rahmen (40 x 35
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
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Bruno Goller was a German painter. He received his painting training from the Düsseldorf landscape painter Julius Jungheim. Bruno Goller belonged to the artists' community "Das junge Rheinland", which he joined as early as 1920. In 1928 he participated in the founding of the "Rheinische Sezession".
Blalla Wolfgang / Wolfgang Ewald Hallmann was a German painter and graphic artist. He deals with fundamental existential questions (religion, sexuality, ...) in a drastic, both blasphemous and obscene manner. Formally, it moves between surrealism, outsider art (Art Brut), folk art and numerous references to art history. In the 1980s, the cycle of "horror pictures" was created. In addition to other techniques, the reverse glass painting known from folk art is characteristic of him. In 1995/1996 Hallmann produced a series of 149 sheets of woodcuts in which he recapitulated his own career under the title “The Way, the Truth and Life”. He was a member of the artist trio around Herbert Haberl and Bernd Wangerin. In 1965 he was a founding member of a traveling theater that later became “Hoffmanns Comic Teater”. Members of this group later formed the rock band Ton Steine Scherben.
Gaspard Duguet, also known as Gaspard Poussin, was a French painter specialising in landscape painting. He was born into a family of French painters who settled in Rome.
Gaspard Duguet received his artistic training from his uncle, Nicolas Poussin, who was one of the leading Baroque painters. Duguet's early works were strongly influenced by Poussin's style, which emphasized clarity and orderliness of composition.
In the 1650s, Duguet began to develop a style of his own, characterized by his bold brushwork and vibrant use of colour. He became known for his ability to create dramatic and atmospheric landscapes, often depicting scenes from the Roman countryside.
Gaspar Duguet's paintings have a sense of grandeur and monumentality. His landscapes often feature classical ruins and ancient monuments, giving his works a sense of historical depth and resonance.
Louis Valtat was a French painter and printmaker associated with the Fauves ("the wild beasts", so named for their wild use of color), who first exhibited together in 1905 at the Salon d'Automne. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.
Winfred Gaul was a German artist of Informel and analytical painting.
