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Hans Werdehausen is a German expressionist painter.
Werdehausen is a vivid representative of the new wave of postwar art. In 1948 he co-founded the group "Young West", later joined the Association of German Artists, and in 1955 - the Association of West German Artists.
Hans Werdehausen's individual style of painting combines expression, abstraction, constructivism and cubism.
Wolfram Beck was a German sculptor, draughtsman, and painter who worked with wood, steel, bronze, acrylic, and stone. He was trained at the Higher School of Artistic Culture in Berlin, and his work initially included large organic wooden works, portrait busts, and torsos in clay and stone. In the 1970s, Beck created strictly geometric and airy-filigree constructions from mechanical and electronic components that could be moved by actuators or by hand. He also created colorfully accented and fragile looking objects in metal and acrylic. Beck's work can be found in the collections of Axel Springer, Egon Eiermann, and others.
Giuseppe Capogrossi was an Italian painter.
In the years following World War II, Capogrossi's work changed in favour of a more abstract style. His work was part of the painting event in the art competition at the 1948 Summer Olympics.
Capogrossi subsequently became one of the main exponents of Italian informal art, together with Lucio Fontana and Alberto Burri.
Gottfried Helnwein is an Austrian-Irish visual artist. He has worked as a painter, draftsman, photographer, muralist, sculptor, installation and performance artist, using a wide variety of techniques and media.
His work is concerned primarily with psychological and sociological anxiety, historical issues and political topics. His subject matter is the human condition. The metaphor for his art is dominated by the image of the child, particularly the wounded child, scarred physically and emotionally from within. His works often reference taboo and controversial issues from recent history, especially the Nazi rule and the horror of the Holocaust. As a result, his work is often considered provocative and controversial.
Giulio Turcato was an influential Italian painter, recognized for his contributions to both figurative and abstract expressionist art. Born in Mantua in 1912, Turcato's early artistic journey led him to the Accademia di Belle Arti di Venezia. His career path took him through various Italian cities, culminating in a significant move to Rome in 1943, where he immersed himself in the Resistance and the Communist Party.
Giulio Turcato's work, characterized by a unique blend of political engagement and artistic innovation, stood at the crossroads of critical movements and artistic groups of his time. He was a key member of Forma 1, a group advocating Marxist-leaning abstract art, and the Fronte Nuovo delle Arti. His reluctance to fully embrace either politically engaged art or formalist abstraction marked him as a distinctive voice in the Italian art scene.
His artistic oeuvre includes participating in the Venice Biennale and showcasing his work at prominent venues such as the MoMA in New York and the Staatsgalerie Moderner Kunst in Munich. Turcato's exploration of materials, evident in his "Lunar Surfaces" series, showcased his innovative approach, incorporating elements like sand and foam to create textured, dynamic compositions.
For art collectors and enthusiasts, Giulio Turcato's work offers a deep dive into a pivotal moment in Italian art history, reflecting a complex interplay of political, social, and artistic narratives. To stay updated on new sales and auction events related to Giulio Turcato's art, consider signing up for updates, ensuring you remain informed about opportunities to engage with the legacy of this pivotal artist.
Giulio Turcato was an influential Italian painter, recognized for his contributions to both figurative and abstract expressionist art. Born in Mantua in 1912, Turcato's early artistic journey led him to the Accademia di Belle Arti di Venezia. His career path took him through various Italian cities, culminating in a significant move to Rome in 1943, where he immersed himself in the Resistance and the Communist Party.
Giulio Turcato's work, characterized by a unique blend of political engagement and artistic innovation, stood at the crossroads of critical movements and artistic groups of his time. He was a key member of Forma 1, a group advocating Marxist-leaning abstract art, and the Fronte Nuovo delle Arti. His reluctance to fully embrace either politically engaged art or formalist abstraction marked him as a distinctive voice in the Italian art scene.
His artistic oeuvre includes participating in the Venice Biennale and showcasing his work at prominent venues such as the MoMA in New York and the Staatsgalerie Moderner Kunst in Munich. Turcato's exploration of materials, evident in his "Lunar Surfaces" series, showcased his innovative approach, incorporating elements like sand and foam to create textured, dynamic compositions.
For art collectors and enthusiasts, Giulio Turcato's work offers a deep dive into a pivotal moment in Italian art history, reflecting a complex interplay of political, social, and artistic narratives. To stay updated on new sales and auction events related to Giulio Turcato's art, consider signing up for updates, ensuring you remain informed about opportunities to engage with the legacy of this pivotal artist.
Beatrice "Bice" Lazzari was an Italian abstract painter. She is considered to be the leader of post-war painting in Italy.
Yoshishige Saitō was a Japanese visual artist and art educator.
Saitō was a seminal figure in Japanese art of the 20th century and a crucial link between the prewar avant-garde and postwar abstract art in Japan. From early on, he was exposed to Post-Impressionism and the avant-garde movements, including Russian constructivism and European Dada, as well as Western literature and Marxism. In the 1930s, he became active in the avant-garde art circles, while pursuing abstraction in paintings and wood reliefs, most notably the relief series of Kara kara and Toro Wood. All of his prewar works and related materials were lost to an air-raid fire in 1945, some of them were reconstructed in the 1970s.
