old masters to impressionism
Paul Müller-Kaempff was a German painter, illustrator and lithographer. He is associated with the Düsseldorf school of painting.
Paul Müller-Kaempff was a German painter, illustrator and lithographer. He is associated with the Düsseldorf school of painting.
Rudolf Greve is a German modernist painter. He is best known for his landscape works.
Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
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Oscar-Claude Monet, a French painter, revolutionized the art world with his Impressionist style, fundamentally altering the path of modern art. Born in Paris on November 14, 1840, Monet's journey into art was a defiance of his father's business aspirations for him, fueled instead by his mother's support. His early education in the arts began at Le Havre secondary school, where he honed his skills through charcoal caricatures and later, under the mentorship of Eugène Boudin, delved into outdoor painting, a technique that would later define his career.
Monet's works, characterized by their vibrant light and brushed color, are renowned for capturing the essence of their subjects. He often painted the same scene multiple times to depict the changing light and seasons, which is vividly displayed in his series of Haystacks, Rouen Cathedral, and the famed Water Lilies. These pieces, among others, showcase his unique ability to blend color and light, bringing scenes to life in a way that was never seen before.
His most notable works, including "Impression, Sunrise" and the "Water Lilies" series, are celebrated worldwide and remain an integral part of major museum collections, such as the Musée d'Orsay in Paris and the Metropolitan Museum of Art in New York. Monet's dedication to capturing the natural world around him led him to reject traditional approaches to composition, color, and perspective. This approach not only set a new standard for art but also laid the groundwork for the Impressionist movement, influencing generations of artists to come.
As an art collector or enthusiast, the legacy of Monet offers an unparalleled glimpse into the genesis of modern art. His works are not just paintings; they are historical landmarks that mark the transition of art from traditional to modernist ideologies.
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Hermanus Koekkoek was a distinguished Dutch painter known for his marine art. As a member of the renowned Koekkoek Painting Family, Hermanus followed in the footsteps of his father, Johannes Hermanus Koekkoek, and his brothers, becoming an influential figure in the realm of maritime and landscape painting.
His art education began under the tutelage of his father and later extended to formal studies at the Rijksakademie in Amsterdam, where he honed his skills in marine art, a genre that he primarily focused on throughout his career. Hermanus's works exhibit a blend of Realism and Romanticism, drawing inspiration from the Dutch Golden Age of painting. His contributions to the art world were recognized with a gold medal at an exhibition held by Arti et Amicitiae, an artists' society in Rotterdam.
Hermanus Koekkoek's paintings often depict serene maritime scenes, showcasing his adeptness at capturing the tranquility and dynamism of the sea. His works were well received not only in the Netherlands but also in Germany and England, and today, they can be viewed in prestigious institutions like the Teylers Museum and the Museum Boijmans Van Beuningen.
For art collectors and enthusiasts, Hermanus Koekkoek's oeuvre provides a captivating glimpse into 19th-century Dutch marine and landscape painting, offering a testament to his skill and artistry in capturing the essence of the natural world and maritime life.
If you are intrigued by Hermanus Koekkoek's artistry and wish to stay informed about exhibitions, sales, or auctions featuring his works, consider subscribing to updates related to this esteemed painter.
Carl Ludwig Christoph Douzette, known as Louis Douzette, was a German landscape painter.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Julius von Ehren was a German post-Impressionist painter. He studied painting at the Academy of Fine Arts in Munich.
Julius von Ehren lived as a free artist in Hamburg since 1893. During study trips to the Lower Elbe region, he at first painted simple pictures of village life together with Thomas Herbst. He was particularly interested in interior lighting as well as village streets, landscapes and portraits.
Von Ehren was one of the young artists who were initially rejected by the established Hamburg art scene with their plein air paintings, often done in bright colours.
Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.
Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.
Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.
Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.
Heinrich Blunck, also Blunck-Heikendorf was a North German painter and lithographer.
Jan van den Hoecke (Dutch: Jan van den Hoecke, Johannes van den Hoecke) was a Flemish Baroque painter, a pupil of Rubens.
The young artist was trained in the studio of Rubens, where he was one of the main assistants of the famous painter. Then lived and worked in Italy, in Vienna at the court of the Holy Roman Emperor Ferdinand III Habsburg. After returning to Antwerp, Hoecke was court painter to Archduke Leopold Wilhelm of Austria. Here he completed his most important and complex commission, the design of a series of 12 wall tapestries for Leopold Wilhelm around 1650, and also made several portraits of his suzerain.
Jan van den Hoecke was the author of a number of monumental paintings influenced by Rubens and A. van Dyck, such as The Triumph of David (1635). He painted pictures on biblical, mythological and allegorical subjects, altarpieces for the churches of Flanders.
His brother was the battle painter Robert van den Hoecke (1622-1668).
Hermanus Koekkoek was a distinguished Dutch painter known for his marine art. As a member of the renowned Koekkoek Painting Family, Hermanus followed in the footsteps of his father, Johannes Hermanus Koekkoek, and his brothers, becoming an influential figure in the realm of maritime and landscape painting.
His art education began under the tutelage of his father and later extended to formal studies at the Rijksakademie in Amsterdam, where he honed his skills in marine art, a genre that he primarily focused on throughout his career. Hermanus's works exhibit a blend of Realism and Romanticism, drawing inspiration from the Dutch Golden Age of painting. His contributions to the art world were recognized with a gold medal at an exhibition held by Arti et Amicitiae, an artists' society in Rotterdam.
Hermanus Koekkoek's paintings often depict serene maritime scenes, showcasing his adeptness at capturing the tranquility and dynamism of the sea. His works were well received not only in the Netherlands but also in Germany and England, and today, they can be viewed in prestigious institutions like the Teylers Museum and the Museum Boijmans Van Beuningen.
For art collectors and enthusiasts, Hermanus Koekkoek's oeuvre provides a captivating glimpse into 19th-century Dutch marine and landscape painting, offering a testament to his skill and artistry in capturing the essence of the natural world and maritime life.
If you are intrigued by Hermanus Koekkoek's artistry and wish to stay informed about exhibitions, sales, or auctions featuring his works, consider subscribing to updates related to this esteemed painter.