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Giuseppe Aureli was an Italian watercolour painter. His works are known for their historical themes.
Giuseppe Aureli painted portraits of Italian noble families, as well as genre paintings and scenes on oriental themes.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
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Giulio Romano, an Italian prodigy in painting and architecture, is celebrated for his dynamic contributions to the Renaissance and Mannerist styles. A pivotal figure in the late Renaissance, Giulio Romano was not only Raphael's principal pupil but also a trusted assistant, inheriting his master's workshop upon his death in 1520.
Giulio Romano's artistic journey began under Raphael's tutelage, where he honed his skills in both painting and architecture. His work vividly reflects the essence of the High Renaissance yet also signals the advent of Mannerism, a style characterized by elongated forms and exaggerated emotions. Notably, Romano's architectural prowess was largely self-taught, developed while assisting Raphael, who was the papal architect during that time.
The Palazzo del Te in Mantua stands as a testament to Giulio Romano's architectural genius. This pleasure palace, begun around 1524 and completed a decade later, showcases his inventive spirit and skill. It's a striking example of how Romano played with classical conventions to create something uniquely expressive. His ability to transform spaces was not just limited to grand structures but also extended to designing gardens and facades, enhancing their aesthetics and functionality.
In painting, Giulio Romano's works such as the Stoning of St. Stephen in Santo Stefano, Genoa, and the Adoration of the Magi in the Louvre, demonstrate his mastery and influence. His fresco "Fire in the Borgo" in the Raphael Rooms of the Vatican City is particularly noteworthy. Romano's drawings and designs, revered for their technical skill and creativity, significantly influenced subsequent artists, including Nicolas Poussin.
For art collectors and experts, the works of Giulio Romano present a fascinating blend of Renaissance classicism and the burgeoning Mannerist style. His contributions in both painting and architecture have left an indelible mark on the history of art and culture.
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