benjamin moore
Henry Spencer Moore was an influential English sculptor and artist, renowned for his semi-abstract monumental bronze sculptures that have found homes around the world as public works of art. Born on July 30, 1898, in Castleford, Yorkshire, Moore showed early talent in art, but his journey towards becoming a sculptor was not straightforward. His experiences as a young teacher and a soldier in the First World War, where he was injured in a gas attack, significantly shaped his perspectives and artistic direction.
After the war, Moore pursued his passion for art, winning a scholarship to the Royal College of Art in London, where he began to experiment with modernist influences and direct carving techniques, moving away from the traditional Victorian style. His works, characterized by organic shapes and a blend of abstraction and figuration, were inspired by a wide range of sources, including primitive art, the human body, and the natural world.
Moore's sculptures are celebrated for their unique ability to blend form with space in the landscape, offering viewers a dynamic interaction with his works. His dedication to public art made his sculptures accessible to a wide audience, contributing to his status as one of the 20th century's most significant sculptors. Moore's legacy is preserved through the Henry Moore Foundation, which supports artists and promotes public appreciation of sculpture.
For collectors and experts in art and antiques, Moore's work remains a testament to the power of sculpture to evoke emotion and thought. His contributions to modern art and sculpture continue to inspire and influence artists around the world.
To stay informed about new exhibitions and opportunities to view Henry Spencer Moore's work, sign up for updates. This subscription will ensure you are alerted to new product sales and auction events related to Moore's influential body of work.
Frank Philip Stella, an American icon in the realms of painting, sculpture, and printmaking, has left an indelible mark on the art world with his pioneering work in minimalism and post-painterly abstraction. Born on May 12, 1936, in Malden, Massachusetts, Stella's artistic journey commenced with his studies in painting at Phillips Academy, Andover, and history at Princeton University. His move to New York City in 1958 heralded the start of an illustrious career that would see him challenge and redefine artistic boundaries.
Stella's work is celebrated for its innovative approach to form, color, and composition. His early endeavors in the late 1950s showcased black paintings characterized by bands of bare canvas, which played a pivotal role in emphasizing the flatness of the picture plane. This deliberate artificiality in his work garnered considerable attention and positioned him at the forefront of Post-Painterly Abstraction, a movement that reacted against the emotive excesses of Abstract Expressionism.
Throughout his career, Stella continued to push the limits of abstraction. His vocabulary expanded to include vibrant and dynamic assemblages that projected out from the wall, utilizing a variety of materials from steel to plastic. This evolution of his style is not only a testament to his ingenuity but also his influence on contemporary art. Notable works that exemplify his groundbreaking approach include "Grajau I," "Harran II," and "Eskimo Curlew," among others, which can be found in prestigious collections such as The Glass House and the Solomon R. Guggenheim Museum.
For art collectors and enthusiasts alike, Stella's oeuvre offers a captivating exploration into the possibilities of abstract art. His continued relevance and the profound impact of his work on both his peers and successive generations of artists underscore his status as a seminal figure in modern art.
Stay updated on new discoveries, sales, and auction events related to Frank Philip Stella by signing up for our newsletter. This subscription is your gateway to the latest in the world of Frank Stella, ensuring you never miss an opportunity to engage with the works of this monumental artist.
Thomas Moore was a British poet, songwriter and composer, a representative of Irish Romanticism.
Thomas graduated from Dublin University, from the age of 14 he collaborated with various Dublin journals. In 1800 he published his "Odes of Anacreon", and a year later - a collection of Poems by the late Thomas Little ("Poems by the late Thomas Little") and became widely known. Visiting the United States, Moore published a collection of poems, where he spoke about this country very sharply.
In 1812, Thomas Moore met Byron, became his close friend and wrote one of the best biographies of him, published in 1835. Moore's most famous works are "The Last Rose of Summer" and the collection "Irish Melodies" (1807-1834), which brought him a stable income for many years. In Russia, however, he is known primarily for the poem Those evening bells from the collection published in 1818. The poem was translated by Ivan Kozlov, and it turned into the famous and beloved song "Evening Bells".
Philip Morin Freneau was an American publicist, editor, and known as the "poet of the American Revolution".
After graduating from Princeton University, Freneau taught school and studied to become a minister. With the outbreak of the American Revolution, he began writing scathing satire on the British and the Tories. During a two-year voyage to the Caribbean islands, he created the poems "The Beauties of Santa Cruz" and "The House of Night," and in 1778 he became involved in the war. After his release from British captivity, Freneau wrote a book in verse, "The British Prison Ship" (1781).
After serving as a sea captain for several years, Freneau took up journalism. In his National Gazette newspaper in Philadelphia, he sharply criticized George Washington.
Freneau's poetry, which accompanied him throughout his life, covers a variety of subjects, including political situations, American Indians, nature, the sea, and naval battles. His political poems are often satirical, but his nature poems are very lyrical.