clementines oil canvas
Clementine Hunter was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
Clementine Hunter was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
Clementine Hunter was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
Clementine Hunter was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
Clementine Hunter was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
Clementine Hunter was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
Danielle Orchard is a contemporary American artist living and working in Brooklyn, New York.
Francesco Trevisani was an Italian painter, celebrated for his contributions to the early Rococo or late Baroque periods. Born in Capodistria, he moved to Venice for training and later settled in Rome, where he gained prominence after the death of Carlo Maratta, becoming a leading figure in Roman art circles. Trevisani's art is known for its vibrant color palette and emotional depth, aligning with Maratta's style but with a distinct sweetness and colorfulness.
Francesco Trevisani's body of work includes frescoes, altarpieces, devotional and mythological scenes, and portraits. Notable works include "The Agony in the Garden" and "The Baptism of Christ," housed in Glasgow Museums and Leeds Museums and Galleries, respectively. His painting "Dead Christ Supported by Angels" reflects his ability to evoke deep religious sentiment, showcasing his skill in capturing the divine intertwined with human emotion.
Francesco Trevisani's influence extended across Europe, with his works being a testament to the religious and cultural narratives of his time. His ability to blend dramatic expression with delicate detailing won him accolades and recognition, making his works sought after by collectors and art enthusiasts alike.
For those interested in the fusion of religious narrative and artistic expression, Francesco Trevisani's works offer a compelling study. His legacy continues to inspire and attract admiration, making him a significant figure in the history of Italian art.
To stay updated on sales and auction events related to Francesco Trevisani, sign up for our newsletter. This subscription is your gateway to the latest updates on available pieces and upcoming events, ensuring you stay informed about opportunities to acquire works by this renowned artist.
Carlo Cignani was an Italian painter, a representative of the Bolognese Baroque school.
Although he was educated in Bologna, he was more influenced by Correggio. The last 20 years of his life the artist spent in Forli, engaged in painting churches. The fresco "Assumption of the Virgin" in the dome of the cathedral of Forlì was painted by Cignani on the motives of the painting of the dome of the Cathedral of Parma, made by Correggio.
His son Felice (1660-1724) and nephew Paolo (1709-1764) were also artists.
Giambattista Pittoni, an illustrious Venetian painter from the 18th century, was renowned for his religious, historical, and mythological artworks. His style, once established, remained consistent throughout his career, characterized by fluency and expressive theatricality, making his paintings timeless within the Venetian art scene. Despite being less traveled compared to his contemporaries, Pittoni received numerous international commissions, particularly from Germany, reflecting his widespread acclaim.
Giambattista Pittoni's works include altarpieces for various churches across Italy and notable commissions from European royalty and aristocracy. His patrons included Augustus II of Poland, Clemens August of Bavaria, and Philip V of Spain, showcasing his significant influence beyond Italian borders. His artistic journey was influenced by early interactions with Venetian painters like Sebastiano Ricci and later by the Rococo style, evident in his sophisticated and elegant use of color.
Giambattista Pittoni's legacy is evident in various collections, including the National Gallery, London, and the Gallerie dell'Accademia in Venice, which houses a collection of his preparatory studies. As a founding member and later president of the Venice Academy, his contributions to the art world were substantial, leaving an enduring impact on the Venetian art scene and beyond.
For those interested in delving deeper into the world of Venetian art and exploring Giambattista Pittoni's exquisite works, consider signing up for updates on exhibitions, sales, and auctions featuring his art. This will provide enthusiasts and collectors with the latest information and opportunities to engage with Pittoni's enduring artistic legacy.
Carlo Cignani was an Italian painter, a representative of the Bolognese Baroque school.
Although he was educated in Bologna, he was more influenced by Correggio. The last 20 years of his life the artist spent in Forli, engaged in painting churches. The fresco "Assumption of the Virgin" in the dome of the cathedral of Forlì was painted by Cignani on the motives of the painting of the dome of the Cathedral of Parma, made by Correggio.
His son Felice (1660-1724) and nephew Paolo (1709-1764) were also artists.
