drei bergèren
Théo van Rysselberghe, a prominent Belgian painter, was a key figure in the Neo-Impressionist movement, particularly known for his adoption of the pointillist technique. Born in Ghent, Belgium, in 1862, van Rysselberghe played a crucial role in the artistic circle Les XX, a group of avant-garde artists who sought to break away from traditional academic art norms. His early works displayed an Impressionist influence, which evolved significantly after he encountered Georges Seurat's pointillist masterpiece at an Impressionist exhibition in Paris in 1886.
Van Rysselberghe's career saw a significant shift after this encounter, as he embraced pointillism, a technique involving the application of small, distinct dots of color to form an image. His mastery in this style is evident in his landscapes and portraiture, where he employed vibrant colors and meticulous attention to light and detail. His work during this period is considered the pinnacle of his artistic achievements, showcasing his talent not only in landscapes but also in pointillist portraiture, a genre he significantly contributed to within the Neo-Impressionist movement.
Despite his success and contributions to pointillism, Théo van Rysselberghe eventually moved away from this technique around 1904, exploring other artistic expressions. Throughout his career, he remained an influential figure in the Belgian art scene, his works continuing to inspire and attract attention for their innovative approach and technical prowess.
For art collectors and enthusiasts, delving into Théo van Rysselberghe's oeuvre offers a fascinating glimpse into the evolution of Neo-Impressionism and pointillism, highlighting the artist's significant role in these movements. To stay updated on sales and auctions featuring van Rysselberghe's works, signing up for updates can provide exclusive insights into opportunities to acquire pieces by this remarkable artist.
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events. Hogenberg was the author of graphic works, engravings of city views and maps of the first four volumes of the six-volume atlas Theatrum Orbis Terrarum (Description and drawings of the most famous cities in the world), published in 1570 by the Flemish geographer Abraham Ortelius. Hogenberg's engravings are an invaluable source of information about urban development in medieval Europe.
Georg Braun was a German topographical geographer, cartographer and publisher.
Braun was the editor-in-chief of the Civitates orbis terrarum, a groundbreaking atlas of cities, one of the major cartographic achievements of the 16th century. It was the first comprehensive and detailed atlas, with plans of the world's famous cities and bird's-eye views, and became one of the best-selling works of the time.
The book was prepared by Georg Braun in collaboration with the Flemish engraver and cartographer Frans Hoogenberg. Braun, as editor-in-chief, acquired tables, hired artists, and wrote the texts. They drew on existing maps as well as maps based on drawings by the Antwerp artist Joris Hofnagel and his son Jacob. Other authors include Pieter Bruegel the Elder (c. 1525-1569), Jacob van Deventer (c. 1505-1575), and more than a hundred other artists and engravers.
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events. Hogenberg was the author of graphic works, engravings of city views and maps of the first four volumes of the six-volume atlas Theatrum Orbis Terrarum (Description and drawings of the most famous cities in the world), published in 1570 by the Flemish geographer Abraham Ortelius. Hogenberg's engravings are an invaluable source of information about urban development in medieval Europe.
Georg Braun was a German topographical geographer, cartographer and publisher.
Braun was the editor-in-chief of the Civitates orbis terrarum, a groundbreaking atlas of cities, one of the major cartographic achievements of the 16th century. It was the first comprehensive and detailed atlas, with plans of the world's famous cities and bird's-eye views, and became one of the best-selling works of the time.
The book was prepared by Georg Braun in collaboration with the Flemish engraver and cartographer Frans Hoogenberg. Braun, as editor-in-chief, acquired tables, hired artists, and wrote the texts. They drew on existing maps as well as maps based on drawings by the Antwerp artist Joris Hofnagel and his son Jacob. Other authors include Pieter Bruegel the Elder (c. 1525-1569), Jacob van Deventer (c. 1505-1575), and more than a hundred other artists and engravers.
Renée Sintenis was a German sculptor, medallist, and graphic artist who worked in Berlin. She created mainly small-sized animal sculptures, female nudes, portraits, and sports statuettes. She is especially known for her Berlin Bear sculptures, which was used as the design for the Berlinale's top flim award, the Golden Bear.
Werner Berges is a contemporary German artist and graphic artist, a representative of Pop Art.
Typical of him are bright colours and sharp outlines, the use of spot painting and the strips that give his works the character of reproductions. The heroes of his paintings are pop and film stars, advertising types of women and photo-models, whose erotic poses and captivating glances Werner Berges emphasizes with a powerful combination of colours, points, stripes and collage. At the core of his drawing is a "graphic framework" that exists independently of the overlay of colours on the canvas. The artist tries to show himself to be completely independent and impartial about what he has created and only signs his work on the back of the canvas.
Werner Berges is a contemporary German artist and graphic artist, a representative of Pop Art.
Typical of him are bright colours and sharp outlines, the use of spot painting and the strips that give his works the character of reproductions. The heroes of his paintings are pop and film stars, advertising types of women and photo-models, whose erotic poses and captivating glances Werner Berges emphasizes with a powerful combination of colours, points, stripes and collage. At the core of his drawing is a "graphic framework" that exists independently of the overlay of colours on the canvas. The artist tries to show himself to be completely independent and impartial about what he has created and only signs his work on the back of the canvas.
Werner Berges is a contemporary German artist and graphic artist, a representative of Pop Art.
Typical of him are bright colours and sharp outlines, the use of spot painting and the strips that give his works the character of reproductions. The heroes of his paintings are pop and film stars, advertising types of women and photo-models, whose erotic poses and captivating glances Werner Berges emphasizes with a powerful combination of colours, points, stripes and collage. At the core of his drawing is a "graphic framework" that exists independently of the overlay of colours on the canvas. The artist tries to show himself to be completely independent and impartial about what he has created and only signs his work on the back of the canvas.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Wilhelm Schnarrenberger was a German painter and representative of the New Objectivity movement.
Schnarrenberger studied graphics at the Munich School of Applied Arts, as well as architecture. After his studies, the artist received commissions for publications in the magazines Das Plakat or Simplicissimus as well as numerous illustrations for publishing houses. At the same time, Schnarrenberger also began to work as a painter and participated in the exhibitions of the New Munich Secession. After the Expressionist phase, his painting was replaced by an increasingly distinct style, which in 1925 became known as Neue Sachlichkeit ("New Objectivity"). In 1920, the artist was appointed to teach commercial art at the Badisches Landeschool in Karlsruhe, where he later became a professor.
As a result of the Nazis' rise to power, Schnarrenberger lost his professorship and moved to Berlin. In 1937, Wilhelm Schnarrenberger's paintings were recognized as degenerate and he was persecuted. After the end of the war, he was allowed to resume his professorship and was appointed professor at the Karlsruhe State Academy of Fine Arts. He became a member of the Badische Secession and received the Hans Thom State Prize in 1962.
Fritz Kronenberg was a German painter of the Hamburg Secession.
Nils Landberg is a Swedish glass artist.
He studied at the Göteborg Handicrafts Society School, then worked at the Orrefors glassworks, first as an engraver and since 1936 as a designer.
Landberg is known to the general public for his fine, elegant glassware and art glass. His most famous works are Tulip and Twilight. Landberg's works can be found in many public buildings throughout Sweden and are represented in several museums in Sweden, Germany and the USA.
