5 x 62
Isamu Noguchi (野口 勇) was an American artist and landscape architect whose artistic career spanned six decades, from the 1920s onward. Known for his sculpture and public artworks, Noguchi also designed stage sets for various Martha Graham productions, and several mass-produced lamps and furniture pieces, some of which are still manufactured and sold.
In 1947, Noguchi began a collaboration with the Herman Miller company, when he joined with George Nelson, Paul László and Charles Eames to produce a catalog containing what is often considered to be the most influential body of modern furniture ever produced, including the iconic Noguchi table which remains in production today. His work lives on around the world and at the Isamu Noguchi Foundation and Garden Museum in New York City.
Paul Klee, a Swiss-born German artist, was renowned for his unique contribution to the art world, blending elements from expressionism, cubism, and surrealism. Born on December 18, 1879, in Münchenbuchsee, Switzerland, Klee was the second child of a German music teacher and a Swiss singer. Despite early musical talent, Klee pursued visual arts, influenced by a dissatisfaction with the state of modern music and a desire for creative freedom.
Klee's artistic journey began in earnest after he decided against a career in music, despite his exceptional skills with the violin. His education at the Academy of Fine Arts in Munich under the guidance of Heinrich Knirr and Franz von Stuck was crucial in shaping his artistic direction. Although he struggled with color initially, Klee later became a master of color theory, a transition marked by his transformative visit to Tunisia in 1914. This trip was a pivotal moment, leading Klee to declare, "Color and I are one. I am a painter".
Throughout his career, Klee's work was characterized by a profound sense of experimentation and innovation. He explored the boundaries of abstract art, drawing inspiration from his vast interests, including literature, music, and his own theories on art and aesthetics. His lectures on form and design theory at the Bauhaus, where he taught alongside luminaries like Wassily Kandinsky, are considered as seminal to modern art as Leonardo da Vinci's treatises were to the Renaissance.
Klee's art is celebrated for its intricacy, humor, and the ability to express complex themes through seemingly simplistic and childlike forms. His notable works, such as "Twittering Machine" (1922) and "Highway and Byways" (1928), showcase his skill in using color, shape, and line to evoke depth and emotion.
For collectors and art and antiques experts, Klee's legacy is a testament to the power of innovation and the search for personal expression within the avant-garde movements of the 20th century. His works, housed in prestigious museums and galleries around the world, continue to inspire and intrigue.
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Cesare Dandini was an Italian painter of the Baroque period, active mainly in his native city of Florence. He was the older brother of the painter Vincenzo Dandini. He enrolled in 1621 in the Accademia del Disegno. His style has the polish and attention to draughtsmanship and design characteristic of Florentines like Carlo Dolci.
Helmut Newton (born Helmut Neustädter) was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications."
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
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