angelo caroselli (1585 - 1652)
Angelo Caroselli was an Italian painter, born and active during the Baroque period, primarily in Rome. Known for his eclectic style, Caroselli's work was significantly influenced by Caravaggio, evident in the naturalism and chiaroscuro that marked his compositions. His subject matter often included colorful characters from contemporary Rome, scenes of witchcraft, musicians, and genre scenes reflective of the Caravaggisti, a group of artists who followed Caravaggio's stylistic approach. Caroselli's ability to blend allegories, religious works, and portraits with genre scenes showcased his search for originality and a unique narrative voice within the Baroque movement.
Angelo Caroselli's career was marked by his versatility as not only a painter but also an art restorer, copyist, and possibly a forger. This breadth of skills contributed to the diverse body of work he left behind, which ranged from scenes of everyday life to complex allegorical compositions. His works often depicted the lower echelons of society, including musicians, card players, and prostitutes, infused with a potent naturalism that brought these figures to life against the backdrop of 17th-century Rome.
Despite his adherence to Caravaggesque forms and themes, Angelo Caroselli's work also displayed 'archaicising' elements, which some art historians view as a conscious departure from the dominant Baroque style of his time. This aspect of his work, along with his skill in copying the works of ancient masters, highlights a deliberate exploration of and departure from the prevailing artistic norms, contributing to the unique place he occupies in Baroque art history.
Notably, Caroselli's influence extended beyond Italy, affecting the work of other Caravaggisti, including the Lucchese painter Pietro Paolini and the Dutch painter Dirck van Baburen. This cross-cultural impact underscores the broader significance of Caroselli's work within the Baroque period and its enduring influence on subsequent generations of artists.
His legacy includes several known works that are housed in prestigious institutions and collections worldwide, exemplifying the enduring appeal and historical importance of his artistic contributions. Among these, "The Plague at Ashdod (after Poussin)" stands out as a significant piece, reflecting his capability to engage with and reinterpret the works of his contemporaries and predecessors.
For collectors and experts in art and antiques, Caroselli's oeuvre offers a fascinating glimpse into the Baroque period's complexity, characterized by a blend of innovation, tradition, and a deep engagement with the human condition. His work remains a testament to the vibrancy and dynamism of 17th-century Italian art, inviting ongoing exploration and appreciation.
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Angelo Caroselli was an Italian painter, born and active during the Baroque period, primarily in Rome. Known for his eclectic style, Caroselli's work was significantly influenced by Caravaggio, evident in the naturalism and chiaroscuro that marked his compositions. His subject matter often included colorful characters from contemporary Rome, scenes of witchcraft, musicians, and genre scenes reflective of the Caravaggisti, a group of artists who followed Caravaggio's stylistic approach. Caroselli's ability to blend allegories, religious works, and portraits with genre scenes showcased his search for originality and a unique narrative voice within the Baroque movement.
Angelo Caroselli's career was marked by his versatility as not only a painter but also an art restorer, copyist, and possibly a forger. This breadth of skills contributed to the diverse body of work he left behind, which ranged from scenes of everyday life to complex allegorical compositions. His works often depicted the lower echelons of society, including musicians, card players, and prostitutes, infused with a potent naturalism that brought these figures to life against the backdrop of 17th-century Rome.
Despite his adherence to Caravaggesque forms and themes, Angelo Caroselli's work also displayed 'archaicising' elements, which some art historians view as a conscious departure from the dominant Baroque style of his time. This aspect of his work, along with his skill in copying the works of ancient masters, highlights a deliberate exploration of and departure from the prevailing artistic norms, contributing to the unique place he occupies in Baroque art history.
Notably, Caroselli's influence extended beyond Italy, affecting the work of other Caravaggisti, including the Lucchese painter Pietro Paolini and the Dutch painter Dirck van Baburen. This cross-cultural impact underscores the broader significance of Caroselli's work within the Baroque period and its enduring influence on subsequent generations of artists.
His legacy includes several known works that are housed in prestigious institutions and collections worldwide, exemplifying the enduring appeal and historical importance of his artistic contributions. Among these, "The Plague at Ashdod (after Poussin)" stands out as a significant piece, reflecting his capability to engage with and reinterpret the works of his contemporaries and predecessors.
For collectors and experts in art and antiques, Caroselli's oeuvre offers a fascinating glimpse into the Baroque period's complexity, characterized by a blend of innovation, tradition, and a deep engagement with the human condition. His work remains a testament to the vibrancy and dynamism of 17th-century Italian art, inviting ongoing exploration and appreciation.
To stay updated on new discoveries, sales, and auction events related to Angelo Caroselli, sign up for our newsletter. This subscription ensures you're the first to know about the latest findings and opportunities to acquire works by or related to Angelo Caroselli, catering specifically to enthusiasts and collectors of historical art and antiques.
