peintures, dessins, aquarelles modernes

Heinz Werner was a German painter, graphic artist and porcelain artist. He lived and worked in Coswig and Meissen in Saxony.
Together with Ludwig Zepner and Peter Strang, he founded the Collective Artistic Development Department of the Meissen Manufactory.
Heinz Werner designed around 100 modern Meissen décors, including such popular ones as 1001 Nights, Midsummer Night's Dream, Blue Orchid on Branch and Hunter's Latin. Heinz Werner also created numerous unique pieces for the Meissen manufactory. There are several murals made of Meissen porcelain by the artist on and in public buildings. He mastered all artistic techniques. In addition to working with porcelain as a material, he especially cultivated watercolour, chalk and painting with oil and acrylic paints.


Alfred Otto Wolfgang Schulze, better known by his pseudonym Wols, is an eminent German artist whose work has had a significant influence on modern art. He was known for his abstract paintings, graphics and photography.
Wols' oeuvre was marked by an experimental approach and a distinctive style. The artist used unusual techniques such as spatula, drop, splatter and graphic elements to create an atmosphere of abstraction and unreality. His work was filled with emotional tension and intense effects of light and shadow.
Wols experimented with shapes and structures, creating paintings that at times seemed mystical and mysterious. He worked masterfully with contrasts and unusual compositions, which gave his works a unique and energetic quality. His work was an important contribution to the development of abstract art in post-war Germany.
Wols also showed a talent for photography, creating remarkably expressive and intriguing black and white images. He skillfully played with light and shadow to capture the moment and convey emotion.

Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.


Auguste Herbin was a French painter, celebrated for his contributions to modern art, particularly within the realms of Cubism and abstract painting. Born on April 29, 1882, in Quiévy, Nord, France, Herbin's artistic journey took a significant turn after he moved to Paris in 1903. Initially influenced by Impressionism and Post-Impressionism, his style evolved significantly after 1909 when he became acquainted with Cubism, a movement that significantly influenced his work thereafter. By 1917, Herbin was fully immersed in creating abstract compositions, pioneering a unique blend of geometric abstraction that became his signature style. His abstract work, characterized by simple geometric shapes and vivid, unmodulated colors, adhered to a personal theory of art he detailed in his 1949 book, "L'Art non-figuratif, non-objectif".
Herbin's influence extended beyond his paintings; he was a co-founder of the groups Abstraction-Création and Salon des Réalités Nouvelles, advocating for non-figurative abstract art. Despite facing a significant challenge in 1953, when he became paralyzed on the right side and had to adapt by painting with his left hand, Herbin continued to create art until his passing on January 31, 1960, in Paris. His unfinished work, themed around the word "Fin," marks the poignant end of his prolific career.
Today, Herbin's works are housed in prestigious public collections worldwide, including the Museum de Fundatie in Zwolle, The Netherlands; Kröller-Müller Museum in Otterlo, The Netherlands; National Galleries of Scotland; Matisse Museum in Le Cateau-Cambrésis, France; and the KUNSTEN Museum of Modern Art Aalborg in Denmark, among others. These institutions celebrate Herbin's legacy, showcasing his innovative approach to abstract art that continues to inspire artists and collectors alike.
For enthusiasts and collectors interested in modern art and the evolution of abstract painting, Auguste Herbin's works offer a rich exploration of geometric abstraction and its theoretical underpinnings. Sign up for updates on new product sales and auction events related to Auguste Herbin, and delve deeper into the vibrant world of one of France's pioneering abstract artists.


Émile Bernard, a French painter, was a significant figure in the Post-Impressionist movement. He is most famously associated with the development of Cloisonnism, a painting style characterized by bold outlines and flat, vivid color planes, and he played a role in Synthetism, a synthesis of forms and colors in art.
Bernard's artistic journey was influenced by his interactions with notable artists such as Paul Gauguin, Vincent van Gogh, and Louis Anquetin. His works, which often explored themes of symbolism and religious imagery, ranged from traditional paintings to engravings and illustrations. One of his notable works, "Madeleine au Bois d'Amour," is displayed at the Musée d'Orsay in Paris.
Despite his early success and influence, Bernard's artistic trajectory took a turn towards classicism later in life, distancing himself from the avant-garde styles he once embraced. His extensive travel experiences, particularly his time in Egypt, significantly impacted his art, leading to a broader range of stylistic elements in his later works.
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Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.


George Grosz was a twentieth-century German painter, graphic artist, and cartoonist. In his work one can find features of various styles of avant-garde art, including Dadaism, Expressionism, and Futurism.
George Grosz drew in every style in a sharp-grotesque and satirical spirit, ridiculing the vices of society. The erotic theme, which occupied a prominent place in Gross's work, was executed in the same spirit.
Grosz devoted more than 20 years to teaching at the Art Students League of New York, and was elected an honorary member of the American and Berlin Academies for his outstanding services to the arts.

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Balthus, a Polish-French artist, was a notable figure in 20th-century art, renowned for his unique approach to painting. Born Balthasar Klossowski de Rola in Paris in 1908, he delved into traditional European painting genres, such as landscapes, still lifes, subject paintings, and portraits. Despite the prevailing avant-garde trends, Balthus's work stood out for its introspective and often controversial portrayal of adolescent girls.
His art, marked by a dreamlike quality and a departure from modernist styles, drew the attention of prominent literary and artistic figures, including André Breton and Pablo Picasso. Balthus's early years were shaped by significant influences, including the poet Rilke, who supported his first publication at the age of 13. Throughout his career, Balthus maintained a distance from the conventional art scene, focusing on a deeply personal and evocative style that continues to captivate art collectors and experts.
Noteworthy works by Balthus reside in esteemed museums and galleries, reflecting his lasting impact on the art world. His paintings, characterized by a blend of realism and surreal undertones, invite viewers into a world of nuanced expression and complex emotion.
For art and antique collectors interested in Balthus's work, staying informed about upcoming sales and auction events is crucial. By signing up for updates, collectors can gain early access to valuable pieces and deepen their engagement with the artist's legacy. This subscription is specifically tailored to alert enthusiasts about new product sales and auction events related to Balthus, ensuring that aficionados don't miss out on valuable opportunities to acquire pieces by this iconic artist.

Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.

Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.


Walter Ophey was a German artist. He was known for his modernist paintings, which often depicted landscapes and still-life scenes.
Ophey studied at the Academy of Fine Arts in Düsseldorf. His early work was influenced by Impressionism, but he later became associated with the Expressionist movement.
In 1909 Ophey, together with some other Düsseldorf artists, formed the artistic group the Special Union (Sonderbund). The first chairman of the Special Union was the well-known German philanthropist and collector Carl Ernst Osthaus. In the following years this group became one of the most powerful avant-garde art movements in Germany.
Ophey's paintings are characterized by their bright colors and bold, simplified forms. He often depicted rural landscapes and still-life scenes, infusing them with a sense of emotional intensity. He was also known for his use of color, which he used to convey mood and atmosphere.
Ophey's work was exhibited extensively during his lifetime, including at the Berlin Secession and the Salon d'Automne in Paris. Despite his relatively short career, he was recognized as an important figure in the development of modernist painting in Germany.
