dancer art
Lorenzo Quaglio was an Italian-born German painter of the first half of the 19th century. He is known as a painter, landscape painter, genre painter and lithographer of the German Biedermeier period, a member of the Quaglio dynasty of artists, brother of the famous architect-artist Domenico Quaglio.
Lorenzo Quaglio worked early in his career as a decorator for the court of the Bavarian Electorate and the national theater in Munich. He traveled frequently in the Bavarian and Tyrolean Alps, which inspired him to create. His works predominantly depicted scenes from the peasantry of Upper Bavaria. He also executed on stone copies of paintings from the Dresden Gallery. In 1812, he created his first lithograph with nature scenes, and from 1820 he studied Bavarian folk costume. Later he worked on the decoration of the Swan Knight Hall in Hohenschwangau Castle.
Josef Lorenzl was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947).
Josef Lorenzl was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947).
Josef Lorenzl was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947).
Josef Lorenzl was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947).
Arthur Wilhelm Otto Lewin-Funcke, originally Arthur Levin was a German sculptor and medallist. Lewin was his father's name, and Funcke his mother's maiden name.
Sergey Yurievich Sudeikin (Russian: Сергей Юрьевич Судейкин), also known as Serge Soudeikine, was a Russian artist and set-designer renowned for his vivid contributions to the world of art and theater. Born on March 19, 1882, in Smolensk, Russia, and passing away on August 12, 1946, in Nyack, New York, Sudeikin's career was a testament to his versatile talent and innovative vision. He was closely associated with prestigious institutions such as the Ballets Russes and the Metropolitan Opera, showcasing his unique ability to blend artistic and theatrical design.
Sudeikin's journey in the arts began at the Moscow School of Painting, Sculpture and Architecture, where he was notably banned for his bold, "obscene drawings". This rebellious start led him to join the Mir Iskusstva (World of Art) movement, solidifying his place among Russia's avant-garde artists. His circle included significant figures like poet Mikhail Kuzmin and impresario Serge Diaghilev, highlighting his integral role in Russia's cultural scene before emigrating to the West.
Among Sudeikin's notable works are his set and costume designs for Diaghilev's production of "La tragédie de Salomé" and his collaboration on "The Rite of Spring". After moving to the United States, he continued to leave his mark on the theater world, with works like the set design for the original Broadway production of "Porgy and Bess". Sudeikin's style is recognized for its theatricality, vivid color use, and often incorporated themes of irony and tragedy, deeply influencing the visual arts and theater design of the 20th century.
His artwork, including famous pieces like "Carousel", "Venetian masquerade", and "Portrait of Nina Shik", can be found in galleries and private collections worldwide, highlighting his enduring appeal. Despite facing challenges in gaining widespread recognition during his lifetime, Sudeikin's contributions to art and theater have solidified his legacy as a pioneering artist and designer.
Collectors and experts in art and antiques continue to celebrate Sergey Yurievich Sudeikin's work for its innovative approach and historical significance. To stay updated on sales and auction events related to Sudeikin's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike do not miss out on the opportunity to own a piece of this remarkable artist's legacy.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Richard Ernst Artschwager was an American painter, illustrator and sculptor. His work has associations with Pop Art, Conceptual art and Minimalism.
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Bart van der Leck was a Dutch painter and designer. He was a member of the De Stijl movement, a group of artists and designers who sought to create a new visual language that reflected the modern era.
Van der Leck began his career as a decorative painter, working on a variety of projects including murals and stained glass windows. He later turned to painting, creating abstract compositions characterized by bold, flat areas of color and simple geometric shapes. His work was influenced by his interest in the visual language of non-Western art, as well as by the work of Dutch painters such as Piet Mondrian and Theo van Doesburg.
In addition to his work as a painter, van der Leck was also a designer, creating textiles, furniture, and ceramics. He believed that art should be integrated into everyday life and worked to create designs that were both functional and aesthetically pleasing.
Van der Leck's work played an important role in the development of the De Stijl movement, and he worked closely with other members of the group, including Mondrian and van Doesburg. His paintings and designs continue to be celebrated for their bold simplicity and their contribution to the development of modern art and design.
Arthur Honegger was a Swiss-French composer, violinist and cellist, and music critic.
Honegger was born into a Swiss family but spent most of his life in France. He studied at the Zurich and Paris conservatories. After World War I, he joined Les Six, a group of young composers that also included Georges Auric, Germain Taillefer, Francis Poulenc, Darius Millau, and Louis Durey.
In the early 1920s Honegger asserted himself with strong orchestral and chamber works, including Pacific 231 (inspired by the sounds of a steam locomotive) and Pastorale d'Eté. In his dramatic oratorios Joan of Arc at the stake and Dance of the Dead, he turned to mysticism and religious meaning, which informed many of his later works.
Honegger was a prolific composer and composed several operas and a ballet, oratorios, five symphonies, and several chamber works for strings. He also wrote music for several movies. Honegger's music is written in a relaxed musical style that combines the French avant-garde with the large forms and massiveness of the German tradition.
Honegger is also known for his critical publications and musicological essays, particularly on composer Igor Stravinsky, whom he considered a genius and an example.
Arthur Wilhelm Otto Lewin-Funcke, originally Arthur Levin was a German sculptor and medallist. Lewin was his father's name, and Funcke his mother's maiden name.
