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Conrad Felixmüller was a twentieth-century German artist, born Conrad Felix Müller. He is known as a painter, graphic artist, illustrator and printmaker, a representative of the New Materiality movement, who worked in the Expressionist style.
Felixmüller created about 2,500 paintings and graphic drawings, the main motif of which was the human being. The artist considered himself a socially critical expressionist, and his works reflected scenes from everyday life. In the 1930s, many of his works were confiscated by the Nazis as examples of degenerate art and destroyed. As a result of the bombing of Berlin in 1944, Felixmüller lost much of his work.
Thomas Struth is a German photographer who is best known for his Museum Photographs series, family portraits and black and white photographs of the streets of Düsseldorf and New York taken in the 1970s. Struth lives and works in Berlin and New York.
Thomas Struth is a German photographer who is best known for his Museum Photographs series, family portraits and black and white photographs of the streets of Düsseldorf and New York taken in the 1970s. Struth lives and works in Berlin and New York.
Thomas Struth is a German photographer who is best known for his Museum Photographs series, family portraits and black and white photographs of the streets of Düsseldorf and New York taken in the 1970s. Struth lives and works in Berlin and New York.
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
Carl Buchheister was a German constructivist artist noted for his multiple series of "model paintings"at Galerie Lambert Weyl, Paris. which he began in 1925. He was born in Hanover, Germany. Although he was not officially part of the Bauhaus movement, Buchheister was a close friend of Wassily Kandinsky and paralleled many of the social and artistic goals of the Bauhaus school. With regard to constructivism, Buchheister was typically more playful and improvisational than his contemporaries, becoming interested in the Dada movement after a collaboration with Kurt Schwitters in the late 1920s which led him to incorporate more varied materials such as acrylic glass, aluminum, wood, and twine into his compositions. This direction was given much freer rein after World War II and the end of Nazism. He died in Hanover in 1964.
Lothar Quinte was a German painter of the avant-garde.
Lothar Quinte was a German painter of the avant-garde.
Lothar Quinte was a German painter of the avant-garde.
Lothar Quinte was a German painter of the avant-garde.
