gerhard merz
Gerhard Merz is a German artist. From 1969 to 1973 he studied at the Academy of Fine Arts in Munich. Between 1964 and 1969 expressive pictures were taken and subsequently first metal sculptures. Since the beginning of the 1970s, he has been increasingly working with room installations in which he manufactured references to literary and art history as well as political history, as well as with the development of large-format, monochrome, with lineset nets from pencils covered. At the beginning of 1977, he was represented with his works four times in a row at Documenta in Kassel.
Gerhard Merz is a German artist. From 1969 to 1973 he studied at the Academy of Fine Arts in Munich. Between 1964 and 1969 expressive pictures were taken and subsequently first metal sculptures. Since the beginning of the 1970s, he has been increasingly working with room installations in which he manufactured references to literary and art history as well as political history, as well as with the development of large-format, monochrome, with lineset nets from pencils covered. At the beginning of 1977, he was represented with his works four times in a row at Documenta in Kassel.
Gerhard Merz is a German artist. From 1969 to 1973 he studied at the Academy of Fine Arts in Munich. Between 1964 and 1969 expressive pictures were taken and subsequently first metal sculptures. Since the beginning of the 1970s, he has been increasingly working with room installations in which he manufactured references to literary and art history as well as political history, as well as with the development of large-format, monochrome, with lineset nets from pencils covered. At the beginning of 1977, he was represented with his works four times in a row at Documenta in Kassel.
Gerhard Merz is a German artist. From 1969 to 1973 he studied at the Academy of Fine Arts in Munich. Between 1964 and 1969 expressive pictures were taken and subsequently first metal sculptures. Since the beginning of the 1970s, he has been increasingly working with room installations in which he manufactured references to literary and art history as well as political history, as well as with the development of large-format, monochrome, with lineset nets from pencils covered. At the beginning of 1977, he was represented with his works four times in a row at Documenta in Kassel.
Gerhard Merz is a German artist. From 1969 to 1973 he studied at the Academy of Fine Arts in Munich. Between 1964 and 1969 expressive pictures were taken and subsequently first metal sculptures. Since the beginning of the 1970s, he has been increasingly working with room installations in which he manufactured references to literary and art history as well as political history, as well as with the development of large-format, monochrome, with lineset nets from pencils covered. At the beginning of 1977, he was represented with his works four times in a row at Documenta in Kassel.
Gerhard Merz is a German artist. From 1969 to 1973 he studied at the Academy of Fine Arts in Munich. Between 1964 and 1969 expressive pictures were taken and subsequently first metal sculptures. Since the beginning of the 1970s, he has been increasingly working with room installations in which he manufactured references to literary and art history as well as political history, as well as with the development of large-format, monochrome, with lineset nets from pencils covered. At the beginning of 1977, he was represented with his works four times in a row at Documenta in Kassel.
Jeffrey Lynn Koons is an American artist recognized for his work dealing with popular culture and his sculptures depicting everyday objects, including balloon animals produced in stainless steel with mirror-finish surfaces. He lives and works in both New York City and his hometown of York, Pennsylvania. His works have sold for substantial sums, including at least two record auction prices for a work by a living artist: US$58.4 million for Balloon Dog (Orange) in 2013 and US$91.1 million for Rabbit in 2019.
Critics are sharply divided in their views of Koons. Some view his work as pioneering and of major art-historical importance. Others dismiss his work as kitsch, crass, and based on cynical self-merchandising. Koons has stated that there are no hidden meanings and critiques in his works.
Albert Oehlen is a German artist.
