rahmen (37,5 x 27,5cm)
Peter Fischli and David Weiss, often shortened to Fischli/Weiss, were a Swiss artist duo that collaborated beginning in 1979. Their best-known work is the film Der Lauf der Dinge (1987), described by The Guardian as being "post apocalyptic", as it concerned chain reactions and the ways in which objects flew, crashed and exploded across the studio in which it was shot.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
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Marcel Dzama is a contemporary artist from Winnipeg, Manitoba, Canada who currently lives and works in New York City. His work has been exhibited internationally, in particular his ink and watercolor drawings. Dzama works extensively in sculpture, painting, collage, and film. The artist is also known for his intricate dioramas and large scale polyptychs that draw from his talents across a range of media. Dzama works in multiple disciplines to bring his cast of human figures, animals, and imaginary hybrids to life, and has developed an international reputation and following for his art that depicts fanciful, anachronistic worlds.
Robert Pudlich was a German graphic artist, painter, illustrator and set designer of the lost generation. His art was influenced by the New Objectivity. Pudlich belonged to the environment of the art dealer Johanna Ey. He was a member of the Rhenish Secession and the German Association of Artists. In 1936 he took part in the Nazi exhibition West Front in Essen. In 1937 his works were classified as degenerate art. After the Second World War, from 1947 Pudlich designed sets and costumes for productions by Gustaf Gründgens in Düsseldorf and Hamburg as well as for the Municipal Opera in Berlin. During this time he created a series of monumental murals, for example for the Düsseldorf Opera House. In 1955 he accepted a professorship at the Düsseldorf Art Academy.
Robert Pudlich was a German graphic artist, painter, illustrator and set designer of the lost generation. His art was influenced by the New Objectivity. Pudlich belonged to the environment of the art dealer Johanna Ey. He was a member of the Rhenish Secession and the German Association of Artists. In 1936 he took part in the Nazi exhibition West Front in Essen. In 1937 his works were classified as degenerate art. After the Second World War, from 1947 Pudlich designed sets and costumes for productions by Gustaf Gründgens in Düsseldorf and Hamburg as well as for the Municipal Opera in Berlin. During this time he created a series of monumental murals, for example for the Düsseldorf Opera House. In 1955 he accepted a professorship at the Düsseldorf Art Academy.
Anthony van Dyck, a Flemish painter born in 1599 in Antwerp and passed away in 1641 in London, is celebrated as one of the foremost Baroque painters of the 17th century. His notable contributions to the art world include his exceptional portraits of European aristocracy, as well as his religious and mythological paintings. Van Dyck's early exposure to art was influenced significantly by his apprenticeship with Hendrik van Balen and later, by the profound impact of working alongside Peter Paul Rubens. His mastery was recognized early on, leading him to set up his own workshop by the age of 15.
Van Dyck's journey to Italy in 1621 marked a pivotal phase in his career, allowing him to immerse himself in studying the Italian masters and commencing his successful stint as a portraitist. His style evolved under the influence of Titian, evident from his vibrant use of color and refined modeling of form. Van Dyck's Italian period not only honed his artistic skills but also established his reputation as a painter of consequence.
Upon returning to Antwerp, van Dyck's portraits became highly sought after, leading to commissions from notable figures such as Archduchess Isabella and Queen Mother Maria de' Medici. His role as a court painter further solidified in England under the patronage of King Charles I, where he was knighted and appointed as the principal painter, profoundly shaping the aristocratic character of Charles I's reign through his portraits.
Van Dyck's legacy extends beyond his death, having influenced English portrait painting for over a century. His innovative techniques in watercolour and etching, along with his sophisticated portrayal of subjects, continue to be admired. His art not only showcases his technical prowess but also reflects the cultural and social nuances of his era, making his work a significant study for collectors and art historians alike.
For enthusiasts eager to explore the intersections of art, history, and culture through the lens of Anthony van Dyck's work, staying informed about new discoveries and auction events is essential. Signing up for updates can provide exclusive insights into the world of one of the most influential figures in Flemish art. This subscription ensures that collectors and experts are well-informed of any developments related to van Dyck's oeuvre, enhancing their understanding and appreciation of his contributions to the art world.
