art & artists
Marsden Hartley, real name Edmund Hartley, was an American artist and poet, one of the greatest representatives of classical modernism in the United States.
Edward Stuart Davis was an American artist, a representative of Cubism and Pop Art in painting. He was also active in politics; one of Davis's goals was to "reconcile abstract art with Marxism and modern industrial society. Along with his paintings, Davis was also an engraver and member of the Society of American Graphic Artists.
Heinrich Mathias Ernst Campendonk was a painter and graphic designer born in Germany who became a naturalized Dutch citizen.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Theo Champion was a German painter. His work was part of the painting event in the art competition at the 1928 Summer Olympics.
Arthur Garfield Dove was an American artist. An early American modernist, he is often considered the first American abstract painter. Dove used a wide range of media, sometimes in unconventional combinations, to produce his abstractions and his abstract landscapes. Me and the Moon from 1937 is a good example of an Arthur Dove abstract landscape and has been referred to as one of the culminating works of his career. Dove did a series of experimental collage works in the 1920s. He also experimented with techniques, combining paints like hand mixed oil or tempera over a wax emulsion as exemplified in Dove's 1938 painting Tanks, in the collection of the Boston Museum of Fine Arts.
Edward Stuart Davis was an American artist, a representative of Cubism and Pop Art in painting. He was also active in politics; one of Davis's goals was to "reconcile abstract art with Marxism and modern industrial society. Along with his paintings, Davis was also an engraver and member of the Society of American Graphic Artists.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Manuel Ocampo is a Filipino artist. His work fuses sacred Baroque religious iconography with secular political narrative. His works draw upon a wide range of art historical references, contain cartoonish elements, and draw inspiration from punk subculture.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Theo Champion was a German painter. His work was part of the painting event in the art competition at the 1928 Summer Olympics.
Henri-Robert-Marcel Duchamp, a pioneering French artist, is celebrated for his profound influence on 20th-century art and culture. Duchamp's work transcended traditional mediums, embracing painting, sculpture, and conceptual art, thereby redefining the very nature of artistic creation. His audacious approach to art, marked by intellectualism and wit, challenged conventional perceptions of beauty and utility, making him a central figure in the development of modern and postmodern art.
Duchamp's most notable contributions include his ready-mades—ordinary manufactured objects that he selected and presented as art. This innovative concept questioned the role of the artist and the creation process, exemplified by his famous piece, "Fountain," a porcelain urinal that radically altered the landscape of art by its mere presentation in 1917. His other significant works, like "Nude Descending a Staircase, No. 2," showcased his fascination with movement and mechanization, further cementing his legacy as a visionary.
Duchamp's influence extends beyond his creations, as he played a vital role in shaping the Dada movement and conceptual art. His ideas and artworks continue to inspire artists, collectors, and experts in the fields of art and antiques. Museums and galleries worldwide, including the Philadelphia Museum of Art and the Museum of Modern Art in New York, proudly house his works, attesting to his enduring relevance.
For those keen on exploring the intersections of art, culture, and history, Duchamp offers a rich tapestry of innovation and controversy. Collectors and art enthusiasts are invited to sign up for updates on new product sales and auction events related to Henri-Robert-Marcel Duchamp, ensuring they remain at the forefront of developments in this captivating domain.
Marsden Hartley, real name Edmund Hartley, was an American artist and poet, one of the greatest representatives of classical modernism in the United States.
Wolfgang Amadeus Mozart, full name Johann Chrysostomus Wolfgang Amadeus Mozart, was an Austrian composer and virtuoso musician. Mozart is one of the greatest composers in music history on par with Beethoven and Haydn.
Wolfgang was born into the family of violinist and composer Leopold Mozart (1719-1787), at the age of five he had already begun composing and gave his first public performance. His older sister Maria Anna (1751-1829) was also a prodigy, and from 1763 Leopold and his children began traveling around Europe with performances.
Mozart had a phenomenal musical ear, memory and was a superb improviser. Unlike any other composer in music history, he was versatile and wrote in all musical genres of his time. During his short life, Mozart composed more than 800 works, many of which are recognized as the pinnacle of the symphonic, concert, chamber, opera and choral repertoire. The general public is familiar with the composer's three operas: The Marriage of Figaro, Don Giovanni and The Magic Flute.
Society did not immediately appreciate the scale of Mozart's genius. It was only many years later that the vivid image of a prodigy, a refined salon composer who could miraculously think through an entire work in his head, gave way to the image of a serious, meticulous and brilliant creator of music.
Giovanni Martinelli, a distinguished Italian painter from the Baroque era, was celebrated for his profound contributions to the Florentine art scene. His mastery in art was predominantly showcased in Florence, where he created a legacy through his exceptional allegorical works and religious paintings.
Martinelli's artistry was profoundly influenced by the Caravaggesque style, evident in the exceptional clarity of the protagonists' faces and the use of extraordinarily clear, cold colour tones in his paintings. His enrollment in the Accademia del Disegno in Florence in 1636 marked a significant phase in his career, leading him to explore more complex allegories and adopt darker colour tones, influenced by the works of Francesco Furini and Cesare Dandini.
His allegorical works, known for their captious symbolism, rare elegance, and refined formal nobility, stand in perfect harmony with the philosophical and moral debates of his time. These works, alongside his religious subjects and biblical stories, are charged with strong moral connotations and demonstrate Martinelli's keen interest in nature and meticulous rendering of objects.
Among his notable works are the "Feast of Balthasar" and the "Ecce Homo" housed in the Uffizi, and the "Judgement of Solomon" in the National Art Gallery in Karlsruhe, which highlight his ability to infuse his subjects with deep moral and philosophical undertones. His work, "Allegory of Painting," located in the Uffizi, is particularly celebrated for its depiction of the art of painting through the figure of a young woman, showcasing Martinelli's focus on warm light and the sensuality of female beauty.
For collectors and experts in art and antiques, Giovanni Martinelli's oeuvre offers a window into the Baroque period's complex allegories and profound religious narratives. His contributions to the Florentine art scene of the 17th century reflect a rich blend of tradition and innovation, deserving of recognition and appreciation.
To stay updated on new discoveries and auction events related to Giovanni Martinelli, consider signing up for updates. This subscription ensures that you remain informed about the latest sales and events pertaining to this influential artist's work, offering unique opportunities for collectors and enthusiasts alike.
Hartmann Schedel was a German humanist, medical scientist, historian and chronicler.
Schedel was the first to compile a world chronicle, the so-called Visual History of the Earth from the Creation of the World to the 1490s, known as Schedelsche Weltchronik (Schedel's World Chronicle). It was published in 1493 in Nuremberg. About 600 woodcuts for this book were created by the artists and engravers Michael Wolgemuth (1434-1519) and Albrecht Dürer (1471-1528). The illustrations depict biblical scenes, family trees, portraits of famous personalities, and fairy tale or legendary creatures. However, the main ones here were maps of the world, Germany and Central Europe.
Hartmann Schedel was one of the first cartographers to use machine printing. He was also a renowned collector of books, artworks and engravings by old masters.
Artur Segal was a Romanian artist and author.
Henri-Robert-Marcel Duchamp, a pioneering French artist, is celebrated for his profound influence on 20th-century art and culture. Duchamp's work transcended traditional mediums, embracing painting, sculpture, and conceptual art, thereby redefining the very nature of artistic creation. His audacious approach to art, marked by intellectualism and wit, challenged conventional perceptions of beauty and utility, making him a central figure in the development of modern and postmodern art.
Duchamp's most notable contributions include his ready-mades—ordinary manufactured objects that he selected and presented as art. This innovative concept questioned the role of the artist and the creation process, exemplified by his famous piece, "Fountain," a porcelain urinal that radically altered the landscape of art by its mere presentation in 1917. His other significant works, like "Nude Descending a Staircase, No. 2," showcased his fascination with movement and mechanization, further cementing his legacy as a visionary.
Duchamp's influence extends beyond his creations, as he played a vital role in shaping the Dada movement and conceptual art. His ideas and artworks continue to inspire artists, collectors, and experts in the fields of art and antiques. Museums and galleries worldwide, including the Philadelphia Museum of Art and the Museum of Modern Art in New York, proudly house his works, attesting to his enduring relevance.
For those keen on exploring the intersections of art, culture, and history, Duchamp offers a rich tapestry of innovation and controversy. Collectors and art enthusiasts are invited to sign up for updates on new product sales and auction events related to Henri-Robert-Marcel Duchamp, ensuring they remain at the forefront of developments in this captivating domain.
Artur Segal was a Romanian artist and author.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Arthur Hughes was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood.
