rahmen (50 x 44cm)
Marcel Dzama is a contemporary artist from Winnipeg, Manitoba, Canada who currently lives and works in New York City. His work has been exhibited internationally, in particular his ink and watercolor drawings. Dzama works extensively in sculpture, painting, collage, and film. The artist is also known for his intricate dioramas and large scale polyptychs that draw from his talents across a range of media. Dzama works in multiple disciplines to bring his cast of human figures, animals, and imaginary hybrids to life, and has developed an international reputation and following for his art that depicts fanciful, anachronistic worlds.
Marlene Dumas is a Dutch artist of South African origin. She is known for her figurative paintings that explore themes of identity, race, gender, and sexuality.
Dumas studied at the University of Cape Town and later moved to the Netherlands, where she earned a degree from the Ateliers '63 in Haarlem. Her early work was heavily influenced by the political and social climate in South Africa during the apartheid era.
Dumas' paintings often depict people in various states of vulnerability, intimacy, and emotion. Her works are characterized by loose, gestural brushstrokes, and a limited color palette. She frequently draws inspiration from popular culture, news media, and art history, often appropriating and reimagining images from these sources.
Dumas has exhibited her work extensively, including at the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Tate Modern in London. She has also received numerous awards and honors for her work, including the Johannes Vermeer Award in 2012 and the Premium Imperiale in 2018.
Frances Scholz is a vibrant figure in contemporary art and cinema. Scholz's education at the Hochschule der Künste in Berlin from 1982 to 1988 laid the groundwork for a career that spans painting, video art, and filmmaking. She is known for her conceptual approach to art, often blending narrative and abstraction to explore themes of memory, perception, and the construction of reality.
One of Frances Scholz's significant contributions to the art world is her film "Amboy," co-written and produced with science fiction writer Mark von Schlegell. Premiered in 2015, "Amboy" delves into the cultural mythologies and hallucinatory fabric of Los Angeles through a series of interconnected, unscripted encounters. The film is notable for its exploration of identity and the elusive nature of artistic legacy, set against the backdrop of the Mojave Desert's ghost towns. Scholz's work in "Amboy" exemplifies her interest in the intersection of narrative and visual art, utilizing a collaborative and open form of production that features contributions from notable figures in the art and entertainment industry.
Frances Scholz's artistry extends beyond filmmaking. She has exhibited widely, with notable shows at institutions such as the Chinati Foundation, where she held an open studio and screened "Amboy" in 2016, and solo exhibitions across the United States and Germany. Her work in group shows and solo exhibitions often reflects her multifaceted approach to media, including painting, video art, and installations, which are treated with the same editorial eye as her film material.
Currently living and working in Cologne, Frances Scholz continues to influence both the art and film worlds with her innovative projects. Her extensive body of work, including video art pieces like "The Moon" and "Awakening," and her involvement in collaborative projects, underscores her role as a dynamic force in contemporary culture.
For collectors and experts in art and antiques, Frances Scholz represents a unique investment in the overlap of visual art and cinema. Her ability to navigate and blend these worlds offers a rich tapestry of works that are both intellectually stimulating and visually compelling.
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