rahmen (106 x 106cm)
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Thomas Ruff is a German photographer who lives and works in Düsseldorf, Germany. He has been described as «a master of edited and reimagined images».
Fred Thieler was a German abstract artist known for his colorful, gestural paintings. He was born in Königsberg, Germany, and studied at the Academy of Fine Arts in Königsberg before moving to Berlin in 1945.
Thieler's early work was influenced by the Expressionist and Surrealist movements, but he soon developed his own unique style characterized by bold colors and dynamic brushstrokes. He often used a palette knife to apply paint to the canvas, creating thick, impasto layers that added depth and texture to his works.
Throughout his career, Thieler participated in numerous exhibitions in Germany and internationally, including the Venice Biennale and Documenta in Kassel. He was also a member of the influential German art group "Quadriga," which included artists such as Bernard Schultze, Karl Otto Götz, and Otto Greis.
In addition to painting, Thieler also worked as a graphic designer and a teacher. He was a professor at the Academy of Fine Arts in Berlin from 1965 to 1981, where he had a significant impact on the next generation of German artists.
Thieler's work can be found in many private collections and museums, including the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Museum Ludwig in Cologne.
Hans am Ende was a German Impressionist painter.
In 1889 he co-founded the artists' colony in Worpswede with Fritz Overbeck, Otto Modersohn, and Heinrich Vogeler. In 1895 this group exhibited in the Kunsthalle Bremen and at the Glaspalast in Munich, which brought them national recognition. In 1900 the poet Rainer Maria Rilke travelled to Worpswede and befriended the artist's colony, eventually writing essays about each of its members.
Nan Goldin is an acclaimed American photographer renowned for her profound visual narratives that delve into her personal world, marked by themes of addiction, sexuality, and intimate relationships. Born in Washington, D.C., in 1953, Goldin's journey into photography began in the early 1970s, capturing the lives of those around her, forming a "substitute family" amid a backdrop of drugs, sex, and violence.
One of Goldin's most celebrated works, "The Ballad of Sexual Dependency" (1986), is a raw and intimate portrayal of her "tribe," documenting their lives through the late 70s and early 80s in New York City. This work, initially presented as a slideshow, captures moments of love, sexuality, and domestic life, transcending into a poignant narrative of the era's challenges, particularly the AIDS crisis.
Throughout her career, Goldin's photography has continued to evolve, exploring various themes and mediums, including film. Her work, deeply personal and often autobiographical, challenges conventional perceptions of beauty, identity, and relationships, offering a window into the complexities of human connection and the essence of her subjects.
Goldin's influence extends beyond the art world, with her activism, particularly against the opioid crisis, marking another significant chapter in her journey. Her profound empathy and commitment to portraying the raw, unfiltered realities of life resonate through her extensive body of work, which continues to be celebrated in exhibitions and collections globally.
For art collectors and enthusiasts, Goldin's work offers not just aesthetic value but also deep emotional and historical resonance. To stay informed about Nan Goldin's works and related updates, signing up for newsletters from prominent galleries or her exhibitions could provide valuable insights and opportunities for engagement with her art.
Lambert Maria Wintersberger was a German artist.
With other artists such as Markus Lüpertz, Karl Horst Hödicke, and Bernd Koberling, he helped found the Gallery "Großgörschen 35" in Berlin.
Lambert Maria Wintersberger was the laureate of the Centre Européen d'Actions Artistique Contemporaines in Strasbourg in 1992, and in 2005 and 2006, he was the guest artist at the Majolika Ceramic Factory in Karlsruhe.
Werner Scholz was a famous German-Austrian expressionist painter of the 20th century.
Kurt-Hermann Kühn is a German painter and graphic artist. He trained as a decorator and studied from 1946 to 1952 at the Academy of Graphic Arts and Printing in Leipzig and in Berlin at the Academy of Fine and Applied Arts.
Kurt-Hermann Kühn travelled to Syria and Egypt. These journeys are reflected in many of his paintings. In addition to his extensive painting and graphic work, he created many large-format murals, mainly frescoes. His portraits of women and erotic drawings have also attracted much critical attention.
