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Émile Bernard, a French painter, was a significant figure in the Post-Impressionist movement. He is most famously associated with the development of Cloisonnism, a painting style characterized by bold outlines and flat, vivid color planes, and he played a role in Synthetism, a synthesis of forms and colors in art.
Bernard's artistic journey was influenced by his interactions with notable artists such as Paul Gauguin, Vincent van Gogh, and Louis Anquetin. His works, which often explored themes of symbolism and religious imagery, ranged from traditional paintings to engravings and illustrations. One of his notable works, "Madeleine au Bois d'Amour," is displayed at the Musée d'Orsay in Paris.
Despite his early success and influence, Bernard's artistic trajectory took a turn towards classicism later in life, distancing himself from the avant-garde styles he once embraced. His extensive travel experiences, particularly his time in Egypt, significantly impacted his art, leading to a broader range of stylistic elements in his later works.
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Francis Holman is a British marine artist.
His father was a sea captain in a port town, and the future artist was surrounded by the world of shipping and navigation from childhood. Holman was first commissioned by captains to depict their ships, and then he began to create paintings of shipyards and general life in maritime Britain in the late eighteenth century. He also painted several patriotic paintings of naval battles during the American War of Independence.
Today, Holman's art is appreciated for what it is. His attention to detail and intimate knowledge of his subject make up a valuable record of eighteenth-century maritime life.
Francis Holman's student Thomas Looney later became a major marine artist.