plexiglass case
Gianfranco Baruchello is an Italian artist, poet and film director. He was a partner of Marcel Duchamp who introduced him to the New York art scene, Pop Art and American Abstract Expressionism.
Carlo Mollino was an Italian architect, designer, photographer and educator.
Gabriella Crespi was an Italian artist-designer whose work spanned furniture design, jewelry and sculpture.
Giulio Paolini is an Italian artist associated with both Arte Povera and Conceptual Art.
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Daniel Spoerri was a Swiss artist of Romanian-Jewish descent, renowned for his contributions to the art world as a key figure in the Nouveau Réalisme (New Realism) movement. Born in Romania in 1930, Spoerri made significant strides in visual art, particularly in his development of "snare-pictures," a method where he captured a group of objects, such as table settings and the remnants of meals, in a state of apparent disorder yet meticulously fixed to the tabletop.
His works are celebrated for turning ordinary moments into a tableau of frozen time, capturing life's ephemeral qualities through the permanence of art. Notably, his piece "Tableau piège" involves the fixation of objects to a board or table, which is then displayed vertically, challenging traditional art display norms and viewer perceptions. This innovative approach allowed him to explore themes of consumption, waste, and the mundane, making the everyday profound.
Daniel Spoerri's art is housed in many esteemed institutions, including the Museum of Modern Art in New York and the Centre Georges Pompidou in Paris. His work continues to influence contemporary art, offering a unique perspective on the art of assemblage and the beauty in the banal.
For those interested in exploring more about Daniel Spoerri's life and works, or in keeping updated with sales and auction events related to his art, signing up for our updates is highly recommended. This subscription ensures you stay informed about the latest offerings and exhibitions featuring Spoerri's intriguing creations.
Jesús Rafael García Soto was a Venezuelan artist, renowned for his pioneering work in kinetic and op art, which sought to create an immersive experience that blurred the lines between the artwork and the viewer. Born in 1923, Soto embarked on a journey that would see him at the forefront of a movement that emphasized the visual dynamics of art, integrating sculpture, painting, and viewer participation in novel ways. His exploration of geometric abstraction and optical effects led to the development of his distinctive style, characterized by the use of materials such as plexiglass to create engaging optical illusions and vibrant, moving sculptures.
Soto's journey into the realms of kinetic art was marked by significant milestones, including his participation in the groundbreaking 1955 exhibition, Le Mouvement, at the Denise René gallery in Paris. This event was instrumental in defining the kinetic art movement, with Soto alongside artists like Yaacov Agam, Marcel Duchamp, and Victor Vasarely, presenting works that invited viewers to experience art in a dynamic, interactive manner. His quest for a new visual language led him to experiment with the dematerialization of form, creating artworks that seemed to dissolve into their surroundings, thereby challenging the viewer's perceptions of space and form.
Throughout his career, Soto remained dedicated to exploring the intrinsic relationships between space, movement, and viewer perception. His creations, ranging from the "Penetrables" series—immersive environments made of hanging strands that visitors could walk through—to large-scale murals and public sculptures, have been celebrated worldwide. His works are part of major collections and have been exhibited extensively, including at institutions such as the Museum of Modern Art in New York and the Tate Gallery in London, demonstrating his lasting influence on contemporary art.
For art collectors and enthusiasts intrigued by the fusion of art and motion, Jesús Rafael García Soto's work offers a profound exploration of the kinetic art movement's possibilities. His contributions to art are not just visual spectacles but invitations to engage directly with the kinetic energy and vibrancy of the world.
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