coussin en tissu
Jean Prouvé was a French metal worker, self-taught architect and designer. Le Corbusier designated Prouvé a constructeur, blending architecture and engineering. Prouvé's main achievement was transferring manufacturing technology from industry to architecture, without losing aesthetic qualities. His design skills were not limited to one discipline. During his career Jean Prouvé was involved in architectural design, industrial design, structural design and furniture design.
Jean Prouvé was a French metal worker, self-taught architect and designer. Le Corbusier designated Prouvé a constructeur, blending architecture and engineering. Prouvé's main achievement was transferring manufacturing technology from industry to architecture, without losing aesthetic qualities. His design skills were not limited to one discipline. During his career Jean Prouvé was involved in architectural design, industrial design, structural design and furniture design.
Mattia Bonetti is a Swiss artist and designer who lives and works in Paris. At first he was a stylist and photographer. In 1979 he became involved in furniture design, which he still does to this day.
Mattia Bonetti is a Swiss artist and designer who lives and works in Paris. At first he was a stylist and photographer. In 1979 he became involved in furniture design, which he still does to this day.
Mattia Bonetti is a Swiss artist and designer who lives and works in Paris. At first he was a stylist and photographer. In 1979 he became involved in furniture design, which he still does to this day.
Mattia Bonetti is a Swiss artist and designer who lives and works in Paris. At first he was a stylist and photographer. In 1979 he became involved in furniture design, which he still does to this day.
Ernesto Saboia de Albuquerque Neto is a contemporary visual artist. Ernesto Neto began exhibiting in Scotland in 1988 and has had solo exhibitions abroad since 1995. Neto's work has been described as "beyond abstract minimalism". His installations are large, soft, biomorphic sculptures that fill an exhibition space that viewers can touch, poke, and walk on or through. They are made of white, stretchy material—amorphous forms stuffed with Styrofoam pellets or, on occasion, aromatic spices. In some installations, he has also used this material to create translucent scrims that transform the space's walls and floor. His sculptures can be regarded as expression of traditional abstract form, but in their interaction with the viewer, they work on another level as well.
