françois-louis français (1814 - 1897)
François-Louis Français, also known as Louis Français, was a French painter, lithographer and illustrator who became one of the most commercially successful landscape painters of the 19th century. A former pupil of Gigoux, he began his career by studying lithography and wood engraving, becoming a prolific illustrator and print-maker. His work as an illustrator is to be found in around forty books and numerous magazines from the late 1830s to the 1860s. Français also produced a large number of pen and ink drawings, enhanced by sepia, notable for their attention to detail and for their technical adroitness and conciseness.
Français is associated with the Barbizon School of painting, a movement to represent art in nature in a Romantic, Realist context. In 1836 whilst at Barbizon he met the landscape painter Camille Corot and began a ten-year association as a friend and acolyte. Français's paintings possess some of the prominent features of the work of Corot in his use of tonal colours, loose brushwork and an emphasis on softness of form.
François-Louis Français, also known as Louis Français, was a French painter, lithographer and illustrator who became one of the most commercially successful landscape painters of the 19th century. A former pupil of Gigoux, he began his career by studying lithography and wood engraving, becoming a prolific illustrator and print-maker. His work as an illustrator is to be found in around forty books and numerous magazines from the late 1830s to the 1860s. Français also produced a large number of pen and ink drawings, enhanced by sepia, notable for their attention to detail and for their technical adroitness and conciseness.
Français is associated with the Barbizon School of painting, a movement to represent art in nature in a Romantic, Realist context. In 1836 whilst at Barbizon he met the landscape painter Camille Corot and began a ten-year association as a friend and acolyte. Français's paintings possess some of the prominent features of the work of Corot in his use of tonal colours, loose brushwork and an emphasis on softness of form.
