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Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Philipp Ludwig Herrmann was a German landscape painter.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Hugo Curt Herrmann was a German Impressionist and Neo-Impressionist painter; associated with the Berlin Secession. Although he was primarily interested in painting portraits, he also spent some time with the history painter Wilhelm von Lindenschmit at the Academy of Fine Arts, Munich. In 1885, he set up as a portrait painter in Munich and befriended the art critic Richard Muther. In 1893, he moved to Berlin, where he opened a drawing and painting school for women. In 1898, he became one of the founding members of the Berlin Secession and sat on its advisory board. He operated his school intermittently until 1903, when he joined the Deutscher Künstlerbund. He also worked to promote younger artists, such as Arthur Segal, Alexej von Jawlensky, Adolf Erbslöh and others associated with Die Brücke. He was named a Professor at the Royal Academy of Arts in 1917.
