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Petrus van Schendel was a Dutch-Belgian genre painter in the Romantic style who specialized in nighttime scenes, lit by lamps or candles. This led to him being known as "Monsieur Chandelle".
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Max Ernst was a pivotal figure in the 20th-century art world, whose work transcended the boundaries of nationality and genre to leave an indelible mark on culture, art, sculpture, and painting. Born in Germany on April 2, 1891, and later becoming a naturalized American and French citizen, Ernst's career was a testament to his relentless innovation and creativity. Known primarily as an artist and painter, Ernst was a founding member of the Dada movement in Cologne before becoming a major proponent of Surrealism in Paris. His early encounters with the works of Pablo Picasso, Vincent van Gogh, and Paul Gauguin at the Sonderbund exhibition in 1912 deeply influenced his artistic direction, infusing it with elements of Cubism and Expressionism. Despite his lack of formal artistic training, Ernst's experimentation with techniques such as collage and frottage showcased his unique ability to blend the absurd with the sublime, making him a central figure in the artistic avant-garde of his time.
Ernst's work is notable for its exploration of the unconscious, using dreamlike imagery and symbolic figures to critique societal norms and delve into the chaos of the human psyche. His experiences in World War I profoundly impacted his worldview, leading to a deep skepticism of Western culture and an enduring search for meaning through art. This is evident in works such as "Europe After the Rain II," which reflects the devastation of war and "The Fireside Angel," inspired by the political turmoil of the Spanish Civil War, showcasing his ability to address contemporary issues through a surreal lens.
Ernst's contributions to art are preserved in major museums and galleries worldwide, including the Tate in the United Kingdom and the Museum of Modern Art in New York. His sculptures, paintings, and collages continue to be celebrated for their innovative techniques and imaginative scope, marking him as a revolutionary figure in modern art. Among his most significant works are "Ubu Imperator," "The Elephant Celebes," and "The Virgin Spanking the Christ Child before Three Witnesses," each reflecting his mastery over a diversity of mediums and themes.
For collectors and experts in art and antiques, Max Ernst remains a symbol of artistic freedom and exploration. His ability to navigate through various artistic movements while maintaining a distinct, innovative voice is a testament to his enduring legacy in the art world. To stay updated on new product sales and auction events related to Max Ernst, signing up for updates is a valuable opportunity for those deeply invested in the nuances of modern and surreal art.
Peter Lindbergh (born Peter Brodbeck) was a German fashion photographer and film director.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
George Grosz was a twentieth-century German painter, graphic artist, and cartoonist. In his work one can find features of various styles of avant-garde art, including Dadaism, Expressionism, and Futurism.
George Grosz drew in every style in a sharp-grotesque and satirical spirit, ridiculing the vices of society. The erotic theme, which occupied a prominent place in Gross's work, was executed in the same spirit.
Grosz devoted more than 20 years to teaching at the Art Students League of New York, and was elected an honorary member of the American and Berlin Academies for his outstanding services to the arts.
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Jean Dufy was a French painter of the late 19th century and the first half of the 20th century. He is known as a painter and designer who worked in various styles, including Cubism and Fauvism. Contemporaries appreciated Dufy's talent as a colorist who constantly experimented with colors, finding inspiration, in particular, in jazz music.
Jean Dufy preferred to depict life in Paris in his oil and watercolor paintings. One of his favorite subjects was the spectacle, especially the circus. Dufy was also in demand as a designer. For 30 years he designed porcelain and in 1925 at the International Exhibition of Decorative Arts, Dufy was awarded the gold medal for his design of the porcelain service Chateaux of France. Jean Dufy also helped his brother Raoul Dufy create a 600 square meter fresco for the Electricity Pavilion at the 1937 World Fair in Paris.
Jean Dufy's work was exhibited in prestigious museums and galleries throughout his career. Today his paintings are in the public collections of the Museum of Modern Art in New York, the Pompidou Center in Paris, the Albertina Gallery in Vienna and other world art centers.
William Nelson Copley was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art.
Tschang-Yeul Kim is a South Korean abstraction artist, one of the most famous figures in the history of modern Korean art.
He lived most of his life in Paris, France, where he developed his own unique style of painting. Tschang-Yeul Kim painted paintings with a variety of water droplets that appear to protrude from the canvases as if the canvas were "crying," but are in fact optical illusions.