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Umberto Mariani is an Italian contemporary artist. His work is first linked to pop art in the 1960s and 1970s and then to spatialism and Arte povera.
Pietro da Cortona, born as Pietro Berrettini, was an eminent figure in the Italian Baroque movement. His multi-faceted genius encompassed painting, architecture, and design, earning him a reputation second only to Bernini in the Roman Baroque style. Cortona's journey in art commenced in Rome around 1612, where his talents flourished under the patronage of influential families like the Barberini.
Pietro da Cortona's masterful frescoes in the church of S. Bibiana, commissioned by Urban VIII, set the tone for his illustrious career. His most iconic work, the colossal fresco "Allegory of Divine Providence and Barberini Power" in the Gran Salone of the Palazzo Barberini, epitomizes his skill in creating grandiose, illusionistic art. This piece, commenced in 1633 and completed in 1639, is a testament to his belief in the epic scale of history painting, a view he defended in a notable debate with Andrea Sacchi.
In 1637, Pietro da Cortona's artistic journey took him to Florence at the behest of Ferdinand II de' Medici, Grand Duke of Tuscany. Here, in the Palazzo Pitti, he created frescoes for the Planetary Rooms, combining allegorical themes with lush stucco work, significantly influencing the Italian and French decorative arts.
Pietro da Cortona's contributions to architecture were equally significant. His architectural masterpiece, the church of SS. Martina e Luca in Rome, exemplifies his ability to create grand structures with a unified Baroque vision. His architectural prowess, though less correlated with his painting style, made a lasting impact through its emphasis on form rather than ornament.
For art collectors and enthusiasts, Pietro da Cortona's works offer a rich tapestry of Baroque artistry, blending grandeur, realism, and allegory. His frescoes, paintings, and architectural designs continue to captivate audiences, symbolizing the opulence and dynamism of the Baroque era.
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Alberto Magnelli was an Italian painter who played a significant role in the development of 20th century abstract art. He was born in Florence, Italy, and began his artistic training at the Academy of Fine Arts in Florence.
Magnelli's early work was heavily influenced by the Italian Futurist movement, but he later became interested in abstract art and began to experiment with different forms of abstraction. His paintings often featured geometric shapes, bold colors, and strong contrasts between light and dark.
During World War II, Magnelli fled to Switzerland and later moved to Paris, where he became involved with the Surrealist movement and formed close friendships with artists such as Piet Mondrian and Max Ernst. In the 1950s and 60s, he began to incorporate organic forms and more fluid, gestural marks into his work.
His work continues to be exhibited and studied around the world, and his legacy has had a significant impact on the development of modern and contemporary art in Italy and beyond.
Otto Herbert Hajek was a German abstractionist painter, graphic artist and sculptor.
Robert Salomon Gessner is a Swiss abstractionist artist and graphic designer.
