edi rama
Carol Rama, actually Olga Carolina Rama, was an Italian self-taught artist. Her paintings embrace erotic and sexual identity with particular references to female sensuality. Mussolini's fascist regime deemed her work obscene and they were stigmatised as pornography.
By the early 1950s, Karol Rama was painting irregular geometric compositions of rhythmic rhombuses and squares, often connected by long spider-like lines or forming a directed field of implied movement.
Gradually she began to abolish the geometric conventions of concrete art. And after more than thirty years of inventing poisonous abstractions, Rama returned to figuration.
Carol Rama, actually Olga Carolina Rama, was an Italian self-taught artist. Her paintings embrace erotic and sexual identity with particular references to female sensuality. Mussolini's fascist regime deemed her work obscene and they were stigmatised as pornography.
By the early 1950s, Karol Rama was painting irregular geometric compositions of rhythmic rhombuses and squares, often connected by long spider-like lines or forming a directed field of implied movement.
Gradually she began to abolish the geometric conventions of concrete art. And after more than thirty years of inventing poisonous abstractions, Rama returned to figuration.
Carol Rama, actually Olga Carolina Rama, was an Italian self-taught artist. Her paintings embrace erotic and sexual identity with particular references to female sensuality. Mussolini's fascist regime deemed her work obscene and they were stigmatised as pornography.
By the early 1950s, Karol Rama was painting irregular geometric compositions of rhythmic rhombuses and squares, often connected by long spider-like lines or forming a directed field of implied movement.
Gradually she began to abolish the geometric conventions of concrete art. And after more than thirty years of inventing poisonous abstractions, Rama returned to figuration.
Carol Rama, actually Olga Carolina Rama, was an Italian self-taught artist. Her paintings embrace erotic and sexual identity with particular references to female sensuality. Mussolini's fascist regime deemed her work obscene and they were stigmatised as pornography.
By the early 1950s, Karol Rama was painting irregular geometric compositions of rhythmic rhombuses and squares, often connected by long spider-like lines or forming a directed field of implied movement.
Gradually she began to abolish the geometric conventions of concrete art. And after more than thirty years of inventing poisonous abstractions, Rama returned to figuration.
Carol Rama, actually Olga Carolina Rama, was an Italian self-taught artist. Her paintings embrace erotic and sexual identity with particular references to female sensuality. Mussolini's fascist regime deemed her work obscene and they were stigmatised as pornography.
By the early 1950s, Karol Rama was painting irregular geometric compositions of rhythmic rhombuses and squares, often connected by long spider-like lines or forming a directed field of implied movement.
Gradually she began to abolish the geometric conventions of concrete art. And after more than thirty years of inventing poisonous abstractions, Rama returned to figuration.
Walter Gramatté was a German expressionist painter who specialized in magic realism. He worked in Berlin, Hamburg, Hiddensee and Barcelona. He often painted with a mystical view of nature. Many of his works were inspired by his experiences in the First World War and his illness.
Shiro Kuramata (jap. 倉俣 史朗) was one of Japan's most important designers of the 20th century.
