post war period
Edward Morgan Forster, English novelist, essayist, and critic, was a prominent literary figure of the early twentieth century. Born on 1 January 1879 in London and died on 7 June 1970 in Coventry, Forster's work was celebrated for its profound critique of social conventions, class distinctions and hypocrisy in British society. A member of the influential Bloomsbury group, Forster did not confine himself to novels, but also wrote essays, gave speeches and hosted programmes.
E. M. Forster was characterised by wit and a fine sense of irony. His novels, particularly A Room with a View, Howards End and A Passage to India, were recognised for their well-crafted plots and insightful social commentary. Not only have these works earned them a place in literature, but they have also been nominated for the Nobel Prize for Literature. The films A Room with a View and Howards End won Academy Awards and have been recognised and celebrated in film archives and retrospectives by film institutions.
Edward Morgan Forster's novels serve as critical social commentary of their time and remain relevant to this day. Those interested in the intersection of literary art and its influence on film can look to first editions of his works or objects associated with acclaimed film adaptations to add to their collections.
Edward John Burra was an English painter, draughtsman, and printmaker, best known for his depictions of the urban underworld, black culture and the Harlem scene of the 1930s.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.