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Peter Brüning was an internationally renowned German modernist painter and sculptor. His works of the 1950s can be classified as Informel.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Petrus van Schendel was a Dutch-Belgian genre painter in the Romantic style who specialized in nighttime scenes, lit by lamps or candles. This led to him being known as "Monsieur Chandelle".
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes.
William Nelson Copley was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art.
Paul Emil Jacobs was a German Orientalist painter and member of the Imperial Academy of Arts.
Jacobs was known for numerous paintings on Orientalist themes: harem beauties, picturesque Turks, and the slave market. He also painted scenes with religious and historical motifs.
Peter Doig, a Scottish painter, is renowned for his distinct, evocative style that captures elements of the natural world intertwined with a sense of the fantastical. Known for his vibrant use of color and imaginative landscapes, Doig's works often explore themes of memory and nostalgia, heavily influenced by his experiences in Canada, Trinidad, and the United Kingdom.
Peter Doig’s journey in the art world gained significant momentum after his education at Chelsea College of Arts, which was followed by his winning the prestigious Whitechapel Artist Prize in 1991. This recognition led to a solo exhibition at the Whitechapel Art Gallery where he showcased key works that helped define his career, such as "Swamped" and "The Architect's Home in the Ravine."
Throughout his career, Peter Doig has demonstrated a mastery of painting, evident in works like "White Canoe" and "Echo Lake," which reside in major collections such as the Tate and the Saatchi Collection. His art not only reflects his personal history and travels but also incorporates elements from cinema and photography, giving his paintings a dream-like quality that invites viewers to interpret their narratives.
Peter Doig's work has been exhibited worldwide, including significant retrospectives at the Fondation Beyeler in Basel and the Louisiana Museum of Modern Art in Denmark. His achievements in the art world have been recognized with numerous awards, including being named the 2017 Whitechapel Gallery Art Icon.
For those interested in the contemporary art scene, Peter Doig remains a pivotal figure whose works continue to inspire and provoke deep reflection. Art collectors and enthusiasts keen on following updates related to new sales and auction events featuring Doig’s work can sign up for targeted updates here.
Tiziano Vecellio, an Italian Renaissance painter from Venice, stands out as a pivotal figure in the art world, renowned for his versatility across various genres like portraits, landscapes, and religious subjects. His influence on the development of Western art, particularly through his revolutionary use of color, is profound and long-lasting.
Born around 1488/90 in Pieve di Cadore, part of the then Republic of Venice, Titian's talent was evident early on. He began his artistic journey in the studio of the Bellini brothers in Venice, later joining forces with Giorgione, another influential painter of the time. This collaboration marked the beginning of a distinguished career that would see Titian become the most sought-after painter in Europe, working for nobility, the Habsburgs, and the papacy.
Titian's style evolved significantly throughout his career. He initially gained recognition for his vibrant, luminous colors and later became famous for his loose brushwork and subtle tonality. This shift was not just a matter of aesthetics but also represented a deeper understanding of color and light. Titian's approach to painting, particularly his use of colore, where he juxtaposed colors to define compositions, contrasted sharply with the line-focused disegno technique of the time. This method contributed significantly to the distinctiveness of Venetian art.
Among his many patrons, Emperor Charles V and his son, Philip II of Spain, were perhaps the most notable. As their official painter, Titian created numerous portraits and mythological works that were celebrated for their psychological depth and expressive use of color. His 'poesie' series for Philip II, including famous works like "Diana and Actaeon," showcased his skill in portraying mythological narratives with a sense of drama and sensuality.
Titian's later works, created in the 1560s and 1570s, are particularly revered for their experimental nature, pushing his art towards what has been termed 'magic impressionism'. These works, like "The Death of Actaeon" and the unfinished "Pietà", demonstrate a radical departure from his earlier style and reflect a continued evolution even in his later years.
For art collectors and experts, Titian's oeuvre represents a crucial link in the history of European art, illustrating the transition from the Renaissance to a more modern, expressive form of painting. His mastery of color and light, combined with his ability to convey deep emotional resonance, continues to influence artists and captivate viewers centuries later.
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