painting flowers in a vase
Jakob Marrel was a German still life painter active in Utrecht during the Dutch Golden Age.
David Davidovich Burliuk (Russian: Давид Давидович Бурлюк), a pioneering figure of the Russian Futurist movement, was a Ukrainian poet, artist, and publicist, born in 1882 in Semirotovshchina, Kharkov, Ukraine, and died in 1967 on Long Island, N.Y., U.S. Known for his eclectic contributions that spanned poetry, painting, criticism, and publishing, Burliuk's work was instrumental in introducing the Russian avant-garde to Europe and the United States. Despite having a lesser volume of work in poetry and painting compared to his contemporaries, Burliuk's knack for discovering talent and promoting it was unparalleled. He was among the first to publish the works of Velimir Khlebnikov and to recognize the genius of Vladimir Mayakovsky, significantly contributing to their renown.
Burliuk's artistic journey was marked by his involvement with the Futurist and Neo-Primitivist movements. His early work, including an exhibition with the group Zveno ("The Link") in Kiev in 1908 and his participation in the Hylaea group, set the stage for his later achievements. He was a co-author of the influential Futurist manifesto "A Slap in the Face of Public Taste" in 1912, advocating for a break from traditional art forms and the embrace of modernity. Burliuk's commitment to Futurism was evident in his publishing endeavors and his collaborations with notable artists of the time.
In his later years, after emigrating to the United States in 1922, Burliuk continued to engage with the art world, contributing to pro-Soviet groups and publishing his works and those of his contemporaries. His efforts were recognized in several exhibitions, including a significant show at the Brooklyn Museum's 1926 International Exhibition of Modern Art. Despite facing challenges, such as being denied permission to visit his homeland by the Soviet government, Burliuk's influence remained steadfast. His legacy as a central figure in Russian Futurism and his contributions to the broader art movement are celebrated to this day.
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Jan van Os was a Dutch painter and a member of the renowned Van Os family of artists. He was born in Middelharnis. He was taught by Aert Schouman in The Hague, where he would spend the rest of his life. In 1773, he recorded in the painters' confraternity. Van Os is mostly known for his fruit and flower still life paintings, though he started his career painting seascapes. His floral still lifes were painted in the style of Jan van Huysum, with the flowers usually presented on a marble ledge against a green background. He was the father of artists Pieter van Os, Maria Margaretha van Os, and Georgius Jacobus Johannes van Os and grandfather to the painter Pieter Frederik van Os.
Heinrich Eberhard was a German modernist painter.
Eberhard studied at the Royal Academy of Fine Arts in Stuttgart, and was decisively influenced in his artistic development by the modernist pioneer Adolf Helzel (1853-1934). In 1920 he became a member of the Stuttgart "Üecht Group", which also included Willy Baumeister and Oskar Schlemmer, and was a member of the legendary Hölzelkreis.
Eberhard's oeuvre includes oil paintings, drawings, prints and stained glass windows and is characterized by a stylistic pluralism between expressive naturalism, cubist influences and abstraction.
During the Nazi "Degenerate Art" campaign in Germany in 1937, some of the artist's paintings were removed from galleries and destroyed, but in 1943 he was allowed to exhibit one canvas that met the tastes of the authorities. After the war, Eberhard continued to create with success, participating in exhibitions.
Heinrich Eberhard was a German modernist painter.
Eberhard studied at the Royal Academy of Fine Arts in Stuttgart, and was decisively influenced in his artistic development by the modernist pioneer Adolf Helzel (1853-1934). In 1920 he became a member of the Stuttgart "Üecht Group", which also included Willy Baumeister and Oskar Schlemmer, and was a member of the legendary Hölzelkreis.
Eberhard's oeuvre includes oil paintings, drawings, prints and stained glass windows and is characterized by a stylistic pluralism between expressive naturalism, cubist influences and abstraction.
During the Nazi "Degenerate Art" campaign in Germany in 1937, some of the artist's paintings were removed from galleries and destroyed, but in 1943 he was allowed to exhibit one canvas that met the tastes of the authorities. After the war, Eberhard continued to create with success, participating in exhibitions.
Leo Putz was a Tyrolean painter. His work encompasses Art Nouveau, Impressionism and the beginnings of Expressionism. Figures, nudes and landscapes are his predominant subjects.
Paul Mathias Padua was a German painter. He felt committed to the tradition of Wilhelm Leibl, a realist who was highly esteemed by Adolf Hitler, and was extremely successful as an artist during the National Socialist era.
Arnold Fiedler was German painter and graphic artist.
