craig
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Craig Alan is an American artist whose work displays a technical sophistication as well as a rich imagination.
After moving with his family to New Orleans, Alan worked as a street artist in his youth, creating portraits. Through his exceptional talent and through his own research, he eventually developed an admirable understanding and sense of textures, compositions and colors. Today, Craig Alan represents a wide range of artistic styles, from book illustration to naturalistic oil painting and his Populus Art.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Craig Alan is an American artist whose work displays a technical sophistication as well as a rich imagination.
After moving with his family to New Orleans, Alan worked as a street artist in his youth, creating portraits. Through his exceptional talent and through his own research, he eventually developed an admirable understanding and sense of textures, compositions and colors. Today, Craig Alan represents a wide range of artistic styles, from book illustration to naturalistic oil painting and his Populus Art.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
John Ronald Craigie Aitchison was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
His career-long fascination with the crucifixion was triggered by a visit to see Salvador Dalí's Christ of St John of the Cross in 1951 after it was acquired by the Kelvingrove Gallery.
