charcoal pencil
Kees van Dongen was a Dutch-French painter renowned for his vivid and expressive works that placed him at the forefront of the Fauvist movement. Born in 1877 in Delfshaven, Netherlands, van Dongen's journey into the art world began with his education at the Akademie voor Beeldende Kunsten in Rotterdam. His move to Paris in 1897 marked a pivotal moment in his career, immersing him in the bustling avant-garde scene and connecting him with influential circles, including Pablo Picasso and the Fauves. Van Dongen's art, characterized by its striking use of color and bold brushwork, captured the essence of his subjects with a unique blend of realism and abstraction.
Van Dongen's work evolved significantly over time, initially influenced by the dark tones of his Dutch heritage and the works of Rembrandt. His encounter with Fauvism around 1906 brought a dramatic shift towards brighter, more vibrant colors, marking his most iconic phase. His ability to capture the sensuousness and personality of his subjects made him a sought-after portraitist among the French bourgeoisie and celebrities of his time. Notable works include "Femme aux bas noirs" (Woman with Black Stockings), "Les lutteuses" (Lutteuses du Tabarin), and "The Dancer Anita," showcasing his fascination with the human figure, particularly sensuous depictions of women.
Beyond his remarkable contributions to Fauvism, van Dongen's ventures into illustration and his role as a society portraitist underscore his diverse talents and adaptability to the changing tastes of the art market. His works are celebrated in major collections worldwide, including the Hermitage Museum and the National Gallery of Denmark, affirming his lasting impact on the art world.
Collectors and art experts continue to appreciate van Dongen's work for its bold experimentation with color, form, and the evocative portrayal of his subjects. His legacy lives on as a testament to the vibrancy and dynamism of early 20th-century modern art.
For those keen to explore van Dongen's captivating works further and stay informed about new discoveries, exhibitions, and auction events related to his art, signing up for updates is a must. This ensures direct access to the latest sales and scholarly insights into the painter's rich oeuvre, a valuable resource for collectors and enthusiasts alike.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
Kees van Dongen was a Dutch-French painter renowned for his vivid and expressive works that placed him at the forefront of the Fauvist movement. Born in 1877 in Delfshaven, Netherlands, van Dongen's journey into the art world began with his education at the Akademie voor Beeldende Kunsten in Rotterdam. His move to Paris in 1897 marked a pivotal moment in his career, immersing him in the bustling avant-garde scene and connecting him with influential circles, including Pablo Picasso and the Fauves. Van Dongen's art, characterized by its striking use of color and bold brushwork, captured the essence of his subjects with a unique blend of realism and abstraction.
Van Dongen's work evolved significantly over time, initially influenced by the dark tones of his Dutch heritage and the works of Rembrandt. His encounter with Fauvism around 1906 brought a dramatic shift towards brighter, more vibrant colors, marking his most iconic phase. His ability to capture the sensuousness and personality of his subjects made him a sought-after portraitist among the French bourgeoisie and celebrities of his time. Notable works include "Femme aux bas noirs" (Woman with Black Stockings), "Les lutteuses" (Lutteuses du Tabarin), and "The Dancer Anita," showcasing his fascination with the human figure, particularly sensuous depictions of women.
Beyond his remarkable contributions to Fauvism, van Dongen's ventures into illustration and his role as a society portraitist underscore his diverse talents and adaptability to the changing tastes of the art market. His works are celebrated in major collections worldwide, including the Hermitage Museum and the National Gallery of Denmark, affirming his lasting impact on the art world.
Collectors and art experts continue to appreciate van Dongen's work for its bold experimentation with color, form, and the evocative portrayal of his subjects. His legacy lives on as a testament to the vibrancy and dynamism of early 20th-century modern art.
For those keen to explore van Dongen's captivating works further and stay informed about new discoveries, exhibitions, and auction events related to his art, signing up for updates is a must. This ensures direct access to the latest sales and scholarly insights into the painter's rich oeuvre, a valuable resource for collectors and enthusiasts alike.
Otto Pankok was a German painter, printmaker, and sculptor.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
Jussuf Abbo, originally Jussuff Abbu, was a Palestinian-Jewish artist active mainly in Germany.
In 1937 in Germany his work had been branded as "Degenerate Art" and removed from all public museums. Much of the work removed was later destroyed by the Nazi regime.
Heinrich Rudolf Zille was a German illustrator, caricaturist, lithographer and photographer.
Robert Hermann Sterl was a German painter and graphic artist.
From 1881 to 1888, he attended the Dresden Academy of Fine Arts, where he studied under Leon Pohle and Julius Scholtz, later becoming a master student of Ferdinand Pauwels. A stay at the artists' colony in Goppeln near Bannewitz introduced him to impressionism and plein air painting.
Anselm Kiefer, a German artist born in 1945, is renowned for his profound contributions to painting and sculpture. He is distinguished by his use of unconventional materials such as straw, ash, clay, lead, and shellac, which he selects for their symbolic and alchemical properties. Anselm Kiefer's works often delve into themes of German history, mythology, and the Holocaust, using these materials to evoke a range of emotions and reflections on past and present.
One of his notable pieces, "Margarete," inspired by Paul Celan's poem "Death Fugue," employs straw to symbolize various themes, including racial purity and the fragility of life. Another significant work, "The High Priestess/Zweistromland," features an installation of lead books, reflecting on the transmission and preservation of knowledge. "Shevirat Ha-Kelim" is a sculpture that explores themes from the Kabbalah, representing the fragmentation of divine attributes.
Anselm Kiefer's art is not just visually impactful but also intellectually stimulating, encouraging viewers to ponder complex historical and philosophical questions. His works are displayed in prestigious venues worldwide, including the Centre Georges Pompidou in Paris and private collections.
For art collectors and experts, Anselm Kiefer's oeuvre offers a compelling blend of historical depth, material innovation, and philosophical inquiry. If you're intrigued by Kiefer's unique approach to art and wish to stay informed about new works and auction events related to Anselm Kiefer, consider signing up for updates to ensure you don't miss out on the opportunity to engage with his profound and evocative creations.
Otto Pankok was a German painter, printmaker, and sculptor.
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Olav Christopher Jenssen is a Norwegian artist. Jenssen is considered one of the most acclaimed contemporary Norwegian artists, with a significant international career. He has for years lived and worked in Berlin. From 1996 to 2003 he was professor of painting at the Hochschule Fine Arts in Hamburg, and since 2007, he is professor of painting at the Hochschule Fine Arts in Braunschweig. In 1992, he was selected to exhibit at the prestigious exhibition documenta in Kassel, Germany. He was festival exhibitor in Bergen in 2000, perhaps considered to be the most prestigious solo show in Norway for a Norwegian artist. His series of paintings; "Lack of Memory" (1992) was named one the 12 most important Norwegian artworks, by Morgenbladet.
Franz Xafer Gräßel was a German animal and landscape painter.
Gräßel studied painting at the Karlsruhe Academy and at the Munich Academy, where he became a professor in 1911. Initially his favorite subject was rural landscapes, but from 1894 he painted mainly ducks and geese and achieved a high level of skill in their depiction. Gräßel even earned the nickname "duck painter".
In 1932 Gräßel joined the NSDAP, and in 1938, 1939 and 1940 was represented by four paintings at the Great Exhibition of German Art in Munich. Adolf Hitler liked them so much that he purchased them all. The artist's paintings are now in important galleries and collections in Germany.
Shiy De-jinn (Chinese: 席德進; pinyin Xi Dejin) was a Chinese modernist painter who became famous in Taiwan. He was a disciple of Lin Fengmian and Pan Xunqin. Fleeing the CCP to Taiwan, he lived there until his death. Shiy De-jinn attracted attention as a nativist and, especially posthumously, as a queer artist. His works are in the Museum of Contemporary Art Taipei and the Taipei Fine Arts Museum.
Claes Oldenburg was a Swedish-born American sculptor, celebrated for his groundbreaking contributions to the field of public art and sculpture. With a career spanning over several decades, Oldenburg redefined the boundaries between sculpture and everyday objects, bringing a whimsical yet profound commentary on consumer culture and the urban environment. His talent for transforming the mundane into the monumental made his work not only iconic but also a vital part of the conversation about the role of art in public spaces.
Oldenburg's sculptures are characterized by their colossal scale and imaginative designs, often inspired by everyday items. Perhaps his most famous works include "Clothespin" in Philadelphia and "Spoonbridge and Cherry" in Minneapolis. These pieces are emblematic of his unique approach to sculpture, where familiar objects are reimagined in unexpected contexts, challenging viewers to see the world around them in new ways. His ability to blur the lines between art and life, combined with his playful exploration of form and material, has left an indelible mark on the art world.
For collectors and experts in art and antiques, Oldenburg's works represent not just significant artistic achievements but also compelling investments. His sculptures and installations continue to be celebrated in museums and galleries worldwide, testament to his enduring influence and relevance in the contemporary art scene. For those interested in the intersection of culture, art, and urban life, Oldenburg's legacy offers rich insights and inspiration.
To stay informed about new product sales and auction events related to Claes Oldenburg, we invite you to sign up for updates. This subscription service is designed for collectors and art enthusiasts eager to keep abreast of the latest developments and opportunities in the world of art and antiques. Join us in exploring the remarkable contributions of Claes Oldenburg to the art world.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Wolf Vostell was a German artist who is considered a pioneer of video and installation art, and a key figure in the Fluxus movement. He studied at the Academy of Fine Arts in Wuppertal and later at the École Nationale Supérieure des Beaux-Arts in Paris.
Vostell's art was heavily influenced by the horrors of World War II, and he often incorporated themes of violence and destruction in his work. He was interested in exploring the relationship between art and technology, and he experimented with new media such as television, video, and sound.
One of Vostell's most famous works is "Concrete Traffic," a 1970 installation in which he placed a Cadillac in a block of concrete. The piece was intended to comment on the impact of automobile culture on society and the environment.
Another notable work is "TV-Burying," a performance piece in which Vostell buried a television set in the ground, with only the screen visible. The work was a commentary on the pervasive influence of television on modern life.
Vostell's work has been exhibited extensively around the world, including at the Museum of Modern Art in New York, the Venice Biennale, and the Centre Georges Pompidou in Paris.
Sanyu (Chinese: 常玉) or Chang Yu was a French painter of Chinese origin. He is known as one of the pioneers of modernism in Chinese art.
Sanyu's artistic style was characterised by a unique fusion of Western influences, such as Fauvism and Cubism, with traditional Chinese painting techniques. His works often depicted simple and elegant subjects, including flowers, animals and nudes, with a minimalist and poetic touch. His use of bold colours and flowing brushstrokes created a sense of harmony and tranquility in his compositions.
