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Béla Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical painting.
Wilhelmus (Willem) Hendrikus Petrus Johannes de Zwart was a Dutch painter, engraver, and watercolorist with many connections to the Hague School and later associated with the Amsterdam Impressionism movement.
Gregor von Bochmann was a Baltic-German landscape and genre painter.
Anton Räderscheidt was a German painter who was a leading figure of the New Objectivity. Räderscheidt was born in Cologne. His father was a schoolmaster who also wrote poetry. From 1910 to 1914, Räderscheidt studied at the Academy of Düsseldorf. He was severely wounded in the First World War, during which he fought at Verdun. After the war he returned to Cologne, where in 1919 he cofounded the artists' group Stupid with other members of the local constructivist and Dada scene. The group was short-lived, as Räderscheidt was by 1920 abandoning constructivism for a magic realist style. In 1925 he participated in the Neue Sachlichkeit ("New Objectivity") exhibition at the Mannheim Kunsthalle.
Christa Näher (German: Christa Näher) is a contemporary German expressionist artist and university lecturer. Currently lives and works in Cologne.
Fritz Winter was a German painter of the postwar period best known for his abstract works in the Art Informel style.
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
