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Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Miguel Ortiz Berrocal was a Spanish figurative and abstract sculptor. He is best known for his puzzle sculptures, which can be disassembled into many abstract pieces. These works are also known for the miniature artworks and jewelry incorporated into or concealed within them, and the fact that some of the sculptures can be reassembled or reconfigured into different arrangements. Berrocal's sculptures span a wide range of physical sizes from monumental outdoor public works, to intricate puzzle sculptures small enough to be worn as pendants, bracelets, or other body ornamentation.
