. Although he did not create the chiaroscuro woodcut technique, he was one of the first Italian practitioners. He contributed to its development through his powerful style, focus on tonality and interpretive skills. One of his most famous works is a print of Diogenes. In addition to his numerous prints, he produced a writing book, and is also known to have produced at least one painting, the altarpiece of Saint Veronica in Saint Peter's Basilica in Rome.
Ugo Rondinone is a Swiss-born artist widely recognized for his mastery of several different media — most prominently sculpture, drawing and painting, but also photography, architecture, video and sound installation — in the largely figurative works he has made for exhibitions in galleries, museums and outdoor public spaces around the world. He has never limited himself to a particular material, no more than he has to a single discipline. Lead, wood, wax, bronze, stained glass, ink, paint, soil and stone are all tools in a creative arsenal that the artist has employed to extend the Romantic tradition in works that are as sensitive to the passage of time as to the nuances of body language and the spoken word.
Ugo Rondinone is a Swiss-born artist widely recognized for his mastery of several different media — most prominently sculpture, drawing and painting, but also photography, architecture, video and sound installation — in the largely figurative works he has made for exhibitions in galleries, museums and outdoor public spaces around the world. He has never limited himself to a particular material, no more than he has to a single discipline. Lead, wood, wax, bronze, stained glass, ink, paint, soil and stone are all tools in a creative arsenal that the artist has employed to extend the Romantic tradition in works that are as sensitive to the passage of time as to the nuances of body language and the spoken word.
Ugo Rondinone is a Swiss-born artist widely recognized for his mastery of several different media — most prominently sculpture, drawing and painting, but also photography, architecture, video and sound installation — in the largely figurative works he has made for exhibitions in galleries, museums and outdoor public spaces around the world. He has never limited himself to a particular material, no more than he has to a single discipline. Lead, wood, wax, bronze, stained glass, ink, paint, soil and stone are all tools in a creative arsenal that the artist has employed to extend the Romantic tradition in works that are as sensitive to the passage of time as to the nuances of body language and the spoken word.
Ugo La Pietra is an Italian contemporary artist, architect, director, teacher and designer.
Ugo da Carpi was an Italian printmaker active between 1502 and 1532 in the cities of Venice, Rome and Bologna. He is known for his technical and stylistic contributions to the chiaroscuro woodcut, a printmaking technique using blocks of different colours. Ugo claimed to be the first to use this technique, seeking a copyright first from the Venetian senate, and later from Pope Leo X. Although he did not create the chiaroscuro woodcut technique, he was one of the first Italian practitioners. He contributed to its development through his powerful style, focus on tonality and interpretive skills. One of his most famous works is a print of Diogenes. In addition to his numerous prints, he produced a writing book, and is also known to have produced at least one painting, the altarpiece of Saint Veronica in Saint Peter's Basilica in Rome.
Ugo Rondinone is a Swiss-born artist widely recognized for his mastery of several different media — most prominently sculpture, drawing and painting, but also photography, architecture, video and sound installation — in the largely figurative works he has made for exhibitions in galleries, museums and outdoor public spaces around the world. He has never limited himself to a particular material, no more than he has to a single discipline. Lead, wood, wax, bronze, stained glass, ink, paint, soil and stone are all tools in a creative arsenal that the artist has employed to extend the Romantic tradition in works that are as sensitive to the passage of time as to the nuances of body language and the spoken word.
